Four Play

Thorin thinks Paranoia Agent sucks. MonteCristo and Richard think it's an 8 out of 10 and one of the most prescient pieces of media ever made about the internet. This is not a polite disagreement. Richard Lewis, Thorin, and MonteCristo spend 90 minutes arguing over whether Satoshi Kon's only TV series is a masterpiece of social commentary or everything wrong with anime condensed into 13 episodes.

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Christopher Nolan has never mentioned Paprika. Not once. The dream heist machine, the corridor where people fall through shifting gravity, the entering of dreams to steal information, the characters who are shockingly similar. Inception came out in 2010, the same year Satoshi Kon died of pancreatic cancer at 46. He never got to respond. Richard Lewis, Thorin, and MonteCristo break down why Paprika is the masterpiece Inception borrowed from, why Kon might have been the best director of the 21st century, and why almost nobody has seen the proof.

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Everyone's seen Spirited Away. Everyone's seen Princess Mononoke. Almost nobody has seen the 1984 Miyazaki film that's better than both of them. Richard Lewis, Thorin, and MonteCristo break down Nausicaä of the Valley of the Wind, the pre-Studio Ghibli masterpiece that handles environmentalism with more intelligence and nuance than anything Miyazaki made after it.

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The Wachowskis walked into a studio with a copy of Ghost in the Shell and said "we want to do that, but for real." Four years later, The Matrix made a billion dollars. Ghost in the Shell made nothing on release. Richard Lewis, Thorin, and MonteCristo break down why the 80-minute anime the Wachowskis ripped off is deeper, smarter, and more relevant in the age of AI than the franchise it spawned.

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There is a sentiment going around that Akira is mid. Richard Lewis, Thorin, and MonteCristo are here to tell you that the internet is wrong, but also that the people who told you it was a flawless 10 out of 10 masterpiece were wrong too. The truth is more interesting than either side.

Akira's animation is a genuine 10 out of 10. Nothing from 1988 looks like this. Almost nothing from 2026 looks like this. The craftsmanship is immaculate, every frame hand-drawn with a fluidity and detail that makes anime produced a decade later look cheap by comparison. The soundtrack is spectacular. The world-building drops you into Neo-Tokyo without a single line of exposition. You don't even hear the word "Akira" for 50 minutes in a movie called Akira.

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