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Is it Recess Yet? Confessions of a Former Child Prodigy

Tricia Park
Is it Recess Yet? Confessions of a Former Child Prodigy
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  • Five Ways to Unstuck Your Writing and Get Started Faster
    Writing is hard because we have a lofty idea of what writing is. We imagine people--fancy people--with degrees and credentials and quills and thick notebooks into which they spill their flawless thoughts from their flawless brains, sitting in flawless libraries filled top to bottom with other flawless books by other flawless authors. Yeah, no. That’s not how it works. The best writing begins with mess.The messier and wilder you are, the better. The best thing we can do is throw ourselves in, as quickly as possible, and write a lot of mess, as fast as we can.Okay, yeah, but how? If you’re ready to make the leap, here’s five ways to unstuck your writing. 
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  • The One Question I Never Thought I’d Have to Answer (and Why it Frustrates the Heck Outta Me)
    “So….do you still play the violin?”Recently, people have been asking me this a lot, and I’ll be honest with you, it kind of pisses me off.My reaction to that question is visceral: defensive, angry, defiant. And a little scared. Because, dammit, I didn’t give up my childhood and every fun thing to be a violinist and have it called into question now.  I’m also aware that my outsized reaction to this question also reveals my own insecurities. Because if someone is asking me if I’m still a violinist, it’s a pretty innocent question, right? I mean, I should be able to say, yes, without needing to prove it.Lately, I’ve been wondering, why do I feel the need to prove it? And why, just because I’m doing something else in addition to playing the violin, are people so confused?It seems like it’s difficult to process that I do multiple things. For example, I play the violin (yes, I still do) and yes, I also write.It’s made me wonder why this seems so difficult to understand?Do you ever feel like if you aren't doing music with 100% focus, then you aren't a serious musician? Maybe it's not something your friends or colleagues say explicitly, but somehow, you feel it or sense it?I think it's because classical music - like ballet or ice skating or gymnastics, perhaps -- demands monastic devotion. Listen to this episode for why I think something about classical music training might keep us stuck in one identity and makes us afraid to try new things.
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  • I won a Fulbright Award! On creative writing and how it could make you a happier musician.
    Subscribe to the podcast here!Since I received my Fulbright in the creative writing category, I thought it might be helpful for me to share some ideas about how creative writing has helped me and my violin playing:How Creative Writing Could Make You a Happier MusicianIn classical music, we accept nothing less than perfection. We mustn’t miss a shift or play out of tune. This perfectionism made me relentless and hard-working and followed me from The Juilliard School to the M.F.A. classroom. But it also made me deeply afraid to take risks, to grow. I suspect I’m not alone in struggling with toxic perfectionism. If you struggle, too, consider putting your violin away. Not forever, just for a pause.There’s an idea that I like called “wabi-sabi,” the embracing of flaws in pottery where, instead of throwing away broken pieces, they’re mended with gold lacquer so that the restored object is gilded, made more beautiful. In Korea, we have the idea of “mak” or suddenness. A welcoming of imperfection that’s present in architecture and aesthetics. An affection for the unrehearsed, the unprepared. The surprise of unplanned delight.Like meditation, writing has provided surprising lessons that have helped me with my violin playing:1)  Create distance from the inner critic.Our inner critic is a bully who doesn’t want us to change. Through writing, I’ve learned to grow fond(er) of the “sh**ty first drafts,” a term coined by writer Anne Lamott. Crappy early work is necessary. A willingness to tolerate it without self-loathing makes it possible for me to accept “sh**ty practice days” on my violin, too.2)  Curiosity NOT judgement.This is a mantra from the writer and teacher, Megan Stielstra. When I’m too tight in my writing (or violin playing), it’s because I’m trying too hard to be good. Judgement is heavy, mocking the toilet paper stuck to our shoe. Curiosity is lighter, gazing at our mismatched socks wondering, “hmm, how did that happen? Do I want to fix it? Maybe I like it this way?” Curiosity helps us grow in spite of our flaws. Judgement keeps us stuck in our flaws.3)  Clarify your thoughts.Everyone’s a writer. If you think, you’re a writer. If you talk, you’re a writer. The legendary pianist and pedagogue Leon Fleisher said that if we can’t articulate what we’re trying to do with words, then our intentions aren’t clear enough in our minds. Writing helps us understand ourselves. The clarity of mind that comes from writing makes you a better problem-solver and musician, not to mention better human, citizen, and advocate.4)  The importance of “play” and making something of your own.Writing teaches us to follow our creative impulses. Making my own stuff is like being a kid, playing for play’s sake. I’ll write something that I might throw away or put in a drawer. But it's ​mine,​ something I made for myself. What do ​I​ want? What do ​I​ think? Instead of: Am I doing it ​right?​ What will ​other​ people think? Writing cultivates a creative mindset instead of a corrective mindsetA term I use with my writing students and violin students is “creative courage” or the willingness to:...be brave and take risks...make mistakes and fail often...look foolish...be awesomeWriting has made me more creatively courageous and a happier violinist. I think you might enjoy writing, too!
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  • Jennifer Fawcett. "Perfect isn't interesting." On Imposter Syndrome and why we should "keep going and do it anyway."
    Subscribe to the podcast here!Learn more about the stuff we talk about in this episode:Jennifer FawcettJennifer teaches at Skidmore College and her first novel, The Octagon House, will be published by Atria, an imprint of Simon and Schuster. Working Group Theatre, the theatre group that Jenn co-founded.Imposter SyndromeThe International Theatre Project, the organization that allowed Jenn to travel to Tanzania and Rwanda to teach storytelling and theatre to young students.  
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  • 2020: "What would you tell your younger self?" An end of year review, with advice to help you on your creative journey in 2021.
    Subscribe to the podcast here! 0:59 - Cellist Laura Usiskin on perfectionism and the ways we compare ourselves to others.2:41 - Pianist and scholar, Mina Yang, gives some advice on being grateful and why you don’t have to do music professionally to find value in it.3:43 - Violinist, conductor, and scholar, Sean Wang, talks about the importance of being yourself and finding your unique artistic identity.6:05 - Sarah Carter is a cellist, medical doctor and a former child prodigy herself. Here, she talks about why there’s always enough time to grow and explore.7:50 - And finally, violist Celia Hatton, on taking up space, speaking up, and fighting systematic bias and racism. Thank you to all of my guests and a special "thank you" to YOU, the "Is it Recess Yet?" community. I’m really grateful to you for listening and I look forward to 2021 with more guests and opportunities for us to grow together.
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Sobre Is it Recess Yet? Confessions of a Former Child Prodigy

Is it Recess Yet? Confessions of a Former Child Prodigy is about concert violinist Tricia Park's years as a child prodigy and her quest to evolve beyond that identity. Get an insider’s look into the classical music world and listen to conversations with innovative artists who are forging new - and playful - paths into creativity.
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