Bad Gays

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Live from Helsinki, we close out our season with Tom of Finland, the man who advertised the concept of gay masculinity to gays becoming men. Originally his illustrations were controversial because of his graphic depictions of gay sex, of sodomy and cocksucking and fisting in a pre-liberation, pre-internet age. Today, things have changed so much you can buy Tom branded products in department stores like Selfridges, and books of his drawings in Barnes and Noble. But at the same time, his representations of Black men and of Nazi aesthetics have drawn new criticisms, even while the fisting and piss and cock-sucking have become perfect home decorations. And the influence of his work on gay male sex cultures, on ideals of queer masculinities, and especially on leather scenes, remains enormous and contested.

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SOURCES:

F. Valentine Hooven III, Tom Of Finland: His Life And Times (St. Martin's, 1992)

Arnie Kantrowitz, Swastika Toys, in Leatherfolk, edited by Mark Thompson, pp. 193–209.

Hunter Scott,  “Facing Sameness: Reconsidering the Radicality of Tom of Finland.” InVisible Culture 36, https://doi.org/10.47761/494a02f6.262a8f58.

 

Carta Monir, "Morally Erect," Lux Magazine, https://lux-magazine.com/article/tom-of-finland/

https://worldcrunch.com/in-the-news/tom-of-finland-double-life-of-the-gay-icon-who-changed-a-nation/ 

https://www.myhelsinki.fi/visit/lgbtqia-in-helsinki/tom-of-finlands-helsinki/

https://kunstkritikk.com/the-cult-of-iconified-homosexuality/

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

William Beckford, who was born not in Bath but in London in 1760, is someone for whom property, in every sense of the word, was the defining factor in his life. He was a novelist, a member of parliament, a collector of art, antiquities, and books, a travel writer, and a builder of great palaces; he regarded himself as a man of culture, but he made his cultural qualities known by buying and building things. And he could afford to buy and build things - ridiculous things - because he was rich, extraordinarily rich, richer than we can possibly imagine. So all his status, his legacy, the thing that made him who he was, came from his wealth, and his wealth came from another form of property he owned: chattel slaves. And that wealth also enabled him to pursue troubling relationships with boys.

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SOURCES

James Lees-Milne, William Beckford (Compton Press, 1976)

J. W. Oliver, The Life of William Beckford (Oxford University Press, 1932)

Guy Chapman, William Beckford (Scribner, 1937)

Caroline Stanford, Beckford’s Tower History Album (National Trust)

A number of essays on Rictor Norton’s website about him including “The Fool at Fonthill” https://www.rictornorton.co.uk/

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

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We heard you, we see you, we're here for you: it's our take on Heated Rivalry, or at least on the Discourse surrounding it––straight women loving gay romance, social media shitstorms targeting out actors, and shipping. Then we take Gaggony Guncles questions from someone in love with an English public school boy who can't open up and a woman demanding our analysis of the fg hg (or fruit fly!) phenomenon.

Subscribe to Extra Bad Gays on Apple Podcasts or Patreon to support our work, get monthly bonus episodes, and join our community of listeners!

Live from Sheffield DocFest, it's E. M. Forster: who in his 91 years of life was one of Britain’s most successful novelists. He was raised in a climate of Victorian propriety so extreme he went to university without understanding human reproduction, and then fell in with a secret society known for alternative thinking and "aggressive" homosexuality. Italy — and later India — represented paradises of freedom and liberation in comparison to the cramped, horrid Edwardian upper middle classes. Erotic contact with the working-class/brown Other was the waters of Lourdes for this uptight Englishman, who was never able to transcend his own position.

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SOURCES

Wendy Moffat, E. M. Forster: A New Life (Bloomsbury, 2010).

https://theconversation.com/friday-essay-a-man-out-of-time-e-m-forsters-a-passage-to-india-at-100-and-the-legacies-of-colonialism-236324

https://www.varsity.co.uk/features/25279

http://www.glbtqarchive.com/ssh/cambridge_apostles_S.pdf

https://www.nybooks.com/articles/2014/11/06/forster-love-story/

https://variety.com/2017/film/global/james-ivory-why-wont-u-s-actors-do-nude-scenes-starting-with-call-me-by-your-name-stars-1202581485/

https://www.newyorker.com/magazine/2009/03/23/man-with-a-past

https://www.exploringsurreyspast.org.uk/themes/subjects/diversity/lgbt-history/fwwhomosexuality/forster-fww/#

https://www.theguardian.com/books/2012/feb/17/e-m-forster-my-policeman

https://www.lrb.co.uk/the-paper/v35/n01/alan-hollinghurst/poor-dear-how-she-figures

https://www.nytimes.com/2010/07/25/books/review/Toibin-t.html

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

It's never too late to give the gift of Bad Gays this holiday season: invite a friend or loved one into our community at https://www.patreon.com/badgayspod/gift

This month, we discuss Christmas spirit, the cancellation of the Netflix Marines drama Boots and the death of homonationalism, and then take a Gaggony Guncles question from a listener who needs to hear that He's Just Not That Into You.