Weird Era

About Sarah Schulman:

Sarah Schulman's love of New York is evident in The Cosmopolitans, her 9th novel and 16th book. Distinguished Professor of the Humanities at CUNY, her honors and awards include a Guggenheim in Playwriting and a Fulbright in Judaic Studies. A well known literary chronicler of the marginalized and subcultural, Sarah's fiction has focused on queer urban life for thirty years. Her nonfiction includes The Gentrification of The Mind, a memoir of the homogenization of her city in the wake of the AIDS crisis. Her plays and films have been seen at Playwrights Horizons, The Berlin Film Festival and The Museum of Modern Art. An AIDS historian, Sarah is co-founder of the ACT UP Oral History Project. She is on the advisory board of Jewish Voice for Peace and is faculty advisor to Students for Justice in Palestine at the College of Staten Island.

About The Cosmopolitans:

In this retelling of Balzac’s Parisian classic Cousin Bette, Sarah Shulman spins her revenge story in _Mad Men–_era New York City. Bette, a lonely spinster, has worked as a secretary at an ad agency for thirty years. Her only real friend is her apartment neighbor Earl, a black, gay actor with a miserable job in a meatpacking plant. Shamed and disowned by their families, both find refuge in New York and in their friendship.

Everything changes when Hortense, Bette’s wealthy niece from Ohio, moves to the city to pursue her own acting career. Her arrival reminds Bette of her scandalous past and the estranged Midwestern family she left behind. When Hortense’s calculating ambitions cause a rift between Bette and Earl, Bette uses her connections in the television ad world to destroy those who have wronged her.

Textured with the grit and gloss of midcentury Manhattan in the days before the Civil Rights and Feminist Movements, The Cosmopolitans “balance[s] the hopes of an entire era on the backs of a fragile relationship. . . . Jarring and beautiful, this is a modern classic” (Kirkus Reviews, starred review).

About Emily Haworth-Booth:

Emily Haworth-Booth teaches at the Royal Drawing School and is an illustrator, a graphic novelist, and a children’s author of three books for children: The King Who Banned the Dark (short-listed for the Waterstones Children’s Book Prize, the Carnegie Medal for Illustration, and the Klaus Flugge Prize), The Last Tree, and Protest! Mare is her debut book for adults. She lives in Devon with her husband, dog, and several horses.

About Mare:

For a long time, a woman lives with her husband and their dog. She teaches an online class about children’s books and plods away at a book of her own. Then the dog dies, and a doctor’s visit reveals that she isn’t able to have children, even if she wanted to.

When an opportunity to lease a mare part-time comes her way, it seems like the ideal arrangement and the fulfillment of a childhood wish—perhaps even something to fill the emptiness, diagnosable and otherwise, that she has begun to feel. She has no problem sharing; she shares a garden with the children next door and chores with her husband. The horse will be something to care for, just two days a week, without getting in too deep.

But as she takes up riding lessons, faces mounting medical bills, and walks and brushes and dreams of the horse, her affection starts to become all-consuming. Time spent with the mare casts a light on the rest of her responsibilities and relationships, ultimately forcing her to confront what it means to love a being who does not belong to her. With tender humor and insight, Emily Haworth-Booth’s Mare radiates life and feeling—and introduces an irresistible literary voice.

About Strange Girls:

An award-winning international author’s stunning US debut about two estranged friends who reunite over one feverish weekend and reckon with the choices that tore them apart

A decade has passed since Ava spoke to Aliya. During the years of silence, Ava's life has remained at a standstill, while Aliya got the one thing they both wanted more than anything: a book deal. Forced back together at a mutual friend’s bachelorette in London, Ava returns to Aliya’s doorstep, desperate to unpack the truth of their shared history—and what they meant to each other.

When the two first met in the halls of their historic campus, their connection was electric. Aliya and Ava created a world of their own through the stories they wrote, influencing and borrowing from each other’s work. But when the end of college loomed, the real world began to pull them in opposite directions. Was their bond ever truly as strong as Aliya thought? And what would become of the stories they told themselves about each other?

Weaving together the friends’ past and present, Strange Girls is an ingenious portrait of a fraught friendship, and an exploration of the ties forged in the intensity of the college experience, and the scars left when they break.

About Sarvat Hasin:

Sarvat Hasin is a novelist and dramaturg from Pakistan. She has a masters in creative writing from the University of Oxford. Her first novel, This Wide Night, was published by Penguin Random House India and longlisted for the DSC Prize for South Asian Literature. Her second book, You Can’t Go Home Again, was published in 2018 and featured in Vogue India's and The Hindu's best of the year lists. Her third novel, The Giant Dark, was a runaway critical success, won the Mo Siewcharran Prize, and was shortlisted for the Royal Society of Literature Encore Award. Strange Girls is her US debut. She lives in London.

About Yann Martel:

YANN MARTEL is the author of Life of Pi, the global bestseller that won the 2002 Man Booker Prize and was adapted to the screen in the Oscar-winning film by Ang Lee. He lives in Saskatoon, Canada.

About Son of Nobody:

Harlow Donne has devoted his life to the Classical world. When a chance comes up to study an obscure collection of papyrus fragments at Oxford University, he seizes it. Though it means leaving his daughter and fracturing marriage back home in Canada, this is the kind of career break he desperately needs.

In the depths of the Bodleian Library, Harlow discovers a lost account of the Trojan War, a glimpse into the founding of Western civilization itself. He names the epic poem The Psoad, after its protagonist, a Greek commoner identified as Psoas of Midea, but known to all as son of nobody.

As sole translator and interpreter of The Psoad, Harlow dedicates the poem and its footnotes to his daughter, Helen. Under his gaze, the text unlocks echoes of Ancient Greece into the present day, and a personal message to his beloved child appears. Despite the two-thousand-year gap between the two, a thread hasn’t frayed: the universal song of homesickness and regret, of ambition, love, and grief.

In this masterpiece of myth, history, and domesticity, Son of Nobody explores how stories become facts, the price we pay to share them, and how we live—then, now, and always.

About Andrew Martin:

Andrew Martin is the author of the novel Early Work, a New York Times Notable book of 2018, and the story collection Cool for America, longlisted for the 2020 Story Prize. His essays and stories have appeared frequently in The Paris Review, The New York Review of Books, and Harper's, as well as in The Yale Review, The Atlantic, McSweeney's, The Times Book Review and elsewhere. He teaches in Brooklyn and New Hampshire, and lives in New York City with his family.

About Down Time

Without Cassandra, Aaron would probably be dead. Fortunately, she won’t leave him—despite the drinking, flirting, solipsism, armchair socialism, overspending, infidelity, catastrophic depression, and disparate but increasingly frequent spells of drug- and booze-addled debauchery. Unfortunately, she might be reaching the end of her rope.

Cass and Aaron, like the other neurotic, ambivalent intellectuals in their orbit, are getting older. There’s Malcolm, with his own alcoholism and marginally more successful writing career; his partner, Violet, a doctor with little patience for both; Antonia, a teaching fellow whose book about ecocide may get her tenure at a prestigious university near Harvard Square—yes, that one. When Sam, a charming trust-fund punk at the center of this loose network, dies suddenly, and a global pandemic takes hold, all five must contend with the lives they’ve made: their desires and disappointments, habits and hang-ups, pathologies and addictions, and the possibilities of making art and being good as the earth whirls to its end.

Down Time marks the delightful return of Andrew Martin, the author of the pitch-perfect slacker classics Early Work and Cool for America. Compulsively readable and contagiously intelligent, this is a wryly comic social novel of settling down, selling out, growing up, and getting out that turns a terribly funny and hyper-literate eye on our most desperately guarded ambitions: to love and be loved, to know and be known, to stay sane, if only just.