Stagecraft with Gordon Cox

In this final, super-sized episode of Stagecraft: Listen in on insightful conversations with Broadway's biggest talents, recorded during Variety's annual Business of Broadway breakfast presented by City National Bank. We've got Keanu Reeves and Alex Winter talking "Waiting for Godot"; Lea Michele, Aaron Tveit and Nicholas Christopher on "Chess"; Kristin Chenoweth, Stephen Schwartz, F. Murray Abraham, Lindsey Ferrentino and Michael Arden on "Queen of Versailles"; and John Clay III, Lear deBessonet, Caissie Levy and Brandon Uranowitz on "Ragtime."This is the final episode of Stagecraft as a regularly scheduled podcast, but host Gordon Cox will be contributing theater segments to Variety's daily news briefing, Daily Variety. And stay subscribed to this feed for occasional, standalone episodes of theater talk in the coming months.
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Now kicking off her first season as artistic director of New York's influential Lincoln Center Theater with a revival of "Ragtime," Lear deBessonet talks spectacle, sacred space, community, the value of theater, her season line-up, and what she sees when she looks ahead to the future of LCT.

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In a panel discussion recorded outdoors as part of the Backyard at Hudson Yards series, four actors who have starred in "Hamilton" over the years — Thayne Jasperson, Miguel Cervantes, Hannah Cruz, and Edred Utomi — celebrate the show's 10th birthday by sharing their experience of the show's legacy, telling backstage tales from their time in the show, and revealing their most embarrassing on-stage screw-ups.
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The recording artist and "American Idol" alum discusses
his upcoming appearance as Judas opposite Cynthia Erivo in "Jesus Christ
Superstar" at the Hollywood Bowl, and shares stories of his early years as
a musical theater kid before "American Idol" made him a rock star.

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Felix Barrett, the artistic director of Punchdrunk and the creator
of “Sleep No More,” takes listeners behind the scenes of “Viola’s Room,” the
company’s latest genre-defying piece, and explains why the future of immersive theater might look a lot like videogames.

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