Award-winning Danish author Olga Ravn speaks to Take Four Books about her new novel The Wax Child and together with presenter James Crawford they explore its connections to three other texts. The Wax Child, translated by Martin Aitken, takes readers to 17th century Denmark, fictionalising the true story of a group of women in the town of Aalborg who were put on trial for witchcraft.For her three influences Olga chose: Ernesto Martino’s Magic – A Theory From The South from 1959; M. R. James’s Martin’s Close from More Ghost Stories of an Antiquary from 1911; and Janet Frame’s Faces In The Water, published in 1961.Producer: Dominic Howell
Editor: Gillian WheelanThis was a BBC Audio Scotland production.
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Katherine Rundell
Award-winning author Katherine Rundell discusses The Poisoned King, the second instalment in her acclaimed children’s fantasy series, Impossible Creatures.In this latest adventure, protagonist Christopher journeys back to the magical archipelago - a realm where dragons, unicorns, griffons, mermaids, and much more, all roam free. But this time, he’s faced with an urgent and mysterious threat.Rundell shares the three literary inspirations behind her new novel: William Shakespeare’s Hamlet (1600), C.S. Lewis’s Prince Caspian (1951), and Ursula K. Le Guin’s A Wizard of Earthsea (1968). Producer: Rachael O’Neill
Editor: Gillian Wheelan
This was a BBC Audio Scotland production.
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Chris Kraus
Presenter James Crawford welcomes American writer, filmmaker, and art critic Chris Kraus to Take Four Books to discuss her latest novel 'The Four Spent the Day Together'. This marks Kraus’ fifth semi-autobiographical novel, following the success of 'I Love Dick', which was adapted into a major television series.The Four Spent the Day Together blends elements of childhood memoir, the experience of being the partner of a relapsing alcoholic, and an investigation into a real-life crime in a Minnesotan town.Kraus also shares the three literary influences that inspired the novel: 'The Executioner’s Song' by Norman Mailer (1979), 'Main Street' by Sinclair Lewis (1920), and 'Hinterland' by Phil A. Neel (2018).Producer: Rachael O’Neill
Editor: Gillian Wheelan
This was a BBC Audio Scotland production.
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Philippa Gregory
Celebrated historical novelist Phillipa Gregory speaks to James Crawford about her latest novel Boleyn Traitor and explores its connections to three other works of literature. Philippa’s intimate portrayals of the machinations of the Tudor court have made her a bestseller and a household name. In her latest dive in to 16th Century England, she returns to the world of King Henry VIII, seen through the eyes of Jane Boleyn, confidante to five of Henry’s six wives – but was she a loyal friend, or a duplicitous spy?For her three influences Phillipa chose: The Golden Bowl by Henry James (1904), A Room With A View by EM Forster (1908), and The Country and the City by Raymond Williams (1973).Producer: Caitlin Sneddon
Editor: Gillian WheelanThis is a BBC Audio Scotland production.
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John Banville
Booker Prize winning Irish author John Banville speaks about his new novel Venetian Vespers and together with presenter James Crawford they explore its connections to three other works of literary art. Set in the year 1899, Venetian Vespers is told from the perspective of the unfortunate Evelyn Dolman, a self-confessed hack-writer who marries Laura Rensselaer, the daughter of a wealthy American plutocrat, but in the midst of a mysterious rift between Laura and her father, Evelyn’s plans of a substantial inheritance are thrown into doubt.For his three influences John chose: the Daphne Du Maurier short story, Don’t Look Now, from 1971, which is also the inspiration for director Nicolas Roeg’s classic film of the same name; The Aspern Papers by Henry James from 1888; and Death In Venice by Thomas Mann, from 1912.Producer: Dominic Howell
Editor: Gillian WheelanThis was a BBC Audio Scotland production.
Presenter James Crawford looks at an author's latest work and delves further into their creative process by learning about the three other texts that have shaped their writing.