The Cosmic Paradox Solved - Nichiren's Gohonzon Explained
an essay by Nichiryu Mark Herrick, Renshi, is an extensive examination of the Gohonzon, the calligraphic mandala created by the Buddhist reformer Nichiren. The source explains that the Gohonzon is not merely an object of worship but a dynamic, textual representation of the Dharma's self-expression, embodying the core teachings of the Lotus Sutra and the principle of Three Thousand Realms in a Single Thought-Moment (Ichinen Sanzen). It details how Nichiren created a performative mandalaby substituting calligraphy for traditional visual icons, placing the central chant, Namu Myoho Renge Kyo (Daimoku), at the center, flanked by the Two Buddhas and surrounded by names representing the Ten Worlds. The essay, which frequently incorporates insights from scholars like Jacqueline Stone, Luigi Finocchiaro, and Lucia Dolce, emphasizes that the Gohonzon functions as a ritual technology that facilitates direct awakening through the act of chanting, dissolving the boundary between the practitioner and the eternal reality it depicts. Finally, it outlines how the Gohonzon, the Daimoku, and the Kaidan (the practice community) form the Three Great Secret Dharmas essential for practice in the Latter Age of the Dharma.
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The Myth of Final Nirvana
"The Myth of Final Nirvana," authored by Nichiryu (Mark Herrick), which critically examines the traditional interpretation of "final nirvana" in Buddhist scripture. The author argues that within the Tiantai and Nichiren traditions, the Buddha’s final awakening is understood not as an escape or cessation from life, but as a realization of the Dharmakaya's eternal presence manifesting fully in the world. Citing foundational texts like the Lotus Sutra and the Nirvana Sutra, along with the teachings of masters such as Zhiyi and Nichiren, the piece explains that suffering and impermanence are actually the conditions for nirvana, which is the integration of mind, body, and environment. This perspective asserts that the Buddha’s apparent death is a compassionate illusion intended to awaken followers to the truth that enlightenment is actively lived in the present moment, rather than attained in some ultimate future state.
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Nichiren, Zen, and the Folksy Tendai Lineage
"The Irony of ‘Folksy’: Nichiren, Zen, and the Lost Lineage of Tendai," where the author explores the meaning of a Zen practitioner calling Nichiren Buddhism "folksy." The author begins by discussing their initial reaction to the term, feeling it implied condescension or lack of sophistication, before reframing it as a description of Nichiren Buddhism's accessibility and connection to ordinary people. The text then traces the shared roots of both Zen and Nichiren Buddhism back to the Tendai school founded by Zhiyi in China, contrasting how Dōgen (Zen) refined Tendai's focus into silent meditation and how Nichiren radicalized the teachings into chanting (shodaigyo) for universal accessibility. Ultimately, the essay argues that Nichiren remained closer to Tendai's foundational doctrinal architecture than Zen, concluding that the perceived "folksiness" is actually a testament to the Dharma being made audible, tangible, and universally available as the Buddha intended.
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Cycles of Time: Apocalypse, Mappo, and Sacred History
This episode offers a comparative analysis of apocalyptic narratives and cyclical timeacross different traditions, primarily contrasting Christianity's linear End Time with Buddhist cosmology's cyclical view of spiritual decline and renewal. The analysis highlights that while mainstream Christianity focuses on a cataclysmic, divine judgment at the end of history, Buddhist concepts like the Latter Age of the Dharma (Mappo) emphasize a period of spiritual degeneration that is nevertheless a prelude to reawakening, making the future human-centered and hopeful. The source further examines how Christian mystics interpret the apocalypse symbolically as inner transformation rather than literal destruction, drawing parallels between their view of spiritual crisis (the Dark Night of the Soul) and Buddhist concepts of profound doubt, aligning both traditions in their focus on moral clarity and inner growth as antidotes to societal decay. Finally, the text proposes an alternative metaphorical reading of the Buddhist Three Ages as a psychological cycle of spiritual journey—moving from direct realization to ritualistic form and then to necessary disintegration—which functions as a catalyst for deeper awakening.
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The Trickster: Agent of Spiritual Renewal
This episode explores the Trickster archetype functions as a necessary agent of renewal during periods of spiritual or cultural stagnation, often referred to in Buddhist cosmology as the Latter Age of the Dharma. This archetype, embodied by figures like Loki, Coyote, or the Buddhist layperson Vimalakīrti, challenges fixed structures and hollow ritualsby employing chaos, paradox, and irreverence. The text argues that this disruption is not destruction for its own sake but a prerequisite for creativity and re-formation, mirroring John Boyd’s strategic concept of destroying old models to create new ones. Ultimately, the Trickster is portrayed as the "immune system" for traditions, clearing away ossified paradigms so that authentic truth and awakening can reassert themselves, even functioning as a corrective medicine when society loses its way.
Two Buddhas is a fresh take on Nichiren Buddhism for the 21st century—warm, curious, and free of dogma. Hosted by author and teacher Mark Herrick, this podcast explores Ren Buddhism, a contemporary path rooted in the chanting of Namu Myoho Renge Kyo, the wisdom of the Lotus Sutra, and the power of personal awakening. Two Buddhas blends deep Buddhist insight with everyday relevance, spiritual questioning, and the courage to let go of rigid systems. Real stories, real practice, real life—this is the Lotus without the walls
Brasil