Shat the Movies: 80's & 90's Best Film Review

When a filmmaker gets a second chance at the same idea and decides to just fucking lose his mind, you get Evil Dead 2. Gene and Big D continue their Shat Spooktacular Halloween celebration with Sam Raimi's 1987 horror-comedy sequel — the film that turned Ash Williams into a legend and gave us the one word that defines an entire franchise: "Groovy."
Commissioned by Spooktacular junkie John, this episode digs into the remake-vs-sequel debate, Bruce Campbell's transformation from likable lead to chainsaw-handed icon, a shell-company distribution workaround to dodge an X rating, and the stop-motion skeletons that still divide the hosts. Gene compares the movie to mopeds — not the best-made, not the scariest, not the funniest, but more fun than better movies. Dick's turning point? When Henrietta's eyeball shoots across the room and lands in her daughter's mouth. Perfect. No notes.
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This week on Shat the Movies, we're heading into the woods with The Evil Dead (1981), where five friends discover that renting an isolated cabin is apparently the fastest route to demonic possession. Gene and Big D break down Bruce Campbell's early Ash, Sam Raimi's inventive camera work, buckets of blood, questionable decision-making, and special effects held together with imagination and whatever they could afford. Is this low-budget horror landmark still genuinely scary, or has forty years of imitation turned it into something closer to a comedy? Tune in and find out.

Full movie info below:
The Evil Dead (1981) is a supernatural horror film written and directed by Sam Raimi and starring Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker, and Theresa Tilly. The film follows five college students whose trip to a remote Tennessee cabin goes horribly wrong after they discover a mysterious book and a recording that unleashes demonic forces. Made on a tiny independent budget, The Evil Dead became a cult horror hit and launched the careers of Raimi and Campbell, eventually spawning sequels, a remake, television series, video games, and one of horror's most recognizable franchises.
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The 10th Annual Shat Spooktacular kicks off with a bang. People are melting. A penis is flying through the air. And somebody brought a woodwind.
Commissioner John kicks off our first-ever full month of horror by taking us back to 1987 for Street Trash, the cult splatter comedy where a Brooklyn liquor store sells poisoned Tenafly Viper to the local homeless population and things go exactly as wrong as you'd expect. With a budget of roughly $100,000, this movie had no stars, no money, and no business being as memorable as it is — and yet here we are, still talking about it 39 years later.
Big D and Gene break down the melt-movie subgenre, the infamous junkyard dong toss set to Looney Tunes clown music, a homeless man shoving raw chicken down his pants, and the discovery that Martin Scorsese found Tony Darrow in this very film. Plus: Big D identifies a BB gun from his childhood, makes a case that B-movie filmmakers were in it for the fetishes, and asks the question nobody wanted answered — is an oboe enough to make a sexual assault scene feel "playful"?
We also hear from the Shat Gang: Fernando calls in with the alternative ending to Born in East LA, and Chris from Chicago corrects Big D on the Buddy Revell vs. Matt Dillon debate. Dick folds immediately.
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This week on Shat the Movies, we're going rogue with Licence to Kill (1989), the Bond movie where 007 forgets about saving the world and makes things very personal. Timothy Dalton's Bond quits MI6 and goes after drug lord Franz Sanchez, giving us revenge, exploding tankers, questionable undercover decisions, and one seriously pissed off James Bond. Gene and Big D break down Dalton's darker take on the character and whether this stripped down Bond adventure was ahead of its time. Does Licence to Kill deserve another look, or was this just too much Bond for 1989? Tune in and find out.

Full movie info below:
Licence to Kill (1989) is a James Bond film directed by John Glen and stars Timothy Dalton, Carey Lowell, Robert Davi, Talisa Soto, Anthony Zerbe, and a young Benicio del Toro. After drug lord Franz Sanchez brutally attacks Felix Leiter, Bond ignores orders and sets out for revenge, infiltrating Sanchez's organization from within. The film marked Dalton's second and final appearance as James Bond and took the series in a darker, more violent direction years before the franchise would revisit a similar approach with Daniel Craig.
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Commissioned by Michael S. from the UK, "Dragonheart" promised swordplay, knights and old codes. What it delivered was a Funko Pop-headed CGI dragon, Dennis Quaid auditioning for an Oscar that was never coming, and a plot hole so big you could fly a wyvern through it.
Gene and Big D break down the visual effects that aged like milk, the casting choices that could have saved the film (Schwarzenegger?!), the one question the movie never bothers to answer, and why Dennis Quaid delivers "Honor won't feed my belly, nor shoe my horse" like he's filming Braveheart.
Plus: listener emails from a 25-year veteran teacher who vindicates our Mr. Holland's Opus take, and a new listener who recently found the pod and has been binging from episode one.
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