A drifter set to die in the gas chamber for a murder he didn't commit offers one last gift to the man who framed him — never imagining what that gift might carry.
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CHAPTERS & TIME STAMPS (All Times Approximate)…
00:00:00.000 = Show Open
00:01:30.028 = CBS Radio Mystery Theater, “Second Sight” (February 27, 1978) ***WD
00:46:14.838 = Origin of Superstition, “Three On A Match” (December 16, 1932) ***WD
01:00:44.894 = Pat Novak For Hire, “Don’t Tell Hilda” (February 27, 1949)
01:29:14.739 = Peril, “Darkness Within” (1953) ***WD (LQ)
01:58:15.099 = Mystery Playhouse, “Death is a Joker” (May 25, 1941) ***WD
02:28:27.475 = Price of Fear, “Meeting In Athens” (July 07, 1973) ***WD
02:55:48.036 = Ellery Queen, “Number Thirty-One” (September 07, 1947) ***WD
03:24:14.186 = Quiet Please, “If I Should Die Before I Wake” (February 27, 1949)
03:53:27.551 = Radio City Playhouse, “The Wind” (October 30, 1949) ***WD
04:22:21.175 = Sam Spade, “Death of Dr. Denhoff Caper” (August 09, 1946) ***WD
04:51:19.818 = Show Close
(ADU) = Air Date Unknown
(LQ) = Low Quality
***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.
This episode of #RetroRadio — Old Time Radio in the Dark, hosted by Darren Marlar at WeirdDarkness.com, runs ten classic mystery, crime, and horror broadcasts back to back, from a condemned man who donates his eyes to the very person who framed him to Ray Bradbury's tale of a living, intelligent wind that hunts a man across the globe.
CBS Radio Mystery Theater opens the night with "Second Sight," a February 27, 1978 drama hosted by E.G. Marshall in which drifter Larry Millard, condemned to die in the gas chamber for the shotgun murder of farmer Jason Hadley, volunteers his own eyes for an anonymous corneal transplant — handing his sight to Glen Plaxton, the businessman who actually pulled the trigger and framed him to protect a secret reservoir land-grab. After the surgery, Plaxton and his partner Tip Foster begin to suspect that the dead man's eyes may have carried more than vision.
Next, Origin of Superstition traces the famous taboo against lighting three cigarettes from a single flame in "Three On A Match," a December 16, 1932 sketch that carries listeners back to 1899 and the Boer War in South Africa, where British officer Captain Frank Mattox laughs off the fire-reading warning of a Zulu medicine man named Grumbo, who reads ruin in the ashes and cautions of "danger in three."
In "Don't Tell Hilda," the hard-boiled Pat Novak For Hire (February 27, 1949, starring Jack Webb) finds the San Francisco waterfront boat-for-hire man tangled in murder when a beautiful blonde claiming amnesia collapses dead in a coffee joint after a fatal dose of sleeping pills. Hounded by Inspector Hellman and helped by boozy ex-doctor Jocko Madigan, Novak traces her to a long-vanished heiress named Marcia Halpern and a fortune up on Pacific Heights.
Peril offers the 1953 psychological case "Darkness Within," where Mrs. Diana Carson walks into the office of psychiatrist Dr. James Bancroft insisting that her mild-mannered stockbroker husband, Lionel Carson, seized the fireplace tongs and tried to murder her — then woke with no memory of the attack, much like the family cat she found poisoned in the basement. Bancroft must decide whether Lionel suffers a blackout-driven split personality or something far more deliberate.
Mystery Playhouse, hosted by Peter Lorre, stages "Death is a Joker" (May 25, 1941), the courtroom confession of Charles Luther, a homely stage comedian on trial for his life who recounts strangling his friend Robert Langwell in a fit of jealousy over the beautiful Julie Wenthoff — and then, hour by terrible hour, is forced to think and act like the cunning criminal he never meant to become.
The Price of Fear sends Vincent Price into the August heat of Athens for "Meeting In Athens," a July 7, 1973 chiller in which he befriends young English couple Mark Haxton and Gillian Gilroy on the Acropolis. When Mark vanishes after a late-night seaside villa party arranged by a heavyset stranger named Yannis, Price and Greek police officer Costas Polides uncover a black-market horror in which a man's rarest possession — his AB Rhesus-negative blood, recorded in the diary he kept on everything — can be worth killing for.
Ellery Queen investigates "Number Thirty-One" (September 7, 1947), in which suspected international diamond smuggler George Arcaris always books Cabin 31 aboard the steamship Aegea, and a Park Avenue butler from Harlem named Arthur Prine — who liked to play the number 31 in the numbers game — turns up dead in the East River. Ellery and Inspector Queen connect the recurring number to a smuggling ring involving wealthy socialites Pip Istram and Susu Mounting, with guest armchair detective Kent Smith invited to solve it first.
Quiet Please turns apocalyptic with "If I Should Wake Before I Die" (February 27, 1949), Wyllis Cooper's parable of Dr. Anderson, a coldly rational scientist who cares only for pure knowledge and never for its uses — even after his own brother Edward dies alone in an orbiting satellite rocket, and even as Project Phaeton, an atomic-fission projectile fired at the moon, sets loose consequences no equation predicted.
Radio City Playhouse adapts Ray Bradbury's "The Wind" (October 30, 1949), in which Allen Henderson telephones his friend Herb Thompson again and again, convinced that a living, intelligent wind — one that has stalked him from a crash in the Himalayas across every typhoon and hurricane he survived — has finally surrounded his lonely stone house to claim him, while Herb's wife Jane dismisses the whole thing as madness.
Sam Spade closes the night with the "Death of Dr. Denhoff Caper" (August 9, 1946), as Howard Duff's wisecracking detective is hired by psychoanalyst Dr. Gregory Denhoff to fend off a blackmailer named Nicolaitis — only for Denhoff to plunge from his penthouse window, the police to rule it suicide, and a stolen, microfilmed case history on actress Constance Brent to throw suspicion across the grieving widow, a Vienna-trained rival named Dr. Zoya, and Brent's hot-tempered husband.
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