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Recording Artists

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Recording Artists
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  • It’s a Likely Threat (Bonus)
    What makes good art good and what makes that experience stick with you? Engineer Billy Klüver, who co-founded the nonprofit group Experiments in Art and Technology, has a great answer to that question—but we couldn’t fit it in our third season. In this bonus episode, we’ll hear Klüver talk about discomfort, threats, and the power of good art. Stay tuned for more bonus episodes.
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  • Why Doesn’t He Dance a Little Better? (Bonus)
    Did you know Robert Rauschenberg was fired by John Cage? Us either—until we heard Rauschenberg telling his side of the story to Barbara Rose in one of the interviews in Getty’s archives. We’re sharing clips from the archive as bonus episodes while you’re waiting on season four. In this first episode, you’ll hear Robert Rauschenberg explain how he stopped designing stage sets for the Merce Cunningham Dance Company all while gaining a better sense of his brusque yet charming personality. Stay tuned for more bonus episodes every other month.
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  • Introducing ReCurrent: The Recipe of Us
    Check out Getty’s newest podcast, ReCurrent, a series about what we gain by keeping the past present. In this inaugural episode, host and producer Jaime Roque shares a heartfelt journey through his family’s history and the role of food in preserving cultural heritage. Hear the rest of the series and learn more at getty.edu/recurrent. Look for it and subscribe wherever you get your podcasts.
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  • Fujiko Nakaya: The Most Beautiful Way
    Artist Fujiko Nakaya is best known for her ethereal sculptures made with fog. But her very first fog sculpture, which kicked off decades of working with this unusual and highly technical material, came about almost by chance—and thanks to her ties to Experiments in Art and Technology (E.A.T.). At 91, Nakaya is still making fog sculptures that compel audiences to consider the environment and our impact on it in new ways. In this third and final episode, we trace the development of Nakaya’s iconic sculpture and explore what it can teach us about environmental and social justice. We also investigate E.A.T.’s relevance and legacy, from the 1960s to Silicon Valley. Archival interviews with Nakaya and commentary from art historian Eva Díaz and contemporary artist Tomás Saraceno round out the episode. Liked hearing us? We want to hear from you! Take our audience survey. The Getty Patron Program is a proud sponsor of this podcast.
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  • Billy Klüver: Better Than Another Golf Course
    Laser physicist Billy Klüver had always been interested in art. So when he started working at Bell Labs in New Jersey in the late 1950s, he began going into Manhattan and meeting artists—and in short order he was collaborating with them. He co-founded Experiments in Art and Technology (E.A.T.) to facilitate these partnerships and worked to find corporate sponsors, with mixed success. In this second episode of the season, we get to know Klüver’s role as a kind of translator and middleman between artists and engineers, and learn about E.A.T.’s partnership with PepsiCo at the 1970 World Expo in Osaka, Japan. Archival lectures by Klüver and commentary from communications professor Fred Turner and composer and musician Evan Ziporyn, who runs the Center for Art, Science and Technology at MIT, help tell this story. Liked hearing us? We want to hear from you! Take our audience survey. The Getty Patron Program is a proud sponsor of this podcast.
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Artists in their own words from the Getty Research Institute archives
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