Everything we do is filtered through entertainment. If it’s not entertaining, there is a good chance that nobody is paying attention. So, to understand the worl...
Some years, one film locks in early as a popular, unbeatable favorite to win all of the major awards at all of the major ceremonies, such as last year’s Oppenheimer, which grossed nearly a billion dollars and swept the Oscars. This year? It’s not so clear what the frontrunner is, how various controversies might have affected Academy voting, or what the significance of the awards might be in the age of streaming. This week's first segment is an attempt to parse through these questions with filmmaker, critic, and host of KIOS at the Movies Joshua LaBure. Then, we're replaying parts of a 2024 conversation with Michael Schulman, author of Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears—a sweeping history of what has been nearly a century of Academy Awards. Get it now wherever you buy books. Keep the conversation going in the comments. Follow The Entertainment on Facebook, Instagram, or Substack and let us know what you think. Subscribe on your favorite podcast app and we’d love it if you gave us a review. The Entertainment is a production of KIOS 91.5 FM Omaha Public Radio. It is produced and edited by Courtney Bierman. Our artwork was created by Topher Booth. Thank you for listening. Hosted on Acast. See acast.com/privacy for more information.
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36. Guy Maddin on 'Rumours' and the Collapsing World Order
Guy Maddin, director of My Winnipeg, The Saddest Music in the World, and Brand Upon the Brain is a filmmaker who seemingly operates by no rules and often merges the surreal, the traditional, and the experimental. The idea of discomfort at the merger of traditional ideas with the inexplicable, of the familiar with the bizarre, is both true of his style and also the substance of his latest film, Rumours—which he directed with Evan Johnson and Galen Johnson. Available now on video on demand, the film follows a G-7 meeting between leaders from the U.S., Canada, France, Germany, Italy, Japan, and the U.K in the midst of an apocalyptic event that leaves them alone in the woods, having to fend for themselves without any of their systems of support. This week's show is a conversation with Maddin about both the construction of the movie but also its context as an artifact of a world in transition, whether its leaders want to admit it or not.Keep the conversation going in the comments. Follow The Entertainment on Facebook, Instagram, or Substack and let us know what you think. Subscribe on your favorite podcast app and we’d love it if you gave us a review. The Entertainment is a production of KIOS 91.5 FM Omaha Public Radio. It is produced and edited by Courtney Bierman. Our artwork was created by Topher Booth. Thank you for listening. Hosted on Acast. See acast.com/privacy for more information.
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35. The Best of 2024 Roundtable
It’s the time of year where awards bodies, critics, and audiences alike are all finally able to catch up on the notable releases of the past year, to look in retrospect at trends, and start to let works settle in ways that they don’t always in the heat of the moment. Most critics will do a best of list, awards bodies have released or already given out their awards. But the idea of our episode today is not to look to the critics who have access to all of the prestige movies, or who have seen exclusive premieres at festivals, but to instead give you a perspective on the last year on our screens from Midwest authorities on film, television, and streaming. So we put together a roundtable discussion where we invited three guests to give their take on 2024: Ryan Syrek, longtime critic for The Reader, Genevieve Radosti, critic and author of I was a Twenty-Something CineMama, and Paul Sanchez, education manager at our local arthouse theater Film Streams.Keep the conversation going in the comments. Follow The Entertainment on Facebook, Instagram, or Substack and let us know what you think. Subscribe on your favorite podcast app and we’d love it if you gave us a review. The Entertainment is a production of KIOS 91.5 FM Omaha Public Radio. It is produced and edited by Courtney Bierman. Our artwork was created by Topher Booth. Thank you for listening. Hosted on Acast. See acast.com/privacy for more information.
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34. The Case for Physical Media
Something that has changed drastically about our relationship with screens over the course of the past few decades has been the shift from reliance on physical media to streaming. With the click of a button and an internet connection, you now no longer need the middle man of DVDs, Blu Rays, or rental stores. You have it all. Or do you? If you listened to our four part series on the life and legacy of Elaine May, you know that a legal nightmare has stopped her 1972 classic The Heartbreak Kid from getting any kind of digital release. And the merger of Warner Brothers and Discovery in 2022 led to a new practice among streamers of deleting their original programming that didn’t meet standards of requisite clicks such as Moonshot, Mrs. Fletcher, Vinyl, and Run. It turns out that the ease of digital programming is subject to more politics than simply offering a library of content.But not everyone is content to accept the precarity of the streaming age, and that’s the focus of our show today: the case for physical media. First, we’ll hear from executive director Kate Barr and inventory assistant Joel Fischer from Scarecrow Video, a nonprofit video rental store in Seattle which offers nearly 150,000 titles including rare and out of print offerings that represent over a century of cultural history that they’re here to archive, not delete. Then, later in the show, The Blair Witch Project producer Mike Monello discusses the path toward the latest physical release of the 1999 classic, which finally captures the filmmakers’ intended vision and documents its story in a way that can only be found on physical media.Keep the conversation going in the comments. Follow The Entertainment on Facebook, Instagram or Substack and let us know what you think. Subscribe on your favorite podcast app and we’d love it if you gave us a review. The Entertainment is a production of KIOS 91.5 FM Omaha Public Radio. It is produced and edited by Courtney Bierman. Our artwork was created by Topher Booth. Thank you for listening. Hosted on Acast. See acast.com/privacy for more information.
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33. Zia Anger on 'My First Film' and the Pressures of the Debut
Fairly or not, there’s a huge amount of pressure placed on the way an artist chooses to debut. The first film, album, book–it has potential to launch, and sometimes even define, a career. There’s something thrilling about a first film that manages to break out and signal a unique voice, someone announcing their talent and potential that we as viewers get to anticipate and experience across an emerging body of work. If we perhaps put too much emphasis on debuts, there are only a few debuts about debuting. This is, in fact, the plot, the function, and the thematic exploration of Zia Anger’s aptly titled My First Film, which tells the story of a failed attempt at debuting, mixing autobiographical elements with the fictionalized telling of how authorship manifests, clashes, and announces its presence. My First Film is streaming now on Mubi.Keep the conversation going in the comments. Follow The Entertainment on Facebook, Instagram, or Substack and let us know what you think. Subscribe on your favorite podcast app and we’d love it if you gave us a review. The Entertainment is a production of KIOS 91.5 FM Omaha Public Radio. It is produced and edited by Courtney Bierman. Our artwork was created by Topher Booth. Thank you for listening. Hosted on Acast. See acast.com/privacy for more information.
Everything we do is filtered through entertainment. If it’s not entertaining, there is a good chance that nobody is paying attention. So, to understand the world, you have to not only look at your screen but comprehend what is on it. Where does our entertainment come from? Why? How is it shaped by the world around us and how is it shaping that same world? This is the focus of The Entertainment. Each week, Tom Knoblauch explores an element of our culture through conversations with creators and consumers of film, television, music, art, and more. Hosted on Acast. See acast.com/privacy for more information.
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