We’re doing something a bit different today! Some conversations have popped up in various comment sections about why Uncle Jerry prefers specific types of poetry, and which lenses we use to dissect those poems, whether we’re talking about Charles Dickens, Emily Dickenson, or Taylor Swift. So Uncle Jerry put together a lecture explaining how and why he views certain poetic styles the way he does, and explains the different criticism styles and theories we use to understand a poem’s meaning and impact.
Hope you enjoy! Please leave any questions in the comments that he can answer either here or in a later episode.
Works Cited:
Marxist Literary Criticism
Post-Colonial Criticism
Reader-response theory
Key Theories of Wolfgang Iser
Is There a Text in This Class? – Stanley Fish – Aff Link
Psychological Criticism
Feminist Theory
New Criticism
Felicia Dorothea Hemans
On the Intentional Fallacy
Hyperion – John Keats
Affective Fallacy
Queer Theory
Deconstruction
Semiotics
Critical Race Theory
New Historicism
Stephen Greenblatt and New Historicism
Sketches by Boz – Charles Dickens – Aff Link
Sonnets
Shakespeare's Sonnets & Poems – William Shakespeare – Aff Link
Limerick
Haiku
Ballad Meter (or Common Measure)
Villanelle
Concrete Poetry
Life Studies – Robert Lowell – Aff Link
The Collected Poems – Sylvia Plath – Aff Link
My Papa’s Waltz – Theodore Roethke
The Real Slim Shady – Eminem
Can Poetry Matter?: Essays on Poetry and American Culture Paperback – Dana Gioia – Aff Link
A Bit Much – Lyndsay Rush – Aff Link
Lyndsay Rush – Instagram
Amanda Gorman
The Swiftie and The Scholar Grading Matrix
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