The Price of Music

• Why have The 1975 deleted a song? Can YOU tell the difference between AI music & real music (Answer: no.); An answer to why Fleetwood Mac are *still* popular; And music made £8bn for the UK in 2024…

  Have you heard the now-legendary post-show "lock-in" section, just for our ⁠Patreon Superfans⁠? Try it for FREE!: https://www.patreon.com/c/thepriceofmusic/membership=======Your weekly guide to the music biz and how it all works. In this week’s episode of The Price of Music, our dynamic duo Steve and Stu grapple with the following:Stu’s Big Number is 713 million – and you are quite possibly one of them. But what is it?Can YOU tell the difference between human-made music and AI-generated music? A study suggests: almost certainly not.The 1975 have deleted a song from their last album on streaming services... because frontman Matty Healy didn’t like it any more. (And are artists, as Steve says, often bad judges of whether their songs are actually any good?)Music contributed a record £8 billion to the UK economy last year... but why is there still a reason to be concerned?Last week Steve said he couldn’t understand why Fleetwood Mac’s ‘Rumours’ is still popular … well, it turns out someone literally wrote the book that answers the question.A quick update on the music biz deals with AI companies and what they mean for musicians;Music Venue Properties, which saves UK grassroots venues from closing, has bought two more venues;A vinyl record made using… coal dust?Thundercat’s remix of Diana Ross’ ‘Upside Down’ can be listened to via – oh yes – a ‘bone-conduction lollipop’.And in the special post-show lock-in section just for our Patreon Superfans, Steve and Stuart prop themselves at the bar to chat about:97% of people can't tell AI music from human music. Stu is going to put Steve to the test by playing an AI song about… rock bands in Camden.The Grammy Awards nominations have been announced - including one for… Milli Vanilli?More on the ‘live show value for money’ debate… featuring Radiohead!All-seater shows in small venues – Steve’s got a puzzler for Stu about Southampton Joiners...As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠[email protected]⁠⁠See you next week!Steve and Stuart======Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠[email protected]

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• Major label Universal to make AI-music service with Udio; How did Billie Eilish annoy Billionaires?; Spotify under fire over controversial ICE ads; Why are there no rap tracks in the US Top 40?

  Your weekly guide to the music biz and how it all works. And in this week’s episode of The Price of Music, Steve and Stu grapple with:Stu's Big Number is 11.5 million – but what does it have to do with Billie Eilish and a room full of billionaires?One AI-music company is working on a new service with the world’s biggest major label... so will be be able to create our own sound-a-like tracks?How Spotify is coming under fire in the US over controversial ICE ads running on its service.For the first time in 35 years, there are no rap tracks in the US Top 40 singles chart. So what's happened?A new tech startup in the UK wants to help musicians ‘poison’ their own recordings - how is that a good thing?Also! Please let us know what you'd like to hear more of in TPOM in our listeners' poll! Click here: https://www.patreon.com/posts/listeners-poll-142732962 – or if you're on Spotify you can find the poll beneath the show!And in the special post-show lock-in section just for our Patreon Superfans, Steve and Stuart prop themselves at the bar to chat about:Steve went to see his favourite new band Little Grandad again. But how much should emerging artists charge for tickets?And how long should a band’s set be, does a three-hour stadium set make your heart sink, and what its your ideal set length?Why are so many people treating the lyrics from the new Lily Allen album as if they are literally true?What are Steve’s (frank) thoughts on Fleetwood Mac’s “Rumours”?Which albums are hanging around in the charts for years – and how many weeks has ABBA Gold been in there?As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠[email protected]⁠⁠See you next week!Steve and Stuart======Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠[email protected]

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• Fans First: Lord Kevin Brennan on fixing live music from the ground up - Bonus Episode

  Bonus episode! Steve is joined by Lord Kevin Brennan, the ex-MP – and now member of the UK's House of Lords – who is also a musician, and has been described as “a writer of songs and a righter of wrongs.”He talks to Steve about his leadership of the UK parliament’s new fan-led review of live and electronic music, with the aim of improving the sustainability of grassroots live and electronic music to safeguard the success of the wider UK music industry.. You can take part in this review right now – just go to https://committees.parliament.uk/work/9161The initiative seeks to place fans’ voices at the centre of decisions about ticketing, venues, accessibility, and transport, similar to football’s fan-led reform from a few years ago. Lord Brennan stresses that live music depends on fair treatment of fans and transparency over ticket pricing, fees, and resale practices. Lord Brennan argues for a “fans’ charter” to ensure shared values across the live sector, from small venues to major promoters. Drawing from his experience in Parliament and his previous inquiry into music streaming, he also explains how policy can protect grassroots venues, improve access and late-night transport, and encourage community ownership models. He also exclusively reveals the future plans for his cross-party, all-MP band with the pun-tastic name of... “MP4”.As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠⁠[email protected]⁠⁠⁠See you next week!Steve and Stuart======Support The Price of Music on Patreon:⁠⁠⁠⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠⁠[email protected]

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• Steve & Stu answer listener's questions: Why do ticket prices vary so much at the same venue? Why are some songwriter credits missing on streaming platforms (and do they still get paid)?

  Your weekly guide to the music biz and how it all works. In this week’s episode of The Price of Music, Steve and Stu dip into the postbag and answer some very astute listeners’ questions which get to the heart of music streaming and live music!Matt asks why ticket prices can vary so much at the same venue? And he has a good real-world example: Maximo Park and Suede are playing Cambridge Corn Exchange soon – and tickets for Maximo Park £36.50 and Suede’s are £45.50. If they both sell out, Suede will be making an extra £12,600 a night by his calculations. But does it really work like that? And why do the prices vary? Steve has dug in and found out.Richard asks about the credits information for songs on Spotify – and he has noticed that there’s missing or incomplete information – so does this mean the songwriters don’t get paid properly? Where is all this information anyway? And how is this one of the music industry’s “big, big problems,” as Stu puts it? AND: look out later this week because we've got a bonus episode on its way . We'll bring you an actual Lord: Steve will be joined by Lord Kevin Brennan, the ex-MP – and now member of the UK's House of Lords – who talks to Steve about his leadership of the UK parliament’s new fan-led review of live and electronic music, with the aim of improving the sustainability of grassroots live and electronic music to safeguard the success of the wider UK music industry.As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠[email protected]⁠⁠See you next week!Steve and Stuart======Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠[email protected]

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• Spotify will launch an AI-music service... but what might it be – and will artists get paid? MTV shuts its music video channels; The Irish basic income for musicians; and Stu sings Baby Shark (again)

  Your weekly guide to the music biz and how it all works. In this week’s episode of The Price of Music, Steve and Stu crunch the numbers and figure out...Exactly how much does a Mercury prizewinner’s streams really go up after a win?Spotify is going to make a licensed AI music something – but what is it going to be? And will artists get paid?Is TPOM now a Baby Shark fan-podcast? Steve politely requests that Stu stops singing a mooted Peppa Pig/Baby Shark collaboration.In Australia, people are listening to less music by Australian artists (and it’s the same in the UK too) … so what are they listening to instead? And what can be done to increase fans’ local listening?MTV is shutting down its last music channels – so are we witnessing the death of the music video?What about Ireland’s idea of a basic minimum income for musicians?And in the special post-show lock-in section just for our Patreon Superfans, Steve and Stuart prop themselves at the bar to chat about:Festival Goose Poo Vacuuming!What did Steve chat about with Damon Albarn in the 100 Club last week (and what drink did he order?)Steve has some exclusive hints about the forthcoming John Niven-penned Britpop musical!More on the UK’s Mercury Music prize - and the growing gap between the pop-single megastars at the top and the more niche album-oriented artists at the bottom.What are the benefits of Neil Young being grumpy (or bold and individualist, depending on your perspective)?As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠[email protected]⁠⁠See you next week!Steve and Stuart======Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠[email protected]

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