Pablo Held Investigates

Pianist, composer & recording engineer Pete Rende joins Pablo Held to talk about strong melodies, finding your own voice and playing what you hear. Other topics include Pete’s whispering exercise, composing, working with jazz legends Paul Motian and Ron Carter, and his return to playing after a long break.

Saxophonist & composer John O’Gallagher joins Pablo Held to talk about sound and projection on the alto saxophone, his PhD research on late-period Coltrane, and how pitch-class set theory shapes his music. Other topics include stories behind the making of his new album ‘Ancestral’, playing together at Pablo’s ‘Alice Coltrane Tribute’ concert in Cologne, recording on Joe Henderson’s big band album, memories of Andrew Hill, and much more.

Larry Grenadier joins Pablo Held to talk about composing, comping, and working on clarity and technique on the bass. Other topics include memorizing songs, playing in different keys, and his experiences with Joe Henderson, Stan Getz, John Scofield, Brad Mehldau, Larry Goldings, Paul Motian, Masabumi Kikuchi, Billy Higgins, Guillermo Klein, Steve Swallow and Jack DeJohnette. They also reflect on Blossom Dearie, Paul Chambers, Jaco Pastorius’ ‘Word of Mouth’, Bill Stewart’s ‘Telepathy’, studying with Ron Carter, routines, self-doubt, and so much more.

Patrice Rushen joins Pablo Held to talk about composing for orchestras, films, and small groups; important orchestration lessons; and recording the ‘Joy Ryder’ album with Wayne Shorter. They also discuss witnessing a Weather Report recording session for ’Tale Spinnin’, a memorable meeting with Miles Davis, sight reading, her technique and touch on the piano, the Fender Rhodes, memories of seeing Herbie Hancock’s ‘Mwandishi’ band live, performing & rehearsing with Prince, singing and much more.

Drummer Kush Abadey joins Pablo Held to talk about mental practice, time feel, drum tuning, lessons learned from playing with Wallace Roney, Tomasz Stanko & Buster Williams, recording Melissa Aldana’s new album with Gonzalo Rubalcaba, the art of playing brushes, clarity, Miles Davis’ ‘Complete Concert 1964’ album and much more.