Powered by RND
PodcastsTV e cinemaThe Rough Cut
Ouça The Rough Cut na aplicação
Ouça The Rough Cut na aplicação
(1 200)(249 324)
Guardar rádio
Despertar
Sleeptimer

The Rough Cut

Podcast The Rough Cut
Matt Feury
The Rough Cut features in-depth interviews with the film and tv industry's top post production professionals on the topics of film editing, video editing, sound...

Episódios Disponíveis

5 de 279
  • Senna
    Editors - Federico Brioni, Diana Vasconcellos, Vicente Kubrusly and Guilherme Porto A big series, about a bigger than life racing icon, takes a big team of talented editors and assistant editors to tell the story right.  And that is just what Federico, Diana, Gui and Vicente have to say about their experience on the series - that they were part of highly tuned, highly collaborative team of professionals, all working diligently to honor the life of a racing legend and national hero of their home country of Brazil. Created by Vicente Amorim and directed by Amorim and Júlia Rezende, the series is based on the life of legendary race car driver Ayrton Senna.  Starring Gabriel Leone as Senna, the series follows his life from the beginning of his racing career in karting to his untimely death at the 1994 San Marino Grand Prix. FEDERICO BRIONI Federico Brioni is film editor with experience across various formats, and genres. Originally from Argentina, Federico has built his entire career in Brazil, where he continues to live and work. His contributions include "Senna," Netflix's series about the legendary Formula 1 driver Ayrton Senna, "Jules and Dolores," which garnered acclaim and awards. "O Doutrinador: A Série" a Brazilian action-thriller adapted from the eponymous comic book, as well as "Anderson Spider Silva," Paramount's series chronicling the life and career of Brazil's MMA champion. Senna is his first collaboration with Vicente Amorim. DIANA VASCONCELLOS Diana Vasconcellos is a Brazilian film editor whose career began in the 1980s. Over the years, she garnered more than 60 credits across feature films, documentaries, and TV series. Her contributions to the craft have earned her 16 nominations and 2 prestigious industry awards. She previously collaborated with Vicente Amorim on the film "Dirty Hearts" and the TV series "Romance Policial Espinosa". VICENTE KUBRUSLY Vicente Kubrusly is a Brazilian film editor and director with over two decades of experience in the audiovisual industry. His career spans feature films, documentaries, and TV series, reflecting a profound understanding of the entire production process. Vicente's notable works include the series Dom (Amazon Prime Video), the film Dois Filhos de Francisco (dir. Breno Silveira), and  Eu Tu Eles (dir. Andrucha Waddington). A former executive producer and partner at Conspiração Filmes, Vicente has contributed to a range of acclaimed projects, such as Assédio (Globoplay), Magnífica 70 (HBO), and the documentary Universo ao Meu Redor featuring Marisa Monte. His diverse body of work demonstrates a dedication to storytelling across formats and platforms.  Vicente previously colaborated with director Vicente Amorim on the anthology film Rio, I Love You. GUILHERME PORTO Guilherme Porto is a Brazilian editor with experience in over 20 feature films and TV series, taking on various post-production roles. He served as the editor of the feature film Raquel 1,1, directed by Mariana Bastos, and worked on episodes for Brazilian TV series like Senna, Desperate Lies, Criminal Code, Brotherhood, and Lady Voyeur for Netflix, as well as other projects for Globoplay, HBO, and Disney+. Senna marks his first collaboration with Vicente Amorim The Credits Visit ExtremeMusic for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
    --------  
    47:52
  • Companion
    Editors - Brett W. Bachman, ACE and Josh Ethier, ACE Long time friends, but first time co-editors, Brett and Josh are no strangers to working in the horror/thriller genre.  The same can't be said for COMPANION director Drew Hancock. Not only was this film Hancock's first feature as a director, but it was also his first real foray into genre filmmaking.  But that didn't stop either Brett or Josh from seeing how good this film was going to be right from the script.  What they couldn't predict, was how great a working experience the whole thing would be. Written and directed by Drew Hancock, COMPANION stars Sophie Thatcher and Jack Quaid as a couple on a weekend getaway with friends at a remote cabin that unravels into violence amid revelations that one of the guests is what’s known as a companion robot. BRETT W. BACHMAN, ACE Brett W. Bachman, ACE, is an editor of film & television with acclaimed titles such as Mandy, Pig, & The Fall of the House of Usher. He has worked with leading voices in genre film, such as Panos Cosmatos, Mike Flanagan, Josh Ruben, and Elijah Wood. Several of his feature films have premiered at renowned international festivals, including Sundance, TIFF, SXSW, and Cannes. He's also brought his talents to the small screen with numerous television and commercial projects. Recent & upcoming titles include: Companion, a thriller from writer/director Drew Hancock and New Line Cinema, Rabbit Trap starring Dev Patel, and Heart Eyes, a romcom-slasher hybrid from director Josh Ruben. Additional titles include Werewolves Within, Color Out of Space, The Toxic Avenger, The Vigil, Cooties, and many more. Bachman found his love of editing in his formative years, developing a passion for storytelling through three self-produced documentaries when he was just 19. At 22 years old, he was one of the youngest members of his AFI Conservatory editing program. Since then, he's nurtured his love of filmmaking with an array of eclectic projects as an Editor, Associate Producer, and Executive Producer JOSH ETHIER, ACE Josh Ethier is a renowned Los Angeles based film editor who has left a lasting mark on the horror, thriller and action genres; he literally wears his passion for the genres on his sleeve. His works have premiered at esteemed film festivals such as the Toronto International Film Festival, Sundance Film Festival, SXSW, Tribeca Film Festival, Beyond Fest and Fantastic Fest.  Ethier is most well known for his frequent collaborations with director Joe Begos, with whom he has crafted a unique, LOUD and impactful cinematic style. Their partnership has resulted in several acclaimed films, including "Bliss," a psychedelic horror film that explores the descent of an artist into madness; "VFW," a gritty, action-packed thriller about war veterans defending their local VFW post from a drug-addled gang; and most recently, "Christmas Bloody Christmas," a festive yet terrifying holiday horror film that's streaming on Shudder. These collaborations have resonated with audiences and critics alike, showcasing Ethier's ability to enhance Begos' visionary storytelling through his editing.  Ethier's impressive filmography includes notable titles such as Oz Perkins' "Gretel & Hansel" for Orion Pictures and MGM, a dark reimagining of the classic fairy tale; William Brent Bell's "Orphan: First Kill," the prequel to the cult horror favorite for Paramount Pictures; Henry Dunham's "The Standoff at Sparrow Creek," a tense, dialogue-driven thriller about a mass shooting at a police funeral; and "Mayhem," a high-octane action horror film starring Steven Yeun that highlights his versatility as an editor of action and comedy. In 2021, Ethier's contributions to film editing were formally recognized when he was invited to join American Cinema Editors (ACE), an honor that signifies his standing in the industry amongst his peers. His career is marked by a commitment to excellence and a passion for storytelling, making him one of the most respected and sought-after editors in independent genre cinema. The Credits Visit ExtremeMusic for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
    --------  
    1:03:13
  • Skeleton Crew
    Editors - Andrew S. Eisen ACE, Terel Gibson ACE and Katheryn Naranjo Hiring editors for SKELETON CREW was akin to casting actors, considering how essential each editor's background and style would be in shaping the series. Kat, for instance, found her mark through her work on STRANGER THINGS which resonated with the show's tone of adventure. Meanwhile, Terrell's experience with Marvel projects like HAWKEYE proved that he would be up to the demands and rigors of a VFX heavy tv series.  Finally, Andrew's extensive Star Wars history positioned him as invaluable in guiding the new team. Capturing the right tone was crucial for the editors, as the show combined elements of adventure and comedy with darker themes. Andrew, Kat and Terel discussed the significance of striking a balance, especially when the storyline demanded a shift from lightheartedness to seriousness. Jude Law’s transformation from a seemingly rogue character to a complex anti-hero was a key point of focus, with the team ensuring his evolution was believable and engaging. SKELETON CREW, created by Christopher Ford and Jon Watts, takes place in the same time frame as THE MANDALORIAN, post RETURN OF THE JEDI, pre-THE FORCE AWAKENS.  It’s a coming-of-age story about four kids who make a discovery on their home planet that leads them to getting lost in the galaxy and the adventure to find their way back home. ANDREW S. EISEN, ACE Considering the cinematic approach that Andrew applies to THE MANDALORIAN, THE BOOK OF BOBA FETT and SKELETON CREW, it’s no surprise to see his name in the credits of big sci-fi / action films like TRANSFORMERS: AGE OF EXTINCTION and THE GUARDIANS OF THE GALAXY VOL 2. TEREL GIBSON, ACE Prior to joining the Star Wars universe for SKELETON CREW, Terel dropped by the MCU to cut HAWKEYE. He's also known for his feature work on movies such as CUCKOO (2024), SORRY TO BOTHER YOU (2018), READY OR NOT (2019) and THE FIGHTER (2010). KAT NARANJO Kat started her journey on Season 1 of STRANGER THINGS as an assistant, but over the following seasons started picking up full time editorial duties as well.  She also assisted editor Dean Zimmerman ACE on the features, THE ADAM PROJECT and FREE GUY.  Earlier in her career, Kat assisted on HALT AND CATCH FIRE and served as post coordinator on ONE TREE HILL. The Credits Visit ExtremeMusic for all your production audio needs Listen to Andrew talk about his work on THE MANDALORIAN Season One (Part One and Two) and Season Two, as well as THE BOOK OF BOBA FETT Hear Terel discuss cutting the Marvel series, HAWKEYE Check out Kat's interview for STRANGER THINGS Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
    --------  
    1:00:51
  • Bad Sisters
    Editor - Derek Holland In the ever-evolving landscape of television, few series manage to capture the complexities of human emotions while maintaining an appealing balance between humor and gravity. "Bad Sisters," an Irish dramedy, is one such show. Its unique ability to engage audiences with its attention to detail and complex character narratives is a testament to the creative minds behind it. In this episode of The Rough Cut, editor Derek Holland delves into the creative process behind the show. He discusses the unique elements that made the first season a hit, such as the character of JP and the audience's unified hatred towards him. Derek shares insights about the talented team of writers, directors, and cast that brought the show to life. He also talks about the challenges of working remotely in Season One during COVID-19, and the evolution of his role from a latecomer in the first season to leading the editing team in Season Two. The discussion touches on the balancing act between comedy and drama, the intricate storytelling, and the importance of authenticity and cultural nuances in the series. Additionally, Derek highlights the pivotal moments and significant scenes that shape the narrative, offering a glimpse into the meticulous work that goes into creating a compelling TV show. DEREK HOLLAND Derek Holland is an Irish film/tv editor and a member of BAFTA, Irish Screen Editors and British Film Editors. His latest projects include Sharon Horgan's Bad Sisters Season 1 and 2 for Apple TV+, The Chemistry of Death for Paramount+ and Academy Award long-listed short film Room Taken, for director TJ O'Grady Peyton. Less recent work includes award winning feature films The Drummer and the Keeper and A Brixton Tale and the documentary A Fanatic Heart, which premiered at the Telluride Film Festival. Derek loves working with bold, collaborative people, both at home and abroad. The Credits Visit ExtremeMusic for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
    --------  
    42:56
  • Disclaimer
    DISCLAIMER editor, Adam Gough ACE, BFE began his journey with director Alfonso Cuarón over eighteen years ago as an editorial trainee on Cuarón's CHILDREN OF MEN (2006).  In 2018, Adam would co-edit Cuarón's ROMA, alongside the writer/director. This long-standing collaboration has evolved over time, reflecting the trust and synergy they've built together, leading to Adam working as the sole editor on Cuaron's first TV series, DISCLAIMER. For a project that would end up spanning two years, assembling a reliable and passionate editorial team was crucial to Gough. Aiming to bring on individuals who were eager to step up in their roles and commit to the project's duration, his team's unwavering dedication was pivotal in navigating the intense workload they would endure. From the onset, Adam was aware of DISCLAIMER's magnitude—boasting 670 script pages that were ultimately condensed into seven episodes. The complexity wasn't just in the volume but in its narrative structure as well.  Using color-coded scripts and scene cards, the editorial team was effectively able to navigate the shifting perspectives and multiple narrators that took place throughout the series. The Credits Visit ExtremeMusic for all your production audio needs See what's new with Avid Media Composer Hear Adam talk about cutting Spike Lee's DA 5 BLOODS Subscribe to The Rough Cut for more great interviews with the heroes of the editing room Explore The Rough Cut on YouTube   The Chapters 00:00 The Journey Begins: From Trainee to Sole Editor 00:46 Diving into the Script: First Impressions and Challenges 02:35 Synopsis: What is Disclaimer About? 05:18 Editing Process: Building the Team and Workflow 08:03 Challenges and Lessons: The Marathon of Editing 15:37 Narrative Techniques: Voiceovers and Perspectives 20:42 Organizing the Complex Narratives 23:21 Stylistic Choices: Adapting to Different Timelines 25:26 Balancing Visual Techniques and Audience Perception 26:24 Easter Eggs and Rewatch Value 27:02 Character Development and Narrative Techniques 30:38 The Impact of Music and Sound Design 38:36 Visual Effects 40:41 Audience Reactions and Screening Insights 47:51 Final Thoughts and Future Plans
    --------  
    58:23

Mais podcasts de TV e cinema

Sobre The Rough Cut

The Rough Cut features in-depth interviews with the film and tv industry's top post production professionals on the topics of film editing, video editing, sound design and more. Hosted by @MattFeury.
Site de podcast

Ouça The Rough Cut, Cinemático e muitos outros podcasts de todo o mundo com o aplicativo o radio.net

Obtenha o aplicativo gratuito radio.net

  • Guardar rádios e podcasts favoritos
  • Transmissão via Wi-Fi ou Bluetooth
  • Carplay & Android Audo compatìvel
  • E ainda mais funções
Aplicações
Social
v7.9.0 | © 2007-2025 radio.de GmbH
Generated: 2/26/2025 - 11:33:46 AM