New Books in Art

What is that rock you’ve just picked up? Which minerals is it made of, what’s unique about it and what can it reveal about Earth’s deeper story?Rocks: A Guide to the Stones Around Us and the Stories They Tell (Frances Lincoln, 2026) gives you the tools to answer these questions. Geologist and science illustrator Vojta Hybl guides you through more than 100 rock types, explaining how they form, what they look like and the geological processes they represent.This authoritative yet accessible guide includes clear explanations of igneous, volcaniclastic, sedimentary, metamorphic and anthropic rocks. It also discusses practical tips for spotting and identifying rocks, including detailed specimen illustrations that highlight key features for easy recognition.

Alongside practical identification advice, Rocks invites you to see the ground beneath your feet in a new way, connecting everyday stones to billions of years of planetary change.Whether you’re a curious walker, an outdoor enthusiast or simply fascinated by the natural world, this book will transform how you experience landscapes and help you read the stories written in stone.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In the Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth-Century France (Northwestern University Press 2025) explores the relationship between sensory experience, state ideology, and artistic form, examining literature and art inspired by comets that unsettled the heliocentric order to which French politics and culture aspired.

Guest Claire Goldstein Professor of French and Director of the Humanities Program at UC Davis. Her research in ancien régime French-language literature and culture has explored subjects such as garden design, art and architecture; theater, ballet, and fête performances; astronomy; early modern fashion accessories; and early journalism. Claire’s current projects include Jesuit school ballets; female itinerant clothing resellers; and the innovative and enterprising publishing practices of Nicholas de Blégny, a best-selling and long forgotten multi-hyphenate physician-author. Her scholarship is motivated by her abiding interests in visual and material culture, her curiosity about how the things people see, and the objects and material practices that they engage with, create cultural meanings. She is the author of In the Sun King's Cosmos: Comets and the Cultural Imagination of Seventeenth Century France (Northwestern UP, 2025) and Vaux and Versailles: The Appropriations, Erasures, and Accidents That Made Modern France (U Penn Press, 2007).

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.
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Contemporary Art in the Post-Yugoslav Space explores the production, discussion, and consumption of contemporary art across the post-Yugoslav region. Bringing together 16 original contributions, the work explores how and why contemporary art discourses have continued to navigate the chronic difficulties facing local cultural economies since the dissolution of socialist Yugoslavia's common federal space. Framed by the concept of hauntology, the contributors foreground various "ghosts" of the Yugoslav past — from its anti-fascist and non-alignment legacies, to histories of queer and feminist movements and artistic activism — as a lens for examining the present state of affairs both regionally and globally.
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Marc Chagall is widely recognized as the preeminent Jewish artist of the 20th century, but little is known of his work to preserve Jewish culture. In this program, his granddaughter Bella Meyer interweaves images of Chagall’s artwork and personal letters to reflect on his life, passion for Yiddish and dedication to perpetuating Jewish heritage and culture.

This program originally took place on February 17, 2016.
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On the Edge: Endbands in the Bookbinding Traditions of the Eastern Mediterranean by Dr Giorgios Boudalis (Legacy Press, 2022). The term endbands designates the two bands worked with thread(s) at the head and tail edges of the spine of a book. The techniques with which they are worked and the ways with which they are connected to a bound codex vary greatly over time and geography. The purpose of this book is to identify, classify and describe several of these different techniques used in manuscript books bound within different cultures in the Eastern Mediterranean from Late Antiquity until the 20th century. The book is richly illustrated with full-colour photographs and technical drawings explaining how these endbands were made and how they can be replicated.

The guest on the podcast was Dr Giorgios Boudalis. Dr Boudalis studied conservation of art in Florence and Athens, and Fine Arts in Thessaloniki, Greece, where he lives. In 2005 he completed his Ph.D. at the University of the Arts, London, on the evolution of Byzantine and post-Byzantine bookbinding, and he has since been researching and publishing on the topics of bookbinding history and manuscript conservation. Since 1997 he has been working in book conservation for public and private institutions and collections. His research focuses on the study of the manuscript book in the Eastern Mediterranean using physical, written and iconographical evidence, and he is especially interested in the making of the codex and its relation to other crafts and artefacts.

Since 2006 he has been teaching courses on various aspects of Eastern Mediterranean bookbinding structures both on an historical and technical level. He is a co-editor of the Language of Bindings Thesaurus of the Ligatus Research Centre, and he was a visiting scholar and an adjunct professor at Bard Graduate Center in New York where in 2018 he curated the exhibition, The Codex and Crafts in Late Antiquity, and published a book with the same title.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. Her current research focuses on cleaning gilded wooden frames using gels.
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