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Folger Shakespeare Library: Shakespeare Unlimited

Folger Shakespeare Library
Folger Shakespeare Library: Shakespeare Unlimited
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  • Director Rosa Joshi on Julius Caesar Today
    Shakespeare’s Julius Caesar feels urgently contemporary in Rosa Joshi’s new production at the Oregon Shakespeare Festival—one of America’s largest and longest-running theater festivals, now in its 90th season. Staged in partnership with Seattle’s upstart crow collective, the production explores the threat of autocracy, drawing on global histories of dictatorship. Performed entirely by women and nonbinary actors, Joshi’s Julius Caesar offers new perspectives on a historically male-dominated political landscape. The result is a fresh reading of Shakespeare’s classic tale of power, loyalty, and betrayal. In this episode, Joshi reflects on the production, the politics of performance, and why Shakespeare’s plays continue to illuminate moments of crisis. >> Discover more about Julius Caesar at the Oregon Shakespeare Festival From the Shakespeare Unlimited podcast. Published August 25, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Rosa Joshi (she/her) is a director, producer and educator. She currently serves as Associate Artistic Director of Oregon Shakespeare Festival. Rosa’s directing work spans from Shakespeare to modern classics and contemporary plays. Throughout her career she has created work independently through self-producing, and in 2006 she co-founded upstart crow collective a company that produces classical plays with diverse casts of women and non-binary people. With upstart crow, she has directed King John, Bring Down the House, Richard III, Titus Andronicus, and Coriolanus. She is committed to creating ambitious productions of classical work featuring women, non-binary, and BIPOC artists. As Interim Artistic Director of Northwest Asian American Theatre, Rosa produced a range of Asian American performances, including: A-Fest, an international performance festival; Traces, a world premiere multi-disciplinary, multi-media, international collaborative work. She was also a Resident Director and Artistic Director of the Second Company at New City Theater, where she directed and produced various classical and contemporary plays. Rosa has been a faculty member at Seattle University and has also taught at The Old Globe University of San Diego Shiley Graduate Theatre Program, Hong Kong University, Hong Kong Academy of Performing Arts, and Cornish College for the Arts. Rosa holds an MFA in Directing from the Yale School of Drama and a BA in Theatre and Psychology from Bucknell University.
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  • Reading Jane Austen in the 21st Century with Patricia A. Matthew
    250 years after her birth, Jane Austen is more popular than ever, with the publication of new editions of her novels and numerous new film adaptations in production. But what does it mean to read and edit Jane Austen today through the lens of colonialism, cartography, and race? Scholar Patricia A. Matthew, who recently edited new editions of three Austen novels, joins us to explore the ongoing fascination with Jane and share new research about the Regency era. How wealth from Caribbean sugar plantations and slavery shaped the world depicted in Austen’s novels—and how today’s readers can confront the economic and imperial histories embedded in Regency-era fiction. During her fellowship at the Folger Shakespeare Library, Patricia Matthew examined archival materials, including legal texts, maps, travel logs, and legal documents, to gain a better understanding of colonial sugar plantations in the Caribbean. She looked at how empire and enslavement wealth from the new world, slavery, and race informed (or didn’t) the literature and visual culture of the 18th– and 19th–century Britainies. This research now shapes Matthew Patricia’s new annotated editions of Pride and Prejudice, Northanger Abbey, and Mansfield Park, and opens up broader conversations about adaptation, nostalgia, and canon formation. From overlooked maps folded into rare archival books to questions of literary escapism and cultural memory, Patricia offers a rich and expansive perspective on Jane Austen, her era, and her legacy in 2025. >> Pre-order Patricia Matthew’s new editions of Pride and Prejudice, Northanger Abbey from Penguin Classics, and Mansfield Park from Norton Library. From the Shakespeare Unlimited podcast. Published August 11, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Patricia A. Matthew is Associate Professor of English at Montclair State University, where she teaches courses on the History of the Novel and Romantic abolitionist culture. She writes about Regency-era literature and culture for scholars and the public in journals and publications including Texas Studies in Literature and Language, Women’s Writing, Lapham’s Quarterly, The Times Literary Supplement, and Slate. She co-edits the Oxford University Press book series Race in Nineteenth-Century Literature and Culture. She is also director of the Race and Regency Lab and editor of Penguin Random House’s 250th anniversary editions of Jane Austen’s Pride and Prejudice and Northanger Abbey. Winner of fellowships from the National Humanities Center and the British Association for Romanticism Studies, she is currently writing a book about abolition, material culture, and gender for Princeton University Press. She lives in Brooklyn, New York.
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  • Inside Hamlet’s Head with Jeremy McCarter
    What if, instead of just watching Hamlet, you could step inside the prince’s mind? A revelatory new audio production reimagines Shakespeare’s iconic tragedy as a first-person experience told through Hamlet’s POV. We only hear the scenes in which he appears—every soliloquy becomes an inner monologue, every whisper a voice in our ears. With stunning binaural sound design by Tony Award–winner Mikhail Fiksel and an intimate, close-mic performance by Daniel Kyri (“Chicago Fire”) as the Prince of Denmark, Hamlet is transformed into a deeply personal journey through grief, paranoia, memory, and resolve. The six-episode podcast of Hamlet is produced by Make-Believe Association, an audio storytelling group based in Chicago. The production, which premiered at the Tribeca Film Festival in June, includes performances by John Douglas Thompson as Claudius (and the Ghost), Sharon Washington as Gertrude, and Jacob Ming-Trent as Polonius. In this episode, director Jeremy McCarter shares how technology unlocked new layers of intimacy and urgency in Shakespeare’s play—and why, more than 400 years later, Hamlet’s questions still resonate. >>>Listen to Hamlet at hamlet.fm or wherever you listen to podcasts. Headphones heighten the experience! From the Shakespeare Unlimited podcast. Published July 29, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Jeremy McCarter founded Make-Believe Association in 2017 after five years on the artistic staff of the Public Theater in New York. For the company, he adapted The Lost Books of the Odyssey; co-wrote City on Fire: Chicago Race Riot 1919 (with Natalie Moore); co-created and co-wrote the acclaimed epic Lake Song (Tribeca Festival Audio Premiere, winner of three Signal Awards), and adapted and directed the audacious new take on Hamlet. His books include Young Radicals; Hamilton: The Revolution (with Lin-Manuel Miranda); and Viewfinder: A Memoir of Seeing and Being Seen (with Jon M. Chu). He has written about culture and politics for New York Magazine, The New York Times, The Wall Street Journal, and other publications. He is the literary executor of the novelist and playwright Thornton Wilder.
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  • Shakespeare, Money, and Meaning-Making
    Can reading King Lear help us rethink economic policy? Can Measure for Measure shape how we talk about justice, or Hamlet help us face grief? That’s the idea behind an ambitious project at Montreal’s McGill University called Reimagining Shakespeare, Remaking Modern World Systems. Led by Laurette Dubé, professor emerita of management, and Paul Yachnin, professor of Shakespeare studies, the initiative brings together experts in economics, health policy, AI,  and robotics, with theater and literary artists and humanities scholars, to explore how Shakespeare’s plays can help us think more humanely—and creatively—about the systems we inhabit. In this episode, Dubé and Yachnin discuss how Shakespeare’s theater created a space where money, power, and empathy intersected—and why those same plays may hold insights for addressing today’s most complex challenges, reminding us of how the humanities can help us build a better future. From the Shakespeare Unlimited podcast. Published July 15, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.
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  • Staging Hamlet in Grand Theft Auto
    When live performance shut down during the COVID-19 pandemic, actors Sam Crane and Mark Oosterveen weren’t sure when—or if—they’d ever be onstage again. So, they turned to an unexpected venue: Grand Theft Auto Online, a sprawling, open-world video game best known for fast cars, chaotic and often criminal missions, and player-driven mayhem. Amid the game’s unpredictable violence, they decided to stage Hamlet—it would be the first ever complete performance of a Shakespeare play within a video game. Filmmaker Pinny Grylls joined them and turned the experiment into a documentary: Grand Theft Hamlet. Shot entirely within the game, the film won the Grand Jury Award for Best Documentary Feature at the 2024 SXSW Film Festival. “A startling example of using any tools at your disposal to make memorable art,” said the Rotten Tomatoes website. “Grand Theft Hamlet’s experimental approach does justice by the Bard.” In this episode, Crane and Grylls talk about performance, friendship, and grief during lockdown, as well as how one of Shakespeare’s most famous plays unexpectedly resonated with a virtual cast of strangers and a world in isolation. The result is both funny and poignant, and as surprising as live theater itself. From the Shakespeare Unlimited podcast. Published July 1, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.
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Home to the world's largest collection of Shakespeare materials. Advancing knowledge and the arts. Discover it all at www.folger.edu. Shakespeare turns up in the most interesting places—not just literature and the stage, but science and social history as well. Our "Shakespeare Unlimited" podcast explores the fascinating and varied connections between Shakespeare, his works, and the world around us.
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