Melvyn Bragg and his guests discuss the life and work of the 18th-century novelist, playwright and diarist Fanny Burney, also known as Madame D'Arblay and Frances Burney. Her first novel, Evelina, was published anonymously and caused a sensation, attracting the admiration of many eminent contemporaries. In an era when very few women published their work she achieved extraordinary success, and her admirers included Dr Johnson and Edmund Burke; later Virginia Woolf called her 'the mother of English fiction'.With Nicole Pohl
Reader in English Literature at Oxford Brookes UniversityJudith Hawley
Professor of Eighteenth-Century Literature at Royal Holloway, University of LondonandJohn Mullan
Professor of English at University College London. Producer: Simon Tillotson.
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44:25
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44:25
Sappho
Melvyn Bragg and his guests discuss the Greek poet Sappho. Born in the late seventh century BC, Sappho spent much of her life on the island of Lesbos. In antiquity she was famed as one of the greatest lyric poets, but owing to a series of accidents the bulk of her work was lost to posterity. The fragments that do survive, however, give a tantalising glimpse of a unique voice of Greek literature. Her work has lived on in other languages, too, translated by such major poets as Ovid, Christina Rossetti and Baudelaire.WithEdith Hall
Professor of Classics at King's College, LondonMargaret Reynolds
Professor of English at Queen Mary, University of Londonand Dirk Obbink
Professor of Papyrology and Greek Literature at the University of Oxford
Fellow and tutor at Christ Church, OxfordProducer: Simon Tillotson.
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46:02
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46:02
Beowulf
Melvyn Bragg and his guests discuss the epic poem Beowulf, one of the masterpieces of Anglo-Saxon literature. Composed in the early Middle Ages by an anonymous poet, the work tells the story of a Scandinavian hero whose feats include battles with the fearsome monster Grendel and a fire-breathing dragon. It survives in a single manuscript dating from around 1000 AD, and was almost completely unknown until its rediscovery in the nineteenth century. Since then it has been translated into modern English by writers including William Morris, JRR Tolkien and Seamus Heaney, and inspired poems, novels and films.With:Laura Ashe
Associate Professor in English at the University of Oxford and Fellow of Worcester CollegeClare Lees
Professor of Medieval English Literature and History of the Language at King's College LondonAndy Orchard
Rawlinson and Bosworth Professor of Anglo-Saxon at the University of OxfordProducer: Thomas Morris.
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46:29
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46:29
Bruegel's The Fight Between Carnival and Lent
Melvyn Bragg and guests discuss Pieter Bruegel the Elder's painting of 1559, 'The Fight Between Carnival And Lent'. Created in Antwerp at a time of religious tension between Catholics and Protestants, the painting is rich in detail and seems ripe for interpretation. But Bruegel is notoriously difficult to interpret. His art seems to reject the preoccupations of the Italian Renaissance, drawing instead on techniques associated with the new technology of the 16th century, print. Was Bruegel using his art to comment on the controversies of his day? If so, what comment was he making? CONTRIBUTORSLouise Milne, Lecturer in Visual Culture in the School of Art at the University of Edinburgh and Edinburgh Napier UniversityJeanne Nuechterlein, Senior Lecturer in the Department of History of Art, University of YorkMiri Rubin, Professor of Medieval and Early Modern History and Head of the School of History at Queen Mary, University of LondonProducer: Luke Mulhall.
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45:35
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45:35
Kafka's The Trial
Melvyn Bragg and guests discuss Franz Kafka's novel of power and alienation 'The Trial', in which readers follow the protagonist Joseph K into a bizarre, nightmarish world in which he stands accused of an unknown crime; courts of interrogation convene in obscure tenement buildings; and there seems to be no escape from a crushing, oppressive bureaucracy.Kafka was a German-speaking Jew who lived in the Czech city of Prague, during the turbulent years which followed the First World War. He spent his days working as a lawyer for an insurance company, but by night he wrote stories and novels considered some of the high points of twentieth century literature. His explorations of power and alienation have chimed with existentialists, Marxists, psychoanalysts, postmodernists - and Radio 4 listeners, who suggested this as our topic for listener week on In Our Time.GUESTSElizabeth Boa, Professor Emerita of German at the University of Nottingham
Steve Connor, Grace 2 Professor of English at the University of Cambridge
Ritchie Robertson, Taylor Professor of the German Language and Literature at the University of OxfordProducer: Luke Mulhall.
Brasil