The Memory Palace

The Memory Palace is a proud member of  , a collective of independently owned and operated podcasts. Help support this show and the network that makes it possible by making a donation today. Make your mark at A note on shownotes. In a perfect world, you go into each episode of the Memory Palace knowing nothing about what's coming. It's pretentious, sure, but that's the intention. So, if you don't want any spoilers or anything, you can click play without reading ahead. Music , from Agnes Obel.  by Mica Levi and Oliver Coates.  by Federico Albanese. by Mal Waldron.  by Hiroshi Yoshimura. Notes There are two lovely books I relied on heavily for this story: by Julia Dockery Smith.  And Rosemary Read's . 

The Memory Palace is a proud member of  , a collective of independently owned and operated podcasts. A note on shownotes. In a perfect world, you go into each episode of the Memory Palace knowing nothing about what's coming. It's pretentious, sure, but that's the intention. So, if you don't want any spoilers or anything, you can click play without reading ahead. Anyway... **Music ** from Chapelier Fou. A smidge of [Equality Under the Law](http://: ) from John Williams score to Lincoln. (Instrumental) from Laura Veirs. by Julian Lage & Chris Eldridge Some of by David Lang [Serenade for Alto Saxophone and Strings: IV Stella’s Dance](http:// ) by David Liptak Johnny Griffin’s version of [Woody’n You](http:// ) Last Days of Summer by Maria Avos Notes This story started by reading , Evan Thomas’ history of the Spanish American War. Doris Kearns Goodwin adds more in . Lodge’s is here. Robert Grant’s is . Henry Adams’ is .

The Memory Palace is a proud member of  , a collective of independently owned and operated podcasts. A note on shownotes. In a perfect world, you go into each episode of the Memory Palace knowing nothing about what's coming. It's pretentious, sure, but that's the intention. So, if you don't want any spoilers or anything, you can click play without reading ahead. Anyway... This episode was originally produced for an of Radiolab from WNYC, released in August of 2019. Music from Krzysztof Komeda’s Knife in the Water. [The Mistral Noir](http:// ) by Daniel Herskedal. [Trakors](http:// ) by 1900. by Deaf Center. [Leaping Dance](http:// ) from the Netherlands Wind Ensemble And from Rob Simonson’s score to the Final Member. Notes This episode relied heavily on the work and research of Professor as a guide and jumping off point for other research.

The Memory Palace is a proud member of  Music First up is   from Nico Muhly’s score to How to Talk to Girls at Parties.  by Colleen. Edward Hong’s arrangement of   from the Smoke and Mirrors Percussion Ensemble. The solo version of   by Bing & Ruth  by Colin Stetson and Sarah Neufeld Notes Here’s Shane DuBay and Carl Fuldner’s   in the Proceedings of the National Academy of Sciences, including Fuldner’s remarkable photographs.

The Memory Palace is a proud member of  , a collective of independently owned and operated podcasts. Help support this show and the network that makes it possible by making a donation today. Make your mark at  This episode was commissioned by the KeyBank Rochester Fringe Festival with funding from the New York State Council on the Arts A note on shownotes. In a perfect world, you go into each episode of the Memory Palace knowing nothing about what's coming. It's pretentious, sure, but that's the intention. So, if you don't want any spoilers or anything, you can click play without reading ahead. MUSIC by Joep Beveng by Goldmund from Joel P West's score to Band of Robbers. by Kelpe.