New Books in Japanese Studies

Alicia Volk’s In the Shadow of Empire: Art in Occupied Japan (University of Chicago Press, 2025) uncovers the largely overlooked history of Japanese art during the years of occupation (1945-1952). Volk’s diverse case studies trace the intersections of politics and art in this charged period. As it had accommodated, shaped, and resisted empire, Japanese art now accommodated, shaped, and resisted the push and pull of defeat, occupation, and the dawning Cold War. In the Shadow of Empire’s chapters present a range of practitioners and practices and their struggles in the new geopolitical order taking shape around them, taking into account not just the domestic context of Japan’s relationship with the American-led occupation, but with Japan’s erstwhile Asian empire, the socialist bloc, and audiences in “the West.”

Spoiler alert! At the conclusion of the podcast, we talk about this image.

Alicia Volk is professor of Japanese art at the University of Maryland; she is the author of Made in Japan: The Postwar Creative Print Movement and In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art, recipient of the Phillips Book Prize.

Nathan Hopson is an associate professor of Japanese language and history in the Department of Foreign Languages, University of Bergen.
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In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani’s book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known.

Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor’s Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.She can be found on her website, Facebook, LinkedIn and Instagram.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia.

 Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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While most English-language histories of Taiwan focus on its geopolitical role, Taiwan: A People’s History (Reaktion, 2026) by Dr. Evan N. Dawley centres on the people of Taiwan themselves and explores how they have formed a unique polity, telling the story of the Indigenous Taiwanese, the Hoklo and Hakka who came from China before the twentieth century, Japanese colonialism and the Chinese who arrived after 1945.

Dr. Dawley describes how successive waves of immigration changed Taiwan and how these diverse groups of Indigenous tribes and settlers interacted economically and culturally, creating new Taiwanese identities in the process. Over the last century Taiwan has developed from an authoritarian state to one of the world’s most vibrant democracies and advanced economies. It is a successful independent society, albeit one whose existence remains under a shadow.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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The 1960s in Japan have long been understood as a period of radical political engagement. But as political movements from Old Left Communism to New Left revolts appeared to fail in their efforts to revolutionize Japanese society, artists and intellectuals came to reject the ideals of postwar politics. Instead, they advocated withdrawing from political participation and making self-transformation the grounds for social change.This provocative book uncovers a paradox at the heart of the 1960s: how political disillusionment became the basis for a new form of politics—a politics of the self. Examining aesthetic criticism, popular literature, avant-garde art, cinema, and political theory, Patrick Noonan argues that cultural producers in 1960s Japan cultivated what he calls an “ethos of disaffection” toward revolutionary politics and postwar society. Departing from approaches that define politics as contestation, Age of Disaffection: The Aesthetic Critique of Politics in 1960s Japan (Columbia UP, 2025) foregrounds cultivation, or the production of ways of feeling and relating to the world in efforts to redefine the political. It presents an unorthodox account of the 1960s: withdrawal from political activity developed not as the decade ended but as it was unfolding. Noonan reveals how Japanese artists and intellectuals in this period confronted a crucial question that continues to vex efforts at radical change today: transform institutions or alter how people relate to themselves and others?
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As detailed in The Japanese Garden: Ella Christie and Cowden (Birlinn, 2026) by Lucy Stewart, at the turn of the twentieth century, Scottish adventurer Ella Christie returned home from a trip to Japan inspired to build her own Japanese garden.

As might be expected from a woman who thought nothing of travelling to the other side of the world in search of the unusual, Ella’s approach to developing the garden was trailblazing. She chose a female designer – the gifted Taki Handa – to create the seven-acre site in the grounds of Cowden Castle, near the Scottish town of Dollar. In doing so, the Japanese Garden at Cowden became the first and only garden of its size and scale to be designed by a woman. It remains a unique and utterly authentic bridge between British and Japanese culture. This book tells the remarkable story of Ella Christie, her travels and the creation of her garden, its gradual decline and triumphant restoration.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies