Private Life: A New York Review Podcast

In this episode of Private Life, Rachel Kushner reads an excerpt from Leslie A. Fiedler’s Love and Death in the American Novel (1960), which was reissued by New York Review Books in April. In Kushner’s selection, Fiedler writes about Mark Twain and the themes and characters of his books The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1884). Kushner is best known for her novels Telex from Cuba (2008), The Flamethrowers (2013), and The Mars Room (2018). Her most recent novel is Creation Lake (2024).  
Leslie A. Fiedler (1917–2003) was a literary critic and novelist. His books include The Stranger in Shakespeare (1972), Freaks: Myths and Images of the Secret Self (1978), and Fiedler on the Roof: Essays on Literature and Jewish Identity (1991). 
Last week’s episode featured Edwin Frank in a conversation about Fiedler’s literary criticism and Love and Death in the American Novel. You can find Love and Death in the American Novel at nyrb.com or at your favorite bookseller.

In this episode of Private Life, Edwin Frank joins Jarrett Earnest to discuss Leslie A. Fiedler's Love and Death in the American Novel (1960), which was reissued by NYRB Classics in April. They discuss the preoccupations of Fiedler’s literary criticism, the process of putting together a collection of criticism, and Frank’s book Stranger than Fiction: Lives of the Twentieth Century Novel (2024).  
Edwin Frank is the editor of New York Review Books as well as the founder and editorial director of the NYRB Classics series. In addition to Stranger than Fiction, he has also released a collection of poems, Snake Train (2015). 
Leslie A. Fiedler (1917–2003) was a literary critic and novelist. He published two novels and three short story collections, as well as dozens of volumes of criticism, including The Stranger in Shakespeare (1972), Freaks: Myths and Images of the Secret Self (1978), and Fiedler on the Roof: Essays on Literature and Jewish Identity (1991).  
Next week’s episode will be a selection from Love and Death in the American Novel, read by the writer Rachel Kushner. You can find Love and Death in the American Novel at nyrb.com or at your favorite bookseller.

In this episode of Private Life, the actress Holland Taylor reads Renata Adler’s essay “The Perils of Pauline,” an expansive assessment of Pauline Kael’s film criticism from the Review’s August 14, 1980, issue. Taylor has been working on films, television, and Broadway since the 1960s. She is a nine-time Emmy nominee, winning once, in 1999, for her role as a judge on The Practice. She was nominated for a Tony Award in 2013 for playing Texas governor Ann Richards in Ann. 
Renata Adler is a journalist and film critic who was a staff writer at The New Yorker for four decades. Her books include A Year in the Dark (1969); Toward a Radical Middle (1970); Gone: The Last Days of The New Yorker (1999); and the novels Speedboat (1976) and Pitch Dark (1983), which were both reissued by NYRB Classics. 
Last week’s episode was an interview with Lucy Sante that discussed Adler’s essay and film criticism. You can read “The Perils of Pauline” and other essays with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.

In the second season premiere of Private Life, host Jarrett Earnest is joined by the writer and critic Lucy Sante to discuss Pauline Kael’s career, pop culture writing, and Sante’s writing for the Review, where she has been a frequent contributor since the 1980s. The conversation focuses on “The Perils of Pauline” (published in the magazine’s August 14, 1980, issue), Renata Adler’s blistering assessment of Kael’s film criticism; the legacy of staff film critics; and Sante’s relationship with popular music from Elvis to The Velvet Underground.  
Lucy Sante is the author of Low Life: Lures and Snares of Old New York (1991), Six Sermons for Bob Dylan (2024), and the memoir I Heard Her Call My Name (2024). Her first essay for the Review, “Relic” (published in the December 17, 1981, issue), reviewed Albert Goldman’s controversial 1981 biography, Elvis. Sante taught writing and the history of photography at Bard College for twenty-four years. 
Next week’s episode will be a recording of Adler’s “The Perils of Pauline” read by the actress Holland Taylor. You can read the essays discussed in this episode with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.

This episode is a reading of Daniel Mendelsohn’s essay,“A Little Iliad,” a review of the film Troy, an adaptation of the Iliad, from the Review’s June 24, 2004, issue. It is read by the countertenor and opera director Anthony Roth Costanzo. Among many other roles, Costanzohas performed as Prince Orlofsky in Die Fledermaus and Akhnaten in Philip Glass’s Akhnaten, both at the Met Opera, and he won a Grammy Award for Best Opera Recording in 2022 for the cast recording of Akhnaten. He is currently the director and president of Opera Philadelphia.  
Daniel Mendelsohn is the Editor-at-Large of The New York Review of Books and the Charles Ranlett Flint Professor of Humanities at Bard. The paperback edition of his translation of Homer’s Odyssey was released in April by the University of Chicago Press.   
Last week’s episode was an interview with Mendelsohn on Homer’s Odyssey, both the film adaptation and his translation. You can read “A Little Iliad” and other essays by Mendelsohn with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.