Slam Radio

Sole Dosi’s recent months have been a meeting point between different sides of her musical world, where raw club energy, deep psychedelic textures and her fascination with the natural world are finding increasingly unexpected ways to coexist.

Following How to Meet a Mermaid on Vault Sessions and Eurydice Has No More Words on Modern Minimal, her next EP, Daisy Dipping, arrives on Secta Collective on October 23. Inspired by mythology, floral geometries and the strange intelligence of living organisms, the record brings her more experimental imagination into a physical, groove-driven techno setting. December will see Daisy Tool released on Transitions, following a vinyl planned for 2027.

Behind the decks, recent appearances at Khidi Club in Tbilisi, Sisyphos and Tresor in Berlin have marked an important side of her journey. Upcoming highlights include Ankali in Prague and a headline appearance at Berlin's BCCO x 240KMH New Year event, alongside her ongoing residency at Duro Club in Milan.

Beyond the dancefloor, Sole continues developing her ambient live project, experimenting with plant biofeedback, analogue synthesis and voice. Her curiosity lies in the sounds hidden inside natural processes, from fungal networks to the microscopic geometries of flowers, and in imagining what happens when these structures find their way into electronic music.

Whether working with plants and machines or pushing a club sound system, her approach follows the same instinct: keeping techno physical while leaving enough room for the strange, the delicate and the unexpected.

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Linn Elisabet recently contributed a track to MORD's latest V/A, Herdersmat, and on October 23rd, they release their EP How to Love Wildly, which is featured in this mix. Always at the at the intersection of deep driving techno and experimental dance, they describe their work as “electronic symphonies”.

Immersive compositions shaped by ethereal vocals, intricate sound design, and raw broken beats. Drawing from a background in church choir and classical training, Elisabet approaches music as something experienced from within: sound as architecture, where both the club and the church become spaces that envelop the body and dissolve the individual into a larger whole.

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CV1 is a DJ and producer based in Tbilisi whose sound combines raw, hypnotic techno with an expressive, emotional edge. Drawing on the electronic music of the 90s and 2000s, he brings those influences into a contemporary approach to rhythm and texture. His releases include music on Suara, Planet Rhythm and Life In Patterns.

Immersed in electronic music since 2005, CV1 approaches DJing through gradual development, long transitions and careful control of tension. His sets move between deeper passages and driving, percussive techno, balancing atmosphere with dancefloor energy and maintaining a sense of continuity from start to finish.

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Jin Synth is a London-based DJ, musician and sound artist whose work blends textural experimentation with analogue noise.

Working with synthesisers, modular systems and field recordings captured through a range of microphones, her practice explores the possibilities of sound through improvisation and experimentation.

In her performances, Jin creates abstract, meditative environments, freely improvising with her setup to shape immersive and unpredictable sonic experiences. More recently, her practice has expanded further into sonic art, constructing her own instruments and DIY microphones to uncover and produce unique sounds.

For this mix for Slam Radio, Jin brings that exploratory approach to the dancefloor, using 2 CDJs, 1 turntable and a Boss RE-202 Space Echo to weave together an abstract, experimental dance mix.

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Since the late 1980s, Anderson Noise, from Minas Gerais, has been a central figure in the
electronic music industry, playing a fundamental role in consolidating the genre in Brazil.
His career has earned him recognition from global icons, such as the legend Carl Cox, and a
prominent position in the specialized press: according to Ilustrada (Folha de S.Paulo),
Anderson Noise was responsible for putting Brazil on the world map of Techno. He is
considered the first DJ outside the Rio-São Paulo axis to achieve great success and
influence generations of DJs since the 1990s. Having performed in more than 33 countries,
he combines refined technique and a unique sensitivity in the construction of memorable
sets, reaffirming his influence on both the national and international scenes.

With over 38 years of career, the artist has an extensive catalog of releases on various
labels and has achieved impressive sales figures. His own label, Noise Music, has
established itself as the first Brazilian Techno label, celebrating its 26th anniversary in April
2025. Throughout his journey, Anderson has received dozens of awards and was elected
the best DJ for two consecutive years by DJ Mag Brazil. Furthermore, he appeared on the
prestigious DJ Mag UK Top 100 list for three consecutive years, reaching the 26th position in
the world in 2008.

His versatility is evidenced by remarkable collaborations with renowned artists such as João
Carlos Martins, Milton Nascimento, Daniela Mercury, Lulu Santos, and the Jakob Bro Trio,
among many others. In addition to his solo career, Noise maintains five distinct projects:
7777, focused on House and Disco Music; 37 37, alongside DJ Mau Mau, bringing together
two icons of the scene; the trio Nie Myer, with Henrique Portugal and Lelo Zaneti (Skank),
fusing electronic music, Jazz, and Bossa Nova; The duo AC 360, with Carla Elektra; and the
B2B with his brother Alvinho L Noise, the Noise Brothers.

A pioneer by nature, Noise revolutionized the Belo Horizonte nightlife scene in the 90s and
2000s alongside Marcelo Marent (in memoriam), holding more than 48 underground
parties in unusual locations. His avant-garde vision also gave rise to Rádio Noise, the first
online electronic music radio station in Brazil, and Bloco Noise Music, the first electronic
music bloco in Minas Gerais, launched during Carnival in 1999.

Endowed with a rare energy and a resilience characteristic of great masters, Anderson
Noise is an artist who transforms challenges into innovation. His life and work, full of
fascinating stories, can be explored in detail in the biography "O Barulho da Lua" (The Noise
of the Moon), written by journalist Claudia Assef

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Slam Radio is produced at www.glowcast.co.uk