Write Your Screenplay Podcast

What if raising the stakes in your screenplay has nothing to do with explosions, danger, or bigger plot events?
In this rerelease of a classic episode, Jake takes on one of the most misunderstood producer notes—raise the stakes—and reframes it from the ground up. Stakes, he explains, don’t begin with what happens on screen. They begin with empathy: our connection to a character, what they want, and how hard it is for them to get it.

What if raising the stakes in your screenplay has nothing to do with explosions, danger, or bigger plot events?
In this rerelease of a classic episode, Jake takes on one of the most misunderstood producer notes—raise the stakes—and reframes it from the ground up. Stakes, he explains, don’t begin with what happens on screen. They begin with empathy: our connection to a character, what they want, and how hard it is for them to get it.

Every year, writers make New Year’s resolutions with the best intentions—only to watch those resolutions crumble under real life. The problem isn’t discipline or willpower, but the same structural mistakes that cause character arcs to collapse in screenplays. Learn how to build 2026 resolutions that actually work by drawing on the same techniques writers use to create journeys of lasting change for their characters.

What happens when a classic modern “Western” like First Blood is reimagined for a world where moral clarity has collapsed? In this episode, Jacob Krueger analyzes Ari Aster’s Eddington in comparison to First Blood to reveal how theme drives character, action, dialogue, and structure when adapting within a genre.

Pluribus isn’t just a masterclass in character, it’s a study in how the world around your protagonist shapes our empathy. Jake explores how Vince Gilligan uses contrast, irony, and a disruptive structural design in the pilot and second episode of Pluribus to draw us toward a protagonist who isn’t trying to be likable, revealing a deeper craft approach to writing truthful, compelling characters without having to “save the cat.”