Reveal

More To The Story: If you’ve ever listened to President Trump talk about our elections, you might hear something like this: Voter fraud is rampant. Noncitizens are voting illegally. Our elections are rigged. The president uses the bully pulpit to repeat these claims despite study after study showing they’re just not true. But it’s not just the president. There are many others at the ground level saying the same things to justify voting restrictions that could disenfranchise legal voters, especially voters of color. One of them is J. Christian Adams. He’s the president of Public Interest Legal Foundation, a nonprofit that advocates for stricter voter ID laws and sues states and local governments to remove voters from election rolls. 
On this week’s “More To The Story,” Adams claims there’s systemic voter fraud in the US before abruptly ending the interview after host Al Letson challenges his assertions. Al then talks with Mother Jones National Voting Rights Correspondent Ari Berman about the lack of evidence from activists like Adams, the claims Adams and PILF have made that noncitizens are illegally voting, and what conservative activists who say election fraud is rampant are really trying to achieve.
Producer: Josh Sanburn | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Vincent Sherry | Digital producer: Artis Curiskis | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson
Read: Your Private Data is Building Trump’s Voter Purge Machine (Mother Jones)
Listen: Stop the Steal Never Stopped (Reveal)
Read: Minority Rule: The Right-Wing Attack on the Will of the People—and the Fight to Resist It (Picador)
Read: The Myth of Voter Fraud (Brennan Center For Justice)
Learn more: Public Interest Legal Foundation

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When Israeli Prime Minister Benjamin Netanyahu took the stage at the United Nations last month, diplomats streamed for the exits. Three years after October 7, when much of the Western world rallied behind Israel in the wake of Hamas’ attack, the political ground has shifted.
Some of the biggest changes are happening here in the US. Two years ago, Abbas Alawieh helped lead the Uncommitted movement, pressuring Democrats over Gaza. Now he’s running for Michigan state Senate, and Kamala Harris is calling him. Elsewhere in Michigan, AIPAC and its allies spent close to $30 million backing Abdul El-Sayed’s opponent in the Democratic Senate primary. El-Sayed won anyway.
For some voters, the prominence of Israel itself is striking.
“I don’t know why Israel has become the pivotal point,” said Mimi Price-Miletic, a  Democratic voter in Michigan. “There are so many issues in this country that we should be dealing with, and you’re worried about what’s happening, like, millions of miles away?”
And the divide crosses party lines. Younger Republicans are questioning US support for Israel, even as party leaders advance deeper defense cooperation. Meanwhile, AIPAC faces new challenges to its influence, as younger Jewish political groups, like J Street and Jewish Voice for Peace, offer sharply different visions for what should come next.
This week on Reveal, reporter Najib Aminy follows the new fault lines forming around the US–Israel relationship and asks: As the old political consensus is tested, who gets to shape what replaces it?

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More To The Story: Back in August, Florida state Rep. Angie Nixon did something few outside the state saw coming: She won Florida's Democratic US Senate primary. Her victory sent shock waves through the political world not only because her opponent Alex Vindman’s war chest dwarfed hers 19 to 1, but also because Nixon ran as a Democratic Socialist. Today, she’s one of a number of candidates around the country affiliated with the Democratic Socialists of America who could be elected to Congress this November. The sudden rise in the DSA’s popularity is reshaping the Democratic Party and America’s political landscape. On this week’s More To The Story, Nixon talks to host Al Letson about going from community activist and comic book co-author to upstart US Senate candidate, being “the biggest thorn” in Republican Gov. Ron DeSantis’ side, and whether her progressive message can win in deep-red Florida.
Producer: Josh Sanburn | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Nikki Frick | Digital producer: Artis Curiskis | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson
Read: Angie Nixon Goes on Trial in September. She Just Won Florida’s Senate Primary. (Mother Jones)
Listen: Black in the Sunshine State (Reveal)
Listen: How Redistricting Is Upending America’s Midterms (More To The Story)

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Before her historic Speakership, even before she got to the House of Representatives, Nancy Pelosi worked for years outside the spotlight as an official in the California Democratic party while she raised her family in San Francisco. That
was until 1987, when tragic circumstances led her to do something she hadn’t considered before: run for Congress. Her first hurdle? A city in crisis and a motivated opponent from a community impacted by a deadly epidemic.

Dig Deeper at kqed.org/podcasts/thespeaker

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Last year, arts organizations and cultural institutions across the US received an alarming message: Their federal grants had been canceled.
The letters said their projects no longer aligned with new federal priorities and that money was being redirected toward the Trump administration’s agenda. The grants had funded museum exhibits, public art programs, historical research, and community arts initiatives. 
Angela Sutton and a team of archaeologists were in the middle of excavating a long-forgotten Black neighborhood in Nashville when she got the news: “Just got an email out of the blue saying, ‘Please stop. You're done.’”
This week on Reveal, reporter Jonathan Jones travels to Nashville and beyond to meet the people living with the fallout of arts funding cuts. Some organizations are scaling back their work. Others worry artists will censor themselves just to survive. But many are fighting back.
Since this show first aired in March 2026, federal courts ordered the National Endowment for the Humanities to reverse mass grant cancellations and struck down the National Endowment for the Arts’ restrictions on “gender ideology.” While some NEH funds have resumed, no retroactive NEA money was restored, and the Trump administration has appealed both rulings.

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