Sodajerker On Songwriting

The fabulous Jill Scott sits down with Sodajerker to discuss her expansive new album To Whom This May Concern. The singer, songwriter and poet talks about the creative discipline behind the record, how her relationship with poetry continues to anchor her writing, and why the songs evolve every time she performs them live.

Ryan Tedder, songwriter to artists including Taylor Swift, Adele, and Beyoncé, and frontman of OneRepublic, talks to Sodajerker about tracking cultural shifts, writing at scale, and staying competitive in a saturated market. Drawing on his Nashville training and his apprenticeship with Timbaland, he breaks down his belief in craft, persistence, and instinct, and explains why writer's block only has power if you let it.

Jason Williamson and Andrew Fearn of Sleaford Mods talk to Sodajerker about their new album The Demise of Planet X. They discuss creating interplay between their words and music, making pop culture references work in songs, and integrating guest contributions from artists such as Aldous Harding and Gwendoline Christie.

At Anti Social Camp in November 2025, we recorded two special live conversations with music greats Jamie Cullum and Billy Bragg. It's a rare chance to hear a pair of brilliant and very different songwriters reflect on their craft in front of an audience of songwriters and musicians.
Jamie talks about working with the Royal Shakespeare Company, the creative discipline of working to a brief, and how collaboration can unlock ideas you would never find alone. Billy shares his belief in songwriting as a way of building connection and empathy, drawing on a career shaped by honesty, community, and lived experience.
Together, these conversations offer a warm, generous look at how songs are made, why voice matters, and how music continues to bring people together.

Dave Bayley of Glass Animals joins Sodajerker in London for a live episode recorded in November 2025 at the UK debut of Anti Social Camp, the world's largest songwriting camp. The singer-songwriter and producer reflects on the highs and lows of music-making, the strange magic of late-night ideas, and why vulnerability still matters in pop music.