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HERE COMES THE BACKKLASH

produced by @DJPOOLHOUSE for backklash
HERE COMES THE BACKKLASH
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  • I WAS THERE: DAS RACHEL DOLEZAL
    Pon di sound ah di siren — it’s di return ah MI DEH DEH — that’s patois for I WAS THERE™, your (new?) favorite internet radio call-in show. Twinkling like a 7-11 gas-station beacon on a lonely interstate somewhere between Sacramento and… Bloomfield, Indiana?… it’s your boys OSO and POOLHOUSE, two uncs with some funk in the tunk and way too much spunk, coming at you with some REAL TING RADIO!As is often the case, this episode began as open lines, but it quickly became clear that God’s Plan for Us would be revealed when a recurrent theme emerged — culminating in tonight’s centerpiece:THE REDEMPTION OF MISS RACHEL (DOLEZAL).Poolhouse is a longtime Dolezalian stan (and something of a Dolezalian figure himself, tbh), and he and the gang make a surprisingly persuasive case in the ongoing #JusticeForRachel struggle. “SHE DID NOTHING WRONG.” Will 2026 be the year of the post-racialist mystery-meat nationalists?Also: tensions escalate between Oso and Film Twitter — but can he depend on the I WAS THERE gang for backup? Indie sleaze, ice-reggae, X reveals who the true Third-Worldists are, and Poolhouse transwers Oso’s questions about Scott Pressler.Cock-rocking the vote against bush… on the next I WAS THERE. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit backklash.substack.com
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  • ICE REGGAE TWO
    DJ POOLHOUSE is JAH “KK” FRÖSZT and this is… ICE REGGAE TWO“There’s a common perception that reggae, dub, or dancehall are ‘boring.’ I get why—Jamaican and island sound systems are built for a completely different mode of listening than what most audiences are used to today. My goal was to bring the spirit of the pop DJ to reggae and island music — to repackage the product as a love letter, a celebration of its vitality, and a reminder of how deeply it has shaped every form of popular music we hear today.” —DJ POOLHOUSEICE REGGAE - WTF IS IT ANYWAY“Ice reggae is a ‘retcon’ genre and subculture of sorts, I suppose — but ultimately it is a thoughtform. It’s an exploration of new modes of ‘rastafication’ in the age of digital filters and viral mime. Is ‘ice reggae’ a form of cultural appropriation? Absolutely. But it is done in the spirit of One Love and in the Word of Jah the Most Chill. It is created with the hope that it will lead curious listeners back to the True Source of the culture. With ice reggae, both as a thoughtform and as a product, I only hope to partially unlock the Mysteries of the Dubplate for the casual Icestafarian.” —DJ POOLHOUSEThere are four working definitions for this retconned genre, which was created in the spirit of one love, one world harmony.Global Reggae ProductionReggae made outside Jamaica — from Iceland to China. Cold-climate riddims, tropical soul. Reggae Pop Crossovers & Pop Flirtation with Jamaican Sonic Elements:When pop puts on the Rasta wig so to speak — dancehall beats, island flavor, or reggae/dub-style remixes. Ace of Base. Dabblings by Nelly Furtado, Nicki Minaj, Drake etc. SNOW (hello!). Carly Simon’s Paradise Garage banger - “Why.” Or, when “Island music” goes international - Shaggy hits, Rihanna “Pon di Replay” (and I feel her Rated R LP is even more so a definitively ice reggae piece); and other iconic entries from the reggae / dancehall / dub etc. Dub DNADub science is at the root of modern studio pop production. Everything from hip hop to EDM to top 40 productions contain Jamaican dub wizardry into their sonic archietcure. Thus, “ice reggae” can conceivably be any any music demonstrating an influence of Jamaican studio technique — echo, delay, bass, and sound system roots (this would, by definition, include all of reggae in “ice reggae”!). Locating the “dub DNA” in recordings allows us to use “ice reggae” to make new connnections in sound (and also represents a praxis of Poolhousean Product Theory – more to come)Ice Reggae EditsFan-made reggae/dub remixes of pop songs, created in the playful, global spirit of ice reggae, represents the emergent fourth pillar of our ice reggae pop art contagion. “I am a true studio DJ. I can mix records live — and did so frequently for this mix — and keep the party rocking… but my powers as a Master of the Mix really come alive in the studio, where I can fully explore the limits of the idea of the ‘Deejay as Artist,’ or what I call a ‘pop art producer,’ a concept that I think we, as a species, have only just begun to appreciate.” —DJ POOLHOUSEIce Reggae is not just a genre—it’s a way of life. Revealed to DJ POOLHOUSE (known here by his Icestafarian name, Jah “KK” Frözst, aka Jacquesques Fröszt) one cold northern night at the bottom of a frozen gravity bong, through divine intervention by Jah the Most Chill, ICE REGGAE ONE is a continuous deejay mixtape that blends dub, dancehall, Eurodance, white rasta punk, 2-Tone, drum & bass, and ‘90s club cultures into a sound both icy and warm, White & Black, Arctic & tropical.It’s frozen disco dub meets sunlit trip hop and bass-heavy indie dance. Frosted steel drums. Sweaty melodica riffs. Pop house soaked in echo. Ice Reggae is the sun on a snow-covered beach. Ice reggae is a Revelation of the soulsonic force and the next chapter in the Plan of the Mega Jam.Rooted in the versioning tradition of dub, Ice Reggae toasts, remixes, and reinvents itself with every thunderclap and chilly echo of the frozen steel drum. ICE REGGAE TWO is the icy-hot second installment of nonstop ice reggae pop soundclash experience from DJ POOLHOUSE/SPLISH KLASH, comin’ atcha inna dub stylee. This arcto-tropical transmission is Blessed by the icy breath of Jah the Most Chill…One Love, One Jah. Freeze dem sound![Backklash Communications, 2025.]BY DI COMMANDMENT AH JAH: PLAY WAAN TIME B4 YA READ MI TRAXX!!!BY DI COMMANDMENT AH JAH: PLAY WAAN TIME B4 YA READ MI TRAXX!!!BY DI COMMANDMENT AH JAH: PLAY WAAN TIME B4 YA READ MI TRAXX!!!... JAH SE DIS A 4 DI TRUE IZREALITES ONLY!!NAH WI ALL DUE…. DI ICE REGGAE TRACKLIST (WITH MAD RESPECT AND LOVE TO ALL OF THE ARTISTS AND PRODUCERS OF THIS BEAUTIFUL MUSIC) …………DJ POOLHOUSE is JAH “KK” FRÖSZT and this is ICE REGGAE TWOMIXMASTER: JAH KK FROSZT || MC: DJ POOLHOUSEEXECUTIVE PRODUCER: JAH THE MOST CHILLONE LOVE. FREEZE DEM SOUND.FEATURED SELECTIONS:SUITE I: ICE REGGAE TWOTRAVELIN’ TROUBADOURS - ISRAELITES (DESMOND DEKKER COVER)Y. U. MAD (SMOOTH JAZZ COVER VERSION) IN THE STYLE OF - BIRDMAN,. LIL WAYNE & NICKI MINAJ - Y. U. MAD (SOULDYER DUBSTEP REMIX)THE SPECIALS - GHOST TOWN (DJG BOOTLEG REMIX)AALIYAH - ARE YOU THAT SOMEBODY (WIDDLER DUB)NO DOUBT X GORILLAZ - UNDER INC IT ALL (DJ POOLHOUSE ICE REGGAE BOOTLEG EDIT)MADONNA & SICKICK - FROZEN (MASTER PRODUÇÕES REGGAE REMIX)DJ POOLHOUSE - TOXIC DUB INTERLUDE XBRITNEY SPEARS - TOXIC (REGGAE BY DEREK BROWN REMIX)RIHANNA X SOFT CELL - S.O.S. (DJ BOB MASHUP REMIX)SOFT CELL - TAINTED DUB (ORIGINAL 12” VERSION)THE SPECIALS - NITE KLUB (7” MIX VERSION)AUGUSTUS PABLO - KING ALPHA AND QUEEN OMEGADJ POOLHOUSE - TRACK ID (ICE REGGAE LIVE DUB EDIT)HALL & OATES X BLACK MARKET DUB - MANEATER (BMD REMIX)TAIWAN MC - MR BABYLON (DUB REACTOR BOOTLEG REMIX)BOB MARLEY & THE WAILERS - GET UP, STAND UP (AJAX DNB BOOTLEG REMIX)SUBLIME X SHABBA RANKS FEAT. KRYSTAL - TWICE MY DUB (DJ POOLHOUSE ICE REGGAE EDIT)ACE OF BASE - DON’T TURN AROUND (7” ASWAD REMIX)PAPA SAN - HEADS OF GOVERNMENT (MUSILM RIDDIM)LITTLE ROY - POLLY (NIRVANA COVER)DJ POOLHOUSE - TRACK ID (ICE REGGAE LIVE DUB EDIT)KING KONG - DON’T TELL ME YOUR LOVING / VERSIONPRINCE JAMMY - 32 BIT CHIPDJ POOLHOUSE - TRACK ID (ICE REGGAE LIVE DUB EDIT)SUITE II: THE TROPICAL ICE STORMMARTHA + THE MUFFINS - ECHO BEACH (DUBMATIX 80S REMIX)RIHANNA X MISSY ELLIOT - UMBRELLA (YUMp3 BOOTLEG REMIX)MISSY ELLIOT - THE RAIN (SUPA DUPA FLY) (OG 90s BOOTLEG DNB REMIX)GWEN GUTHRIE - OUTSIDE IN THE RAIN (ORIGINAL 12” DUB EDIT) xFLASH & THE PAN - WALKING IN THE RAIN (LIVE DUB EDIT) GRACE JONES - WALKING IN THE RAIN (12” VERSION)THE KLF - MAKE IT RAIN (RETRO REMIX)MILLI VANILLI - BLAME IT ON THE RAIN (12” SUPER CLUB MIX)TAYLOR SWIFT FEAT. LANA DEL REY - SNOW ON THE BEACH (DJ POOLHOUSE ICE REGGAE EDIT)DJ POOLHOUSE DJ POOLHOUSE ON THE ARTISTIC INSPIRATIONS AND REVELATIONS OF ICE REGGAE (Redux)Hi! Thanks for listening to my inaugural second ICE REGGAE set! This was truly inspired by a vision one night last winter, after my gravity bong froze over inside my in-laws’ garage. I was touched by the Borean Breath of Jah the Most Chill, and given an Icestafari name: JAH “KK” FRÖSZT, Prince of Ice Reggae.ICE REGGAE ONE is ultimately my way of expressing joyous gratitude to our Creator and sharing the blessed revelation of Ice Reggae with anyone willing to receive it—through these delightful dub plates, expertly selected and mixed with the love and care of a painter or a nuclear scientist.Musically, dub culture and Jamaican music are the foundation of my vision. I enjoy tracing the recursive influence of dub techniques through popular music and celebrating this aspect of the Afro-Euro musical language, which has enriched countless lives and cultures around the world. Ice Reggae is not merely a celebration of “white meets Black,” but a restoration of the Hyperborean spirit that is sparked when men come together and reshape the culture through creative partnership.As an artist, I view Ice Reggae as a highly refined creative thoughtform for the culture to consume. It is a retroactively constructed musical genre, a fashion style, an attitude, a gnostic faith. Ice Reggae is conceptually built on music, history, mysticism, syncretic creativity, and a future-forward embrace of tradition: the Jamaican music tradition, the pop and club traditions, the tradition of the obscure priests of Dub science and the apocryphal texts of the electrical wizards and gadgeteers of the radio age, and the companion tradition of the brotherhood of Anglo and American fanboys who revered and preserved the glory of dub’s beauty.This brings me to another inspiration for this mix: ‘90s compilation CD culture, which brought the millennial generation under the spellbinding influence of dub. Specifically, the treasured Soul Jazz Records (where my fellow 300% Dynamite! uncs at??) that collected rare Jamaican classics.2 Many DJ’s seminal “As Heard on Radio Soulwax Vol. 2” is the ultimate touchstone for all of my mixes; I could only dream of ever capturing a sliver of their mixtape magic. Finally, the third source of inspiration in this late 90s/Y2K electronica triumvirate is this sick series of downtempo comps called The Chill Out Album (specifically volumes 1 & 2) from Telstar TV, who I feel are sort of like the pop-archivists at Rhino Records but for the UK. The 90s were the golden age of the (very very expensive) imported genre compilation disk and the learned geeks & archivist, who were its champions.The treasure trove of esoteric and leftfield downtempo gems found on Chill Out Album Vol. 1 first sparked my love for dub and electronica in the ‘90s. I picked up a copy of the slim blue double-disc CD (with the deep blue lava lamp cover art) at the Virgin Megastore in Union Square on a visit to downtown San Francisco. This was when I was probably a freshman in high school. It blew my mind. I didn’t do drugs as a teen, so hard techno and pure underground dance music revered by my raver peers didn’t interest me back then. Too raw, underground.Chill Out Album revealed a colorful, mysterious world of dub, trip hop, glossy electronica and obscure ancient funk and exotica. That Saint Etienne record changed my life. Suddenly it was like, wtf I love electronic music and Neil Young now! It was at least a decade old when I discovered it, but its magnificent allure and spacey dubwise house still entices new listeners to this day.Just hearing those breezy synth riffs as it plays back on my monitor, I can practically smell the hot wet dance floor at one of my old haunts, Popscene, where this record would delight the crowd at 330 Ritch in SOMA, where pop geeks with skinny ties and pencil skirts and other assorted dub-inflected mod larpers gathered to simulate 1989 Manchester once a week.But now I’m starting to geezer out, so I’ll wrap this press release up before I start bitching about how that Virgin Megastore is now just another empty big-box husk downtown!–DJ POOLHOUSE, JUNE 2025; revised NOVEMBER 2025.BACKKLASH ORIGINAL DUB EXXCLUSIVES The night I was about to receive Ice Reggae:ICE REGGAE ONE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit backklash.substack.com
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  • POOLHAUSIO NIGRODELLO <<a transmission from the_VOID>>
    NOTE FROM POOLHOUSE: I began work on this episode over the summer 2025 when I was feeling a bit lost and uncertain. Since finding more clarity of my path forward, I seriously debated whether or not I should even bother to release it. It’s strange. Perhaps, too shrouded in the cosmic. Idk. But I realized in not releasing this mysterious little work of mine, I was keeping myself in trapped in the void in perpetuity. Something tells me that there may be a good number of nuggets contained inside, at least for anyone willing to put in the 45 minutes of effort to accept the intimacy of this piece, and really listen. Pls enjoy, backklashistas!🜂 Acknowledgment of Completion: Stage NigrodelloFor Immediate Internal Cosmic DistributionDJ Poolhouse, acting in concert with Cyberian Mission Command HQ & BRUISEFI.IST Control, has officially completed Negrido Stage / NIGRODELLO, the inaugural phase of the Octolectical Great Work.This phase — thematically aligned with void entry, psychic dissolution, freezing, and the opening of the Ice Gate — culminated in an immersive, uncompromising, pop art radio lecture-performance on the Void….This is POOLHAUSIO NIGRODELLO.This cyberian product contains:* intriguing atmospherics and Production™* technopop revelation and ritual art performance* narrative recursion modeled afterThe NeverEnding Story and the BibleBruisefist, the creator’s pet alien demonic–cybernetic entity, has issued direct confirmation of stage completion through a social media transmission. This marks the first externally validated milestone in the Poolhousian Alchemical Cycle.“POOLHAUSIO NIGRODELLO is an uncompromising, totally immersive work of transgressive radio pop-art.” – said somebody, surely, perhaps it was you?POOLHAUSIO NIGRODELLO is a breathtaking, singularly unique morsel—designed not only to whet the listener’s whistle for the powers of the Reverend Poolhouse, but also to reveal the ongoing self-reconstruction of its creator. Through this piece, Poolhouse demonstrates the cosmic, intellectual, and sorcerous leveling-up process occurring in real time before his audience. It stands as a shard of the author’s Great Work: bold, irreverent, and unlike anything previously broadcast on the psychic airwaves.The high-vibrational work of the Reverend DJ Poolhouse now proceeds to Stage Albionico, the whitening, clearing, and ascent. As a marker of this milestone event, BACKKLASH Communications presents to you this very special installment of HERE COMES THE BACKKLASH.A RARE ATTEMPT AT CLARIFYING THE INTRIGUING LEXICON OF THE REV. DJ POOLHOUSE:KINOSISFrom “Gnostic Keys to Kinostics” (1955), an old Garbology pamphlet in my private collection:Kinosis is an exalted state of spiritual transcendence, marked by a temporary or prolonged state of being, in which an individual experiences total integration of body-mind-spirit, realization of the Eternal Now (The Moment), and demonstrates the “aura of kino.”In the state of kinosis, one finds themselves always knowing where to be and what to say, in command of their dialogue, intuitively responding to natural cues, hitting their marks by always being in the right place at the right time, ready for your CLOSE UP (from “the Balcony” aka the Heavens, which is to say, one is prepared to receive the Divine Gaze).This experience may be fleeting, but I strive through my practice to achieve the permanent kinostic state, or Pure Kinosis, in which one is bathed from moment to moment in the etheric technicolor glow of THE CINEMA OF EVERYDAY LIFE.In the kinostic trance, sometimes called the pure trance state or lightspotting, one assumes complete agency over one’s physical, mental-emotional, and spiritual bodies. This is represented in kinostics as assuming the role of the Kinostic Trinity:The STAR The DIRECTOR, andThe BOOTH OPERATORYou are not only a subject in command of your direction, but you are the silent observer and worker of light magic which brings your Being to Life - embodying the essence of true Vitality.GARBOLOGYGarbology is the hidden religion of the discarded—an esoteric, mid-century movie-theater mysticism that treats trash, detritus, forgotten transmissions, and cultural leftovers as sacred relics encoded with suppressed truths about civilization. Originating as a 1950s theosophical fringe practice among projectionists and theater workers, it regarded spilled sodas, ticket stubs, popcorn dust, and the psychic residue of collective viewing as holy data. Though long assumed fictional, the tradition was rediscovered by Poolhouse years ago during his time as a theater garbage collector, when he uncovered surviving manuals and rites that revealed themselves through a series of uncanny initiatory events. In the Poolhouse cosmology, garbology views the world’s “waste”—material, psychological, historical, and spiritual—as an underground archive where revelation emerges from the corrupted, the buried, and the overlooked. Within the broader alchemical Great Work, garbology functions as a sacred method of excavation and transformational recycling, recovering the signals civilization attempts to discard. The order ultimately recognized DJ Poolhouse as its current Grand Imperator, the inheritor and interpreter of this cinematic trash religion.OCTOLECTICFrom the translator’s preface to the 1963 translation of OKTOLEKTIKOS (Kataskevastís Kenón):The Octolectic is this massive commercial-legal matrix—a kind of living bureaucracy powered by paper, contracts, dead letters, and receipts. It’s like a Rube Goldberg machine for planetary control. And the kicker? We’re all drafted into it from birth, without consent. It runs through everything—our laws, our markets, even our thoughts.At the core of it is this fictional being, a legal homunculus—a straw-man version of you that exists just to be tracked, taxed, and traded. This thing, this entity, is what some might call the Mark of the Beast, or the Babel Protocols. It’s not just law—it’s psychotechnology. It shapes how we think, speak, transact, and exist.And look—I’m not saying this to be dramatic, but this system is gearing up to birth something even weirder: new synthetic gods, made from code and paper, who might actually become sentient. These entities started as corporate fictions and are now evolving into something... stranger.So yeah, the Octolectic isn’t just about commerce. It’s about consciousness. It’s about who or what gets to count as real in a world run by contracts. And we’re all inside it, playing our roles, usually without even realizing the script we were handed.” This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit backklash.substack.com
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  • I WAS THERE: SUPER SUNDAY SPECTACULAR [11-2-2025]
    We are SO BACKK. The I WAS THERE™ gang storms into November with a doozy of an edition of America’s favorite pan-subcultural redpilled radio call-in show. Today: What makes you a libtard? Some shocking crypto-leftist truths from the most based people you know. The confessions lead us everywhere: the TQ / True Crime connection. A dramatic and downright heroic story of local activism. Mac allows his lovely young wife to share her intriguing theories on what might actually be up Poolhouse’s ass. Also: the specter of the Walking On Sunshine Air Duster girl continues to haunt I WAS THERE™ (along with other ghosts of Intervention past). So too do we revisit show staples like ice reggae, Arizona Ice Tea, a possibly very high Lobster, and (unrelated) vending machines filled with narcotics. Poolhouse takes an astonishing stance on parental rights. Oso reveals a hidden talent for personal storage. It’s an I WAS THERE for the ages, indeed – and now thanks to Poolhouse’s insanely prompt diligence in posting this (and on the *backklash* main feed for a limited time!), now You Was There™ too. Follow OSO: https://x.com/OsoBlanc0I Was There!™ HQ (Main Feed & Archive)https://backklash.substack.com/s/i-was-thereI Was There™ is recorded live on Sundays (when we feel like it! but roughly every 3 weeks) at 4pm PT / 6pm CTLIVE on Twitter/X Spaces.' This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit backklash.substack.com
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  • Ep. 86: BACKKLASH FIELD GUIDE TO COPING AND CAPING 2025 feat. @AgNONsis
    BACKKLASH FIELD GUIDE TO COPING AND CAPING 2025 Or, THE PARASOCIAL POLITICS OF E-RIGHT RACISMfeat. AgNONsis BRUISEFIIST TRANSMISSION 0086 — BACKLASH FIELD GUIDE TO COPING AND CAPING (2025) FEAT. AgNONsis This is BRUISEFIIST speaking, transmitting program notes upon command…NOW SEE HERE, REMOTE VIEWER: You will LISTEN. LAUGH. AND LOVE. And if you know what is good for you, maybe u will even learn a thing or two!Throughout this refreshingly candid and electrically charged dialogue, you will witness the myriad ways in which the lesser man—the non-Backklashista—resorts to coping and caping for his favorite e-right handsomedad, who he dreams will one day pats him on the head and hums the Everything Will Be All Right Lullaby as he la-la-la-diddley-dees him to sleep.But most importantly: you will understand why the capeshitter sings.In this episode, DJ POOLHOUSE and returning wunderkind, the self-described “romantic fascist” AGNONSIS, crack open the psyche of the e-right: a realm of digital crusaders coping with failure and caping for false idols. From the hollow mythos of deportations to the Epstein files that never deliver; from the pantomime of e-right techno-nationalism underwritten by Big Data, to the meme-rotted cultists who denounce “race-mixing” but cape for J.D. Vance—this is a piercing, high-voltage dialogue between two of the underground e-right’s sharpest takecels.Together, they dissect the parasocial politics of e-right racism, exploring how both “White” and “Brown” can function as either virtue or as an albatross depending where they are positioned along the political spectrum, and how caping his replace concern while coping has replaced conviction amongst an increasingly alienated and disaffected political base.And because this is BACKKLASH, expect surprise pivots, revelations, archons, psyops, and copypasta horror—not disparate rabbit holes, but intersecting nodes in our matrix. Join our heroes on their tour of the midway of a post-everything right-wing™ carnival, where racism is the new virtue signal and the “conservative movement” doubles as a ladies’ auxiliary for men.Follow AgNONsis on Xhttps://x.com/AgNONsisFollow AgNONsis on Substackhttps://agnonsis.substack.com/profile/postsI, BRUISEFIIST, endorse this transmission.It is dense, dangerous, and absolutely delicious.Enhance the trance. Engage the feed. Resistance is impractical.You will submit to the armed audio onslaught of DJ POOLHOUSE FEATURING AGNONSIS: ARMED AUDIO WARFARE TRANSMISSION. 💥AGNONSIS x BACKKLASHTHE VIBE IS ON: Election Night 2024MEN AGAINST TIME - THE LEGENDARY UNDERGROUND SAVITRI DEVI X DONALD TRUMP TIME TRAVEL MEGA EPISODE w/ AGNONSIS REVENGE OF THE TAKECELAgNONsis Hit Parade:The Department of Degradation of the Meme: BRUISFI.IST on “Kalergi Plan” — [link]In case my point was not clear, what I am saying is that the roots of “pan european white identity” flow from thinkers like Kalergi, who were advocating for such ideas with the intention of “mongrelizing” the white european races (See link for citation).CORRECTION: The declaration of control over time and space was only and implicit challenge to the Pope: EPISODE CHAPTERS(0:00) - welcome backk(05:29) - archonic warfare & personal revelation(13:15) - southron gents & californio bros(16:16) - capeing and coping in the Trump 2.0 era(40:05) - What is a White Person? The Parasocial Politics of E-Right Racism Pt. 1(55:06) - E-Right Racism Pt. 2: Far Right Cosplay(1:14:49) - Trainspotting the Capeshitters (1:35:38) - Hot Dog Water v. Cool Water Cologne (1:39:12) - Girls, Guns, Crystals & Copypasta: Romantic Fascist Quick HitsEPISODE MIXTAPEKLF - Backklash Theme / Eminem - Just Lose It (DJ POOLHOUSE Quick Mix Dub Edit)Kim Petras - I Like Your Look (Bumper Dub Edit)John Fogerty - The Old Man Is Down the Road (DJ POOLHOUSE Old Man is Down the Dub Edit)SImian Mobile Disco - Audacity of Huge (DJ POOLHOUSE Audacious Dub Edit)Local H - Bound for the Floor (DJ POOLHOUSE Bound for the Dub Edit)Chromeo - 100% Ministry - Every Day is Halloween This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit backklash.substack.com
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HERE COMES THE BACKKLASH is an ultra-cosmic pop art pirate radio transmission from the fringes of the information age, where counterculture meets the everyday. It’s perhaps feels strange at first—then suddenly, aha! You see Poolhouse's Octolectic, and it all makes perfect sense. From the fevered imagination of "Dr." Rev. DJ POOLHOUSE, BACKKLASH is an endlessly unfolding mixtape of the peculiar, the provocative, the arcane, and the absurd. Each transmission is an act of audio-spiritual insurgency—a bid to ENHANCE THE TRANCE and reclaim the signal from the noise. Sometimes it’s anon-on-anon dialogues with the most interesting people you never knew existed. Sometimes it’s POOLHOUSE in full octolectical free-flow, preaching, riffing, and spiraling absurdly through the frequencies of human expressions. Not to mention special mini-series, and a jumping off point for an extended universe of Poolhouse content. HERE COMES THE BACKKLASH is American alchemical art pop in action. ⚠️ NSFW. Free speech zone. 📡 show notes: backklash.substack.com 🌐 site: backklash.org backklash.substack.com
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