HERE COMES THE BACKKLASH

24 hours ago, America and Israel dropped their surprise Middle East collab: World War III.
In this emergency broadcast, takecel emeritus and octolectical oracle DJ POOLHOUSE breaks down Trump’s sudden escalation with Iran, the awkward theatrics of a neocon nuclear timeshare infomercial, and the deeper engine behind it all — a force Poolhouse calls ESKATOPOLITIK: the eschatopolitical end-times fanaticism driving modern geopolitics.
This “surprise” attack isn’t about nukes or negotiations; it’s about a fanatical appetite for destruction and a devotion to chaos as religion.
In this fiery transmission, you’ll find no e-right war-bait, no regime-change psyops, and no leftist hand-wringing. This is HERE COMES THE BACKKLASH — where Dayglo Patriotism reigns: neon vibes, anti-war clarity, anti-apocalyptic thinking, and a fiercely pro-American commitment to self-determination.
It’s time to tune in to Poolhouse and lock tf in.
Sudden clarity is your cultural counterstrike.

Ways to Find Poolhouse (maybe):
SUBSTACK.COM/@POOLHOUSE
INSTAGRAM.COM/DJPOOLHOUSE
LINKTR.EE/DJPOOLHOUSE
Some recent Poolhouse wartime bangers:

memes like this is why I got meself kicked out of the conspiracy left and the dissident right!
these Bibi x Charli XCX edits did a real number on some people everybody:

“The most bitter news” - The Guardian

Up the Hill Backwards (Hans Richter by way of David Bowie) –
The Secret Symbol of the Lincoln Memorial:
Episode Mixtape:



This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit backklash.substack.com

Poolhouse saves the most salacious takecel transmission of the week for last.
In a grimy late-night sweep through celebrity true crime, TRUE CRIME TAKECEL BODEGA pulls back the curtain on three cases where the headlines don’t match the horror beneath.
First: Rep. Tony Gonzales’ explicit texts with staffer Tony Gonzales explode into public view—only for the story to take a grisly turn when the staffer, Regina Santos Aviles, dies in a shocking manner. Why did a key detail feel buried beneath clickbait scandal?
Then: developments in the D4VD case. The Gen-Z alt-pop phenom’s orbit grows darker as court maneuvers in Texas accidentally unseal grand jury filings tied to the death of 14-year-old Celeste Hernandez. What began as rumor becomes documented fact when dismemberment details surface—not through Los Angeles authorities, but through sunshine-law disclosures in another state. Why were records sealed? Why the narrative control? And who benefits from keeping the commercial machine intact?
Finally: where are the autopsies in the Reiner murders? As Rob Reiner and his wife Michelle Singer Reiner’s deaths are attributed to their son, conflicting reports swirl—blocked reports, incomplete reports, sealed findings. How does an autopsy become both “blocked” and “not completed”? And what does that tell us about how celebrity crime is packaged for public consumption?
Poolhouse threads it all together: media spectacle vs. buried facts, sealed records vs. accidental disclosures, and the eerie pattern of narrative management in high-profile cases.
Late night. Low light. No spin. Detective Poolie is on the case….
Ways to Find Poolhouse (maybe):
SUBSTACK.COM/@POOLHOUSE
INSTAGRAM.COM/DJPOOLHOUSE
LINKTR.EE/DJPOOLHOUSE
The Interscope Records logo:
That famous “FBI warning”:
lyrics from D4VD’s most famous song, titled “Romantic Homocide”
December 2025, the autopsy is “blocked”
Feb 2026, the autopsy is “not yet complete”:
Steve Fisher, private investigator, on X.com:

Episode Mixtape
Bedrock feat. BYO - For What You Dream Of
Scissor Sisters - Comfortably Numb (Norman Cook Remix)
Strafe - Set It Off (12” Disco Mix)
Grace Jones - Unlimited Capacity for Love
First Choice - Let No Man Put Asunder (Shep Pettibone 12” Mix)


This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit backklash.substack.com

MERCURY RETRO MANIFESTO isn’t just another manic burst of radio static from across the Void. This is Poolhouse forming the Product by harnessing the turbulence of the times. Each transmission represents a transmutation of chaos and a translation of the confusion that imbues the present moment… aka RIGHT NOW… which is all that ever was, is, or will be.
With Mercury backing up through his nervous system, the usual Backklash diplomacy evaporates. What’s left is a raw manifesto: the sky as code, commerce as star-charted ritual, and the new media era demanding media-market literacy — not just old-fashioned “media literacy” (which might not be what leftists think it is).
Tonight’s transmission is a day-glo mindbeam across a neon dream nightscape from the Starship Backlash. The timeline is awash in cops and slop, high as hell on its own supply of opaque cashflow and doomsday clown-machine energy. When the future becomes just another rug-pull flop asset, Poolie’s answer is new rhythms. When they put you in the crystal, Poolie’s answer is to turn it into a subterranean discotheque.
The counter-vibration of the Pool Man continues.
THIS IS HERE COMES THE BACKKLASH.
Ways to Find Poolhouse (maybe):
SUBSTACK.COM/@POOLHOUSE
INSTAGRAM.COM/DJPOOLHOUSE
LINKTR.EE/DJPOOLHOUSE
EPISODE MIXTAPE
Level 42 - World Machine (US Dub)
Felix da Housecat - Analogue City
Fischerspooner - The 15th (Felix da Housecat Vocal Mix)
The Other Two - Selfish (US 12” Mix)
ULTIMATE EURODANCE CONSPIRACY PROJECT - ENHANCE THE TRANCE (Helsinki Mix)
Poolhouse on the “eschatopolitical” / eskatopolitik:


This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit backklash.substack.com

In this brief “State of the State” address, Poolhouse delivers his own response to the State of the Union—less a policy rundown than a spiritual audit of America itself. He asks what it truly means to be the state, to be American, and how to protect the American middle class and spirit from outside forces which are quietly demolishing these things in real time.
Framing the nation as both a spiritual covenant and an experimental project, Poolhouse challenges listeners to reclaim an American culture rooted in freedom, rebellion, and collective individuality. Rather than pledging allegiance to personalities or parties, he calls for Americans to defend their liberties, demand dignity in leadership, and actively create a culture worthy of preservation.
This is no rambling speech from the podium—it’s a targeted takecell transmission from points beyond, beyond, beyond. In this invigorating aural blast, Poolhouse enters the discourse with something unmistakably American.
Ways to Find Poolhouse (maybe):
SUBSTACK.COM/@POOLHOUSE
INSTAGRAM.COM/DJPOOLHOUSE
LINKTR.EE/DJPOOLHOUSE
EPISODE MIXTAPE
Peaches - Lovertits
Earl Venus & Eternity – Time Tunnel
Time Zone - World Destruction
Jamiroquai - Main Vein (Knee Deep Club Mix)

Poolhouse felt it was important to include this image of his “sick zoom background” (?)


This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit backklash.substack.com

In this transmission, Poolhouse looks at the public reaction to the Epstein affair through two contrasting responses from within the music industry. One artist—Bethany Cosentino of Best Coast—cuts ties with Casey Wasserman’s talent agency after his name appears in the files. Another—Alexis Krauss of Sleigh Bells—chooses to remain and publicly explains why.
Poolhouse analyzes how the profound darkness of the Epstein affair is flattened by a media market determined to process its malevolence through a reductive “MeToo” lens. At the heart of his inquiry is the very impulse to rush to judgment: the speed of accusation, the hunger to center one’s own victimhood and perform performative activism through public relations, and the timeless ritual of public blame.
Through the lens of Romans 2:1, Poolhouse asks whether the rush to judgment obscures a harder truth—that participation in modern civilization requires an unspeakable violence, one that may implicate us all to varying degrees.
What if righteousness requires temperance? What if understanding demands that we confront not only individual wrongdoing, but the larger machine we collectively sustain? This episode explores complicity, conscience, and the difficult discipline of withholding condemnation in an age addicted to it.
Ways to Find Poolhouse (maybe):
SUBSTACK.COM/@POOLHOUSE
INSTAGRAM.COM/DJPOOLHOUSE
LINKTR.EE/DJPOOLHOUSE
that iconic “Yung Poolhouse” image everyone loves (to hate):
Source inspo: Poolhouse’s iconic “Rare Alt Unabomber” avatar

Full show notes available at: backklash.substack.com
Romans 2:1
Best Coast’s Beth Cosentino’s statement on the Casey Wasserman affair:
Please note that the fact that Casey Wasserman dated Ghislaine Maxwell from 2001-2003 has been public knowledge for two decades. Ghislaine Maxwell was convicted for her role in the Epstein affair in 2022. Four years elapsed before any artists cited the Epstein-Mazwell connection as the reason for their departure from Wasserman’s agency.
Alexis Krauss (Slay Bells) statement on why she isn’t leaving Wasserman (full statement here).
The left responded to Krauss with their trademark cunty attidues:
Let us know how all that organizing goes, you miserable fucks! 😛
Episode Mixtape
Felix da Housecat featuring Vanfave - NIGHT MACHINE
Earl Venus & Eternity – Time Tunnel
Level 42 - World Machine (US Dub)
ULTIMATE EURODANCE CONSPIRACY PROJECT – ENHANCE THE TRANCE (Teutonic Dub)



This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit backklash.substack.com