Weird Era

• Episode 113: Weird Era feat. Curtis McRae

  About Curtis McRae: Curtis John McRae is editor-in-chief at Yolk Literary Journal. His fiction has appeared in The New Quarterly, Prairie Fire, Chronicling the Days anthology (Guernica Editions, 2021), and others. Quietly, Loving Everyone is his debut short story collection. About Quietly, Loving Everyone: A striking debut collection by one of Montreal’s brightest young writers. Quietly, Loving Everyone, Curtis McRae’s debut collection of stories, assembles a meditative and often profound cycle of portraits pulled from everyday Canadian life. A young boy raises James Dean from the dead, only to find out the cult icon is not the playmate he’d hoped for. A university student riddled with ulcers silently spirals after being diagnosed with an autoimmune disease. A young girl takes a road trip with her older sister to Cape Cod, and years later reconstructs the tragic circumstances behind what she remembers. A couple goes on a date at an old porn theatre that is the last remaining vestige of a neighbourhood that has moved on. McRae plays witness characters at those crucial beginnings or ends of relationships, with lovers, friends, family, and most importantly themselves.

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• Episode 112: Weird Era feat. Adelaide Faith

  About Adelaide Faith: Adelaide Faith worked as an editor in the Schools Department of Channel 4 before training to be a veterinary nurse at Battersea Cats and Dogs Home, after which she worked as a nurse at the RSPCA and the PDSA. Her short fiction has appeared in Forever Magazine, Hobart, Vol. 1 Brooklyn, Maudlin House, Farewell Transmission, ExPat Press, and Stone of Madness Press. She is a member of Chelsea Hodson’s Morning Writing Club, and she lives in Hastings with her young daughter and old dog, Pierrot. About Happiness Forever: A complete refreshment and uplift of energy: a hilarious, beguiling first novel for the head and the heart. Sylvie is happy only when she’s in therapy. This is because Sylvie is in love with her therapist; she thinks about her every second they’re not together (roughly 167 hours and 10 minutes per week). In that room, Sylvie is able to talk about everything: the false hope promised by eighties music; what a dog’s inner life is really like and how sad, she, Sylvie is, outside that room. She’s aware she has an obsession, but whether it’s some flavor of erotic transference or a lost person’s need to connect, Sylvie isn’t sure. Outside therapy Sylvie has what she considers to be a small life: a job as a veterinary nurse, companionship from her tattoo artist friend via text, and seaside walks with her brain-damaged dog, Curtains. But maybe therapy is making a difference, inviting her to imagine possibilities—possibilities that include a new friend she meets on the beach. When the therapist starts to prepare Sylvie for the terrible fact that all treatment has to come to an end, Sylvie can’t stop herself from imagining sleeping in her car parked outside the therapist’s house. That won’t work. She has to be brave. Be brave, Sylvie! We love you. In this wonderful, hilarious, stunning debut, Adelaide Faith captures the vulnerability, difficulty and joy of personhood, of being a person, of being alive.

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• Episode 111: Weird Era feat. Adam Ross

  About Adam Ross: ADAM ROSS is the author of Mr. Peanut, which was selected as one of the best books of the year by The New York Times, The New Yorker, and The Economist. He has been a fellow in fiction at the American Academy in Berlin and a Hodder Fellow for Fiction at Princeton University. He is editor of The Sewanee Review. Born and raised in New York City, he now lives in Nashville, Tennessee, with his two daughters. About Playworld: “In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn’t seem strange at the time.” Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse. Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm. Less a bildungsroman than a story of miseducation, Playworld is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.

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• Episode 110: Weird Era feat. Amanda Leduc

  About Amanda Leduc: AMANDA LEDUC is a disabled writer whose most recent novel, The Centaur's Wife, is "an exquisite magical world, perfectly rendered, for [a] dark and wonderful story about the dream life of outsiders and the disabled" (Heather O'Neill). Her non-fiction book Disfigured: On Fairy Tales, Disability, and Making Space was nominated for the 2020 Governor General’s Award. Her essays and stories have appeared across Canada, the US, the UK and Australia, and she speaks regularly across North America on accessibility and the role of disability in storytelling. Amanda holds a Master's degree in Creative Writing from the University of St. Andrews. She has cerebral palsy and presently makes her home in Hamilton, Ontario, where she lives with a very lovable dog named Sitka, who once ate and peed on a manuscript. (Everyone’s a critic, it seems.) About Wild Life: Amanda Leduc’s dazzling new novel follows two walking, talking hyenas as they interact with humans over decades. Blurring the line between human and animal, these strange messengers reveal what is possible when the cages that contain us are broken. In 19th-century Scotland, young Josiah is banished by his father for seeing the divine in the animals around him and sent to Siberia with a small Christian mission to purge such nonsense from his soul. Miserably scrubbing the chapel floor one night, Josiah is visited by what he thinks is God in animal form. When his saviours, a hyena and her mate, rescue him from a natural disaster that kills the other missionaries and then bring him safely home, he founds a religion based on his belief that God granted speech to the hyenas as part of a divine plan to heal and exalt the human race. The hyena pair, Barbara and Kendrith, aren't so sure that Josiah has it right. But with their beautiful strangeness, they utterly transform the people they encounter over succeeding generations. As Josiah's church gathers adherents, more and more animals start to speak to humans—from signing baby gorillas to seductive alligators. At first one or two rebellious pets make a break for freedom, but then comes a mass exodus of all animals held captive, forcing people to contend with a wildness in themselves they have spent millennia denying. The end of this remarkable fairytale is both joyful and devastating, completely dissolving the boundary between what's "human" and what's "animal."

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• Episode 109: Weird Era feat. Katie Kitamura

  About Katie Kitamura: Katie Kitamura is the author of four previous novels, most recently A Separation and Intimacies, which was longlisted for the National Book Award and the PEN/Faulkner Award and was a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, a Lannan fellowship, and many other honors, and her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University. About Audition: One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love. Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.

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