New Books in Medieval History

The practice of history in premodern Java was profoundly influenced by precarious conditions of textual production and preservation: fragile manuscripts perished in the tropical environment, archival records were scattered far afield, and historical memories faded over many generations. InThe Precarious Past in Premodern Java, Wayan Jarrah Sastrawan examines how Javanese societies between the fifth and fifteenth centuries CE responded with distinctive strategies to record and transmit knowledge of the past.

Drawing on sources in Javanese, Sanskrit, Malay, and related languages from the Indonesian archipelago, Sastrawan provides a detailed account of diverse forms of history making in premodern Java, reconstructing a dynamic culture in which written and nonwritten modes of transmission coexisted and intersected. By situating these practices within broader discussions of global historiography, this book challenges modern assumptions about what counts as “history” and illuminates how societies have developed different ways of preserving and remembering the past.

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit here to learn more.

Dr Wayan Jarrah Sastrawan is a historian, lecturer and DECRA research fellow at the Australian National University, Canberra.

Han Hsien Liew’s fascinating and insightful new book, Preaching Pious Rulership in Medieval Islam: Ibn al-Jawzi’s Political Thought (Edinburgh UP, 2026) offers a new way of understanding the political thought of one of medieval Islam’s most influential preachers, Ibn al-Jawzi. Although Ibn al-Jawzi is often remembered primarily as a preacher, moralist, and religious scholar, Han Hsien challenges conventional accounts of medieval Islamic political thought by showing how piety, preaching, and emotional formation shaped his vision of political authority. Rather than focusing simply on the ruler’s ability to maintain order, Ibn al-Jawzi placed extraordinary emphasis on the ruler’s moral character and on cultivating emotions such as fear, humility, remorse, and compassion. Han Hsien argues that this vision of pious rulership emerged from what he calls “homiletic piety,” revealing how the moral and emotional world of hortatory preaching shaped ideas about what it meant to rule well. By placing Ibn al-Jawzi’s writings in their historical and political context—including his relationship with the Abbasid caliphate and his controversial intervention in debates over the cursing of Yazid—Han Hsien challenges simplistic distinctions between political “quietism” and “activism” and reveals a thinker deeply invested in influencing those who wielded political power.

In our conversation, Han Hsien explains why he chose Ibn al-Jawzi as the subject of the book and what we can learn about medieval Islamic politics by taking preachers seriously as political thinkers. We discuss the concept of “homiletic piety” and Ibn al-Jawzi’s approach to exhorting rulers, including the rhetorical strategies he believed scholars could use to encourage rulers toward greater humility, kindness, and moral responsibility. We also explore Ibn al-Jawzi’s relationship with the Abbasid caliph al-Mustadi and what his writings reveal about the particular concerns of the ruler to whom they were addressed. Han Hsien discusses the complicated relationship between scholars and political power, including the historical debate over sharia and siyasa (or politics), and explains why Ibn al-Jawzi does not fit neatly into categories such as “quietist” or “activist.” We also talk about the significant role of emotions—including fear, remorse, humility, and compassion—in Ibn al-Jawzi’s understanding of political authority and consider whether he actually believed rulers could be transformed through preaching. Finally, we discuss Ibn al-Jawzi’s intervention in the debate over Yazid and what this reveals about his commitment to the idea of pious rulership.

This book will be of tremendous interest to scholars and students of Islamic studies, medieval Islamic history, Islamic political thought, and the history of preaching, as well as anyone interested in the relationship between religion, morality, and political power. It will also appeal to readers interested in a different way of thinking about politics, one that takes seriously the power of preaching, persuasion, and moral and emotional formation to shape those who govern.

Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. In The Varnish and the Glaze: Painting Splendor with Oil, 1100–1500 (U Chicago Press, 2023), Dr. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze.

For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Dr. Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more.

The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor’s orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim’s history and place in the community. At the center of Jaques’s inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques’s investigation as he uncovers one woman’s story of resilience and survival.

Applying forensic analysis to witness testimony and Jaques’s case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city’s most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms.

Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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Matthew Thomas Miller's new book Feeling like Lovers: Affect in Medieval Sufism (U California Press, 2026), and is available as an open access book (see link below), considers how for many medieval Sufis, Sufism was the “path of love”, and God was the Beloved, and so one had to become a lover of the Beloved on this path. And though there remains a rich corpus of Sufi texts from theological, legal to philosophical that speak to and about this trajectory, Miller re-focuses our attention to the felt and affective dimensions of the genre of poetry, especially of qalandariyyat or rogue poetry. In concentrating on these specific poems and their metaphoric and metaphysical treatments of beauty, sama‘ and ultimately fana’, we begin to the grasp the critical significance of how feelings and the felt dimension (experience) informs the path of love, particularly in how Sufis came to know the secret realities of the Beloved. In this way, the spectrum of emotion, aeffect (affect and effect) held in the body then help us restore the relationship between the mind-body in Sufi thought, according to Miller. This book will be of interest to those who enjoy Sufi and Persian poetry, as well as those who study history of emotion, affect, and literature as well as Sufism generally.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit here to learn more.