Weird Era

About Daniyal Mueenuddin:

DANIYAL MUEENUDDIN was brought up in Lahore, Pakistan, and Elroy, Wisconsin. A graduate of Dartmouth College and Yale Law School, his stories have appeared in The New Yorker, Granta, Zoetrope, and The Best American Short Stories 2008, selected by Salman Rushdie. His collection In Other Rooms, Other Wonders was a finalist for the Pulitzer Prize and the National Book Award. For a number of years he practiced law in New York. He now divides his time between Oslo, Norway, and his farm in Pakistan’s South Punjab.

About This is Where the Serpent Lives:

Moving from Pakistan’s dazzling chaotic cities to its lawless feudal countryside, This Is Where the Serpent Lives powerfully evokes contemporary feudal Pakistan, following the destinies of a dozen unforgettable characters whose lives are linked through violence and tragedy, triumph, and love. Orphaned as a little boy and fending for himself in the city streets, Yazid rises to a place of responsibility and respect in the Lahore household of Colonel Atar, a powerful industrialist and politician, only to find that position threatened by conflicting loyalties and misplaced trust. Born on Colonel Atar’s country estate to a poor gardener, Saqib is entrusted with the management of a pioneering business, but he overreaches and finds himself an outlaw, confronting the violence of the corrupt Punjab Police. The colonel’s son competes with his cherished brother for the love of a woman and discovers that her choice colors his life with unexpected darkness as well as light.

In matters of power and money and the heart, Mueenuddin’s characters struggle to choose between paths that are moral and just and more worldly choices that allow them to survive in the systems of caste, capital, and social power that so tightly grip their culture. Intimate and epic, elegiac and profoundly moving, This Is Where the Serpent Lives is a tour de force destined to become a classic of contemporary literature.

About Lauren Rothery:

Lauren Rothery was born in London and raised in San Diego. She spent her twenties writing and directing short films and music videos between New York and Los Angeles. In 2020, she moved to Europe and began writing fiction. Television is her first novel.

About Television:

An aging, A-list movie star lotteries off the entirety of his mega-million blockbuster salary to a member of the general viewing public before taking up with a much younger model. His non-famous best friend (and often lover) looks on impassively, while recollecting their twenty-odd years of unlikely connection. And an aspiring filmmaker, unknown to them both, labors over a script about best friends and lovers while longing for the financial freedom to make great art.

Told in their alternating, intricately linked perspectives, Television is a funny, philosophically astute novel about phenomenal luck, whether windfall or chance encounter. Like Joan Didion’s classic Play It as It Lays, but speaking to a since irrevocably changed Hollywood, it portrays a culture in crisis and the disparities in wealth, beauty, talent, gender, and youth at the heart of contemporary American life. In this glittering but strange new world, lit up by social media and streaming services—what, if not love, can be counted in your favor?

With plays in chronology, bright, nimble dialogue, and a profoundly modern style, Lauren Rothery’s debut novel is an arresting feat of literary impressionism, and marks the arrival of a significant new talent to the landscape of American fiction.

SOUVANKHAM THAMMAVONGSA is the author of four poetry books and the short story collection How to Pronounce Knife, winner of the 2020 Giller Prize and 2021 Trillium Book Award and finalist for the National Book Critics Circle Award and PEN America Open Book Award. Her stories have won an O. Henry Award and appeared in The New Yorker, Harper's Magazine, The Paris Review, The Atlantic, Granta, and NOON. She has also written book reviews for The New York Times, and edited the anthologies Best Canadian Poetry (2021) and The Griffin Poetry Prize (2021). Born in the Lao refugee camp in Nong Khai, Thailand, she was raised and educated in Toronto.

Ning is a retired boxer, but to the customers who visit her nail salon, she is just another worker named Susan. On this summer's day, much like any other, the Susans buff and clip and polish and tweeze. They listen and smile and nod. But beneath this superficial veneer, Ning is a woman of rigorous intellect and profound depth. A woman enthralled by the intricacy and rhythms of her work, but also haunted by memories of paths not taken and opportunities lost. A woman navigating the complicated power dynamics among her fellow Susans, whose greatest fears and desires lie just behind the gossip they exchange.

As the day's work grinds on, the friction between Ning's two identities—as anonymous manicurist and brilliant observer of her own circumstances—will gather electric and crackling force, and at last demand a reckoning with the way the world of privilege looks at a woman like Ning.

Told over a single day, with razor-sharp precision and wit, Pick a Colour confirms Souvankham Thammavongsa's place as literature's premier chronicler of the immigrant experience, in its myriad, complex, and slyly subversive forms.

About Alan Light:

Emmy Award–winning music journalist Alan Light is the author of numerous books including The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah” (which was adapted into an acclaimed documentary), as well as Let’s Go Crazy: Prince and the Making of Purple Rain and biographies of Johnny Cash, Nina Simone, and the Beastie Boys. He was the cowriter of bestselling memoirs by Gregg Allman and Peter Frampton. Alan was a senior writer at Rolling Stone and the editor-in-chief of Vibe and Spin. He contributes frequently to The New York Times, Esquire, and The Wall Street Journal, among many publications, and cohosts the podcast Sound Up! With Mark Goodman and Alan Light.

About Don't Stop: Why We (Still) Love Fleetwood Mac's Rumours:

The author of The Holy or the Broken and former editor-in-chief of Vibe brings his “thoughtful and illuminating” (The New York Times) insight to Fleetwood Mac’s iconic album Rumours, celebrating its story, mythology, and enduring impact.

On January 1, 1975, struggling young singer-songwriter Lindsey Buckingham was invited to join the veteran blues band Fleetwood Mac. He agreed on the condition that his girlfriend, an equally unknown vocalist named Stevie Nicks, also be included. Within two years, Rumours was born—and went on to become one of the most popular albums of all time.

Almost five decades later, it is the only classic rock record that still attracts young listeners and continues to top sales and streaming charts. In Don’t Stop, award-winning journalist and bestselling author Alan Light unravels the enduring allure of Fleetwood Mac’s monumental album. Since its 1977 release, Rumours has captivated generations with its unparalleled blend of romantic turmoil and musical genius. Light explores the album’s transformation from a pop phenomenon to a cultural touchstone, and its unique ability to remain relevant in today’s rapidly changing music scene.

Drawing on in-depth interviews with current artists inspired by Fleetwood Mac, as well as fans who have only recently discovered the album, Light investigates what keep Rumours at the forefront of popular culture, from Glee to Saturday Night Live to Daisy Jones & the Six. Through insightful analysis and storytelling, Don’t Stop celebrates the album’s trail blazing sound and diverse voices, and the emotional depth that continues to fascinate audiences. From the incredible soap opera behind the album’s creation to its embrace in the age of TikTok, this book presents a kaleidoscopic view of a landmark work that has transcended its time.

About Zadie Smith:

Zadie Smith is the author of the novels White Teeth, The Autograph Man, On Beauty, NW, Swing Time, and The Fraud; as well as a novella, The Embassy of Cambodia; three collections of essays, Changing My Mind, Feel Free and Intimations; a collection of short stories, Grand Union; and the play, The Wife of Willesden, adapted from Chaucer. She is also the editor of The Book of Other People. Zadie Smith was born in north-west London, where she still lives.

About Dead and Alive:

A profound and unparalleled literary voice, Zadie Smith returns with a resounding collection of essays.

In the past two decades, few writers have been able to master the craft and art of the essay in the way that Zadie Smith has. Her discerning eye and singularly intimate perspective emblazon Smith as a preeminent critic of our generation, society, and culture. In her inimitable honesty and poignant voice, Smith studies the fault lines that divide us and consistently finds within them grounds for solidarity and compassion.

This eagerly awaited new collection brings Zadie Smith’s unique skills as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five sections—eyeballing, considering, reconsidering, mourning, and confessing—she unspools personal dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk when researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to look at the young Michael Jackson and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. And she shows us once again in Dead and Alive her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

A master of perception always in search of a lesser-known reality, Smith continually assesses, and reassesses, what it means to identify with the contemporary world, and how we choose to remember the history that brought us here.