Across the Movie Aisle

On this week’s episode the gang tackles Sharon Waxman’s piece on David Zaslav and asks if he’s the problem with Hollywood … or its inevitable result? Then they review Steven Soderbergh and Ed Solomon’s new film about authenticity in art, The Christophers. Soderbergh is on a pretty amazing run since the foundation of this podcast, and we will be here for everything he does … but is this one for completists only? (Spoiler: no.) Make sure to swing by Thursday for our bonus episode on the world of art. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Alyssa is on vacation so Sonny and Peter talked about smoking cigarettes and getting cancelled. (No, seriously: It’s cool to smoke again, maybe, and Outcome is Jonah Hill’s attempt to reckon with getting soft-canceled for entirely silly reasons.) Make sure to swing by Thursday for our bonus episode on Exit 8. And if you enjoyed this episode, please share it with a friend!

We’ve got a special bonus bonus episode this week with a special guest: Mike Pesca, of The Gist! You can check out Mike’s Substack here, including his famed “Asshole Tracker” for The Pitt, which is the subject of this week’s bonus bonus episode. Mike and I both love the show, though we have some nitpicks. (Peter’s only watched a couple of episodes; he just likes hanging out and talking about movies and TV shows with friends.) Anyway, this is a fun one, a little spicy, it’ll be available for subscribers only until Friday afternoon, I think. Give the paying folks a little something extra for their hard-earned dough, you know? If you want to sign up and join the convo, do so here!

On this week’s episode, we talked a bit about video game movies (tied loosely to this New York Times piece on the genre’s successes and struggles) and then dove into The Drama, the new Robert Pattinson/Zendaya film from A24. It’s a fun movie to talk about! We honestly only scratched the surface. If you have more thoughts, leave them in the comments!

On this week’s episode, we talk about Sora pulling the plug on its AI video division. What does that mean for the industry? Are movies simply too small for AI to waste compute on? Then we review The Housemaid, a movie that rests somewhere in the liminal space between enjoyable trash and outright garbage. Which way do we come down on it? You’ll have to listen to find out!