Breaking History

Sometimes the news moves so fast, you have to look closely to know if you’ve seen it before. And that’s what this show is about. Breaking History breaks down the news, by breaking down history. We cover everything from LBJ and the Roman Republic to Donald Trump and the chaos at Columbia. This twice a month show from The Free Press delivers the best historians, authors, and reporters by mining the archives of human experience to figure out the present. George Santayana wrote, “Those who do not remember the past are condemned to repeat it.” Tune in to Breaking History to resist the repetition. Learn more about your ad choices. Visit megaphone.fm/adchoices

*This episode originally ran on December 23, 2024 on Honestly with Bari Weiss*  Did you know that the Americans who wrote nearly all of the Christmas classics were . . . Jewish? Many of these songwriters were the children of parents who had fled Russia and other parts of Eastern Europe during the great wave of immigration between 1880 and 1920. Sammy Cahn, the son of Galician Jewish immigrants, wrote the words to “Let it Snow!” and was known as Frank Sinatra’s personal lyricist. There is also Mel Torme, the singer-songwriter responsible for composing the timeless “Chestnuts Roasting on an Open Fire.” His father fled Belarus for America in the early 20th century. Frank Loesser, a titan of Broadway and Hollywood musicals, wrote the slightly naughty “Baby, It’s Cold Outside.” He was born into a middle-class Jewish family, his father having left Germany in the 1890s to avoid serving in the Kaiser’s military. Johnny Marks, the man who gave us “Rudolph, the Red Nosed Reindeer,” “A Holly Jolly Christmas,” and “Rockin’ Around the Christmas Tree”—yes, he was also one of the chosens. Then there’s the greatest American composer of them all, Irving Berlin. His “White Christmas” is one of the biggest-selling singles in the history of American music. Berlin’s earliest memory was of watching his family’s home burn to the ground in a pogrom as his family fled Siberia for Belarus before emigrating to NYC in 1893. Eli Lake explores why and how it was that American Jews helped create the sound of American Christmas. Learn more about your ad choices. Visit megaphone.fm/adchoices

*This episode originally ran on November 12, 2024 on Honestly with Bari Weiss*  Even your most optimistic Mar-a-Lago member didn’t see Donald Trump winning the popular vote and taking all seven swing states. He even came within five points of taking the Democratic stronghold of New Jersey! So, what on earth does the Democratic Party do next? They can stay the course and resist. It’s what they did the last time Trump won. In the aftermath of Trump’s 2016 victory, America was stunned. Every time he opened his mouth, Trump exploded political norms, and the Democratic Party responded in kind. Being a mere opposition party—at least at that moment for the Democrats—was not strong enough for this situation they believed. Instead they needed to become a resistance. And while Democrats won in 2020, the resistance ultimately did not work. Democrats spent a decade telling Americans that Trump was an existential threat, yet Americans didn’t care. The Democrats’ goal was to scrub Trump from future history. Instead, he now controls it.  Democrats need to look inward if they want to have a shot at winning in 2028. They need to act like an opposition, not a resistance.  Eli tells the story of how a few centrist renegades saved the Democrats from oblivion 40 years ago. In 1984, after Ronald Reagan’s 525–13 Electoral College landslide over Walter Mondale, the Democrats were not just in disarray—they were on life support. And yet, eight years later, they found their savior: a young governor from Arkansas named Bill Clinton. And they remade their party. Learn more about your ad choices. Visit megaphone.fm/adchoices

*This episode originally ran on November 2, 2024 on Honestly with Bari Weiss*  Bullshit is an American tradition. Think the theatrics of P.T. Barnum, miracle products sold ad nauseam on television in the 1980s and, of course, politicians. Who can forget President Bill Clinton saying “It depends upon what the meaning of the word is is” during his grand jury testimony in the Monica Lewinsky scandal? And then there’s Donald Trump. He presents as a man with no fact-checking filter, someone happily buying his own convenient bullshit. That’s not quite the same thing as lying.   That isn’t to say Trump doesn’t lie. He’s a politician, after all. But he exists outside the binary of truth and lies. It’s the netherworld of flimflam, hyperbole, sales pitches, and ad copy delivered with all the quiet dignity of a wet T-shirt contest. Donald Trump is a very modern artist, weaving a barrage of anecdotes, fake and real statistics, gossip, and memes into a nebulous and suggestive species of patter.   Democrats have tried to paint Trump as an American Hitler, a Russian agent, a man consumed with evil and hatred. But what they fail to understand is that Trump’s casual relationship to the truth is an echo of past politicians. He is hardly the first bullshitter to ascend to the White House; he’s just the best ever to do it. He paints a picture of a reality he would like us to see, not as it really is.   In this respect, Trump is the crack cocaine variant of many of his predecessors. Ronald Reagan was a folksy, sentimental bullshitter, a president as a Hallmark greeting card. Bill Clinton was a slick bullshitter, perfect for spinning stories at the dawn of the cable news era. Eli Lake explores the soft spot that Americans have for bullshitters like Trump, and their disdain for liars like Richard Nixon. He argues that if you want to understand why Trump may be on the verge of winning the White House again, you have to reckon with our country’s relationship to the pungent brown stuff. It pervades everything from our economy to our culture. Bullshit is dangerous when it comes to science. But in politics, bullshit is sadly essential.  Learn more about your ad choices. Visit megaphone.fm/adchoices