Filmmakers Academy Podcast

• Finding the Frame - Indie Film Hustle & Element Filters (feat. Cinematographer Tucker K Anderson)

  Thanks for joining us for another episode of the Filmmakers Academy Podcast! Take advantage of monthly virtual group coaching, networking events, as well as new content released weekly by becoming a member today. Join today and get $50 off your first year by using the promo code FAPOD50. And join the #1 resource for cinematographers, film crews, and Do-It-All filmmakers!In this engaging episode of Finding the Frame, host Chris Haigh welcomes the talented young cinematographer Tucker K Anderson for an insightful conversation about his journey in the film industry. Tucker shares his beginnings in action sports filmmaking in Canada, detailing his progression through various camera systems and the fast-paced environment that honed his camera operating skills. "It's an infectious energy in LA." He recounts his move to Los Angeles and his transition into the world of commercials, working with major brands and celebrities, emphasizing the importance of professionalism and creating a comfortable atmosphere on set. The discussion then moves into Tucker's experience with feature films, contrasting the often rapid pace of commercial work with the more in-depth preparation and collaborative process involved in longer narrative projects.Tucker provides a glimpse into his pre-production process, highlighting the importance of multiple script readings and extensive conversations with directors to understand their vision. He shares his perspective on how character emotions can influence cinematographic choices and his hands-on approach to operating the camera. The conversation also explores the realities of building a career in the film industry, including the significance of networking and the constant effort to gain recognition. Tucker also delves into his entrepreneurial venture, Element Filters, discussing the motivation behind creating accessible, high-quality ND filters for filmmakers. The episode concludes with a broader look at the evolving landscape of filmmaking in LA, the balance between passion projects and professional work, and the enduring appeal of human-made art in a technologically advancing industry.WebsiteIMDb VimeoElement Filters

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• Inner Circle Podcast - Filmmaking Q&A: Cinematography Tips You Can't Miss

  Thanks for joining us for another episode of the Filmmakers Academy Podcast! Take advantage of monthly virtual group coaching, networking events, as well as new content released weekly by becoming a member today. Join today and get $50 off your first year by using the promo code FAPOD50. And join the #1 resource for cinematographers, film crews, and Do-It-All filmmakers!In this episode of The Inner Circle Podcast, hosted by ASC cinematographer Shane Hurlbut and Lydia Hurlbut, Shane dives deep into answering a variety of questions from members, offering his expert insights on cinematography techniques and gear. The discussion covers achieving a silver moonlight effect, exploring the nuances of using different light sources and camera settings in night cinematography. Shane breaks down the intricacies of setting up a Condor rig, explaining the use of "bubbles," "candlesticks," and "cup blocks."The episode also delves into lens considerations, with Shane recommending digital diffusion options for Irix lenses and sharing his perspective on the characteristics of vintage glass. The conversation clarifies the difference between ambient and fill light, particularly within a studio environment, emphasizing the importance of light ratios. Beyond the technical aspects of filmmaking, Lydia shares a wellness tip about the benefits of matcha green tea, and Shane discusses his experience with a shaker box for lymphatic drainage. The episode concludes with a focus on the importance of self-trust and overcoming imposter syndrome, blending practical filmmaking advice with insights for personal well-being.Tune in to hear inspiring stories and practical advice from these seasoned filmmakers!More from Shane Hurlbut, ASC for cinematographers and do-it-all filmmakers:-Cinematography: Virtual Location Scouting with the Insta360-Cinematography: The EL Zone System Exposure Guide-Shane’s Gear Bag-Shane Hurlbut’s Go-To Lighting Package-The Modern Cinematographer – On-Set Essentials-Shane Hurlbut’s Kit-Cinematography Mentorship – Shane Hurlbut, ASC -Design Your INOVATIV Cart for Film Production More from Lydia Hurlbut and her Leadership & Wellness Initiative: -4 Self-Care Tips for Filmmaking Entrepreneurs-Plan Your Filmmaking Lifestyle for Success with Lydia Hurlbut-

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• Finding the Frame - "The Pitt" Cinematography (feat. Johanna Coelho)

  Thanks for joining us for another episode of the Filmmakers Academy Podcast! Take advantage of monthly virtual group coaching, networking events, as well as new content released weekly by becoming a member today. Join today and get $50 off your first year by using the promo code FAPOD50. And join the #1 resource for cinematographers, film crews, and Do-It-All filmmakers!Sign up today by clicking 👉 here.In this episode of Finding the Frame, Chris Haigh interviews cinematographer Johanna Coelho, known for her work on HBO Max's The Pitt. Coelho discusses her journey from France to Los Angeles, blending French emotional storytelling with American visual language, and how her diverse education at the Sorbonne, AFI, and a French technical school shaped her visual approach. She emphasizes the importance of adapting to different projects, from documentaries to medical dramas, and her role as a "visual psychologist" in interpreting characters' emotions.Coelho delves into the innovative techniques used on "The Pitt," including a 360-degree set, custom LED lighting, and the use of the Alexa Mini LF camera. She details the challenges and collaborations involved in creating a realistic, continuous 15-hour medical drama, highlighting the meticulous planning and choreography required. She also touches on her concerns and hopes for the future of filmmaking in Los Angeles, and her thoughts on the use of AI in the industry, advocating for its use as a tool to enhance, rather than replace, the cinematographer’s role.Keep up with Johanna Coelho:Instagram: https://www.instagram.com/johanna_coelho/Website: https://www.johannacoelho.com/Keep up with Finding the Frame host Chris Haigh:Instagram: https://www.instagram.com/chrishaighwriter/IMDb: https://pro.imdb.com/name/nm13352079/credits0:00 - Intro & Guest Intro0:37 - Johanna’s Cinematography Journey1:53 - Early Inspirations & Influences2:31 - Education & Cinematic Approach

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• Finding the Frame - Behind “The Brutalist” (feat. Cinematographer Lol Crawley, BSC & Production Designer Judy Becker)

  In this episode of Finding the Frame, Chris Haigh sits down with Academy Award nominees Judy Becker and Lol Crawley, BSC, the production designer and cinematographer behind the visually stunning film, "The Brutalist." They discuss their artistic journeys, early influences, and the unique challenges of capturing the film's stark, imposing architecture. Crawley, known for his work on films like "Vox Lux," explains his choice of VistaVision for its ability to capture brutalist buildings without distortion, while Becker, whose credits include "American Hustle" and "Carol," shares her design inspirations and the emotional significance of the film's central location, the Institute. They delve into the collaborative process with director Brady Corbet, the technical challenges of filming on location in Hungary, and the importance of balancing grand architectural shots with intimate character moments. The conversation also explores the emotional and thematic core of the film, highlighting key scenes and the filmmakers' personal interpretations. Finally, they offer valuable advice for aspiring filmmakers, emphasizing the importance of personal vision, creative inspiration, and finding your unique voice in the industry.Thanks for joining us for another episode of the Filmmakers Academy Podcast! Take advantage of monthly virtual group coaching, networking events, as well as new content released weekly by becoming a member today. Join today and get $50 off your first year by using the promo code FAPOD50. And join the #1 resource for cinematographers, film crews, and Do-It-All filmmakers!Coupon Link: https://watch.filmmakersacademy.com/checkout/new?o=171499&d=FAPOD50

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  56:33
• Finding the Frame - From Outback to Hollywood (feat. Cinematographer Judd Overton)

  This episode of Finding the Frame features a fascinating conversation with acclaimed Australian cinematographer Judd Overton, ACS. Host Chris Haigh explores Judd's remarkable journey, from his early days in the remote Australian Outback to his current success in Hollywood. Judd, known for his bold framing, "shoot from the hip" style, and ability to create distinct visual worlds, shares his insights on a wide range of topics, making this a must-listen for aspiring and experienced filmmakers alike.The episode begins with Judd's unique upbringing and how early encounters with film crews sparked his passion for cinematography. He then discusses the pivotal role of the Australian Film School (AFTRS) in shaping his approach, emphasizing the collaborative learning environment and the importance of understanding both film and digital workflows. Judd then dives deep into his visual storytelling techniques. He reveals how he develops visual metaphors, carefully choosing framing, lighting, and lenses to convey mood and tone. Listeners will gain insights into his work on projects like Laid, Ride the Eagle, Totally Killer, and The Letdown, with specific examples of how he crafted unique looks for each.Collaboration is a recurring theme, and Judd shares his experiences working closely with directors, particularly his ongoing collaboration with Nahnatchka Khan. He emphasizes the value of building a strong creative shorthand and the freedom that comes from a trusting relationship. The conversation also touches on the practical challenges of filmmaking. Judd recounts overcoming technical constraints and limited resources on projects like Ride the Eagle (shot during COVID) and Laid (with its demanding night shoots in Vancouver).The episode explores Judd's approach to shooting comedy, including working with high-profile comedic talent, particularly when describing his experience on the series, No Activity. Furthermore, Judd emphasizes the importance of being thoroughly prepared for each shoot, and having a game plan for when things do not go according to plan.Looking ahead, Judd offers his perspective on the future of cinematography. He discusses the impact of emerging technologies like AI, automated tools, and virtual production, while stressing the enduring importance of human stories and the cinematographer's role in telling them effectively.This episode is proudly lit exclusively by Nanlux-Nanlite Lights and sponsored by B&H and Hollyland.

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