New Books in Japanese Studies

⁠Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain⁠
(Manchester University Press, 2026) by Dr. Lewis Ryder examines John
Hilditch (1872-1930), a notorious collector of Chinese art who lied,
hoaxed and manipulated in his struggle against museum experts to become a
cultural authority. Previously overlooked as a pest with a dubious
collection, this book uses Hilditch to interrogate how far the
monumental social, cultural
and political changes of the early twentieth century unsettled social
and cultural hierarchies and how these hierarchies were remade. It shows
how the cultural elites were forced to engage with the public and
re-draw the boundaries of citizenship, expertise and high and low
culture in response to unprecedented social mobility, the
democratisation of culture and politics, as well as the effects of
British imperialism which brought ordinary Britons access to antiquities
as well as confidence to claim expertise over foreign cultures. The
book will interest social and cultural historians of Modern Britain,
museum scholars and art historians.

This interview was conducted by Dr. Miranda Melcher whose ⁠book⁠
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on ⁠New Books with Miranda Melcher⁠, wherever you get your podcasts.
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In The Narrowing Sea: Fukuoka, Pusan, and the Rise and Fall of an Imperial Region (U California Press, 2025), Hannah Shepherd examines the shared histories of Pusan and Fukuoka over the eight decades from Japan's forced opening of Korea's ports in 1876 to the end of the Korean War in 1953. One city was Korean, the other Japanese; one was a burgeoning colonial port, the other a provincial city buoyed by imperial expansion. Wars, colonization, and capitalist industrialization forged intimate connections between the two, knitting together an imperial region that transcended its maritime boundaries. Drawing on both Japanese and Korean archives, and emphasizing the concept of imperial urbanization, Shepherd challenges traditional views of empire and urban growth and shows how local networks, migration, and capital flows shaped the region's exploitative and uneven geographies. The waters between Fukuoka and Pusan narrowed through intensified interactions that continued even after the end of empire, creating enduring legacies for the postwar and postcolonial eras.

Dr. Hannah Shepherd is Assistant Professor of History at Yale University.

Dr. Samee Siddiqui is Assistant Professor of World History at Drury University.
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Jeremy Yellen’s The Greater East Asia Co-Prosperity Sphere: When Total Empire Met Total War (Cornell University Press, 2019) is a challenging transnational exploration of the Greater East Asia Co-Prosperity Sphere, Japan’s ambitious, confused, and much maligned attempt to create a new bloc order in East and Southeast Asia during World War II. Yellen’s book is welcome both as the first book-length treatment of the Sphere in English and for also being innovative in both approach and analysis. The book is divided into two parts, each addressing one of the “two Pacific Wars,” as Yellen puts it: a “war of empires” and “an anticolonial war… for independence.” The first half of the book treats the Japanese “high policy” of the Sphere. Here, Yellen not only provides—through the Coprosperity Sphere—a provocative new reading of the Tripartite Pact and the imbrication of Japan’s regional and global geopolitical strategies, but also outlines an important timeline of how Japanese conceptualizations of the Sphere evolved with the changing economic, political, and military expediencies of the Pacific War. Though ideas about the Sphere as a regional order of hierarchical solidarity with Japan at its apex, a “grand strategy of opportunism” rooted in the “sphere-of-influence diplomacy” and “cooperative imperialism” of Japan’s bombastic and enigmatic foreign minister, Matsuoka Yōsuke, Yellen shows that plans for the Sphere only became specific and concrete when Japan’s war situation descended into increasing desperation from 1942 on. The second half of the book shifts gears to examine responses to the Sphere in the Philippines and Burma. Yellen shows that for local nationalist elites like Burma’s first prime minister Ba Maw, whether Japanese rhetoric about the creation of more-or-less liberal international order within the Sphere for the top-echelon nations like Burma and the Philippines was genuine or self-serving, “even sham independence brought opportunity.” By focusing on these pragmatic nationalists (“patriotic collaborators”) Yellen contributes to a growing body of literature on empire that refuses to be pigeonholed by binaries of virtuous resistance and traitorous collaboration.
This podcast was recorded as a lecture/dialogue for a live audience at Nagoya University.
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Meanings of Antiquity: Myth Interpretation in Premodern Japan (Harvard UP, 2023) is the first dedicated study of how the oldest Japanese myths, recorded in the eighth-century texts Kojiki and Nihon shoki, changed in meaning and significance between 800 and 1800 CE. Generations of Japanese scholars and students have turned to these two texts and their creation myths to understand what it means to be Japanese and where Japan fits into the world order.
As the shape and scale of the world explained by these myths changed, these myths evolved in turn. Over the course of the millennium covered in this study, Japan transforms from the center of a proud empire to a millet seed at the edge of the Buddhist world, from the last vestige of China’s glorious Zhou Dynasty to an archipelago on a spherical globe. Analyzing historical records, poetry, fiction, religious writings, military epics, political treatises, and textual commentary, Matthieu Felt identifies the geographical, cosmological, epistemological, and semiotic changes that led to new adaptations of Japanese myths. Felt demonstrates that the meanings of Japanese antiquity and of Japan’s most ancient texts were—and are—a work in progress, a collective effort of writers and thinkers over the past 1,300 years.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
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Alicia Volk’s In the Shadow of Empire: Art in Occupied Japan (University of Chicago Press, 2025) uncovers the largely overlooked history of Japanese art during the years of occupation (1945-1952). Volk’s diverse case studies trace the intersections of politics and art in this charged period. As it had accommodated, shaped, and resisted empire, Japanese art now accommodated, shaped, and resisted the push and pull of defeat, occupation, and the dawning Cold War. In the Shadow of Empire’s chapters present a range of practitioners and practices and their struggles in the new geopolitical order taking shape around them, taking into account not just the domestic context of Japan’s relationship with the American-led occupation, but with Japan’s erstwhile Asian empire, the socialist bloc, and audiences in “the West.”

Spoiler alert! At the conclusion of the podcast, we talk about this image.

Alicia Volk is professor of Japanese art at the University of Maryland; she is the author of Made in Japan: The Postwar Creative Print Movement and In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art, recipient of the Phillips Book Prize.

Nathan Hopson is an associate professor of Japanese language and history in the Department of Foreign Languages, University of Bergen.
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