New Books in African American Studies

In Contested Continent: The Struggle for America, c.1000-1680 (Oxford University Press, 2026), the newest installment of the acclaimed Oxford History of the United States series, Peter C. Mancall
recounts how North America was forged from the experiences of millions
of Indigenous women and men as well as Europeans and Africans. This
history spans the continent from the North Atlantic to the West Indies
and includes the entire Atlantic basin, telling a new story about the
origins of major aspects of American culture. He illuminates the rise of
a booming trans-Atlantic economy based on the extraction of abundant
American natural resources; the central role that European migrants and
their descendants played in the enslavement of Africans and the
displacement of Indigenous peoples; and the spread of self-governing
polities where many enjoyed religious freedom. None of these
developments was inevitable. Conflicts broke out frequently as different
peoples battled over precious resources. Europeans' appetites for
material gain and expanding Christendom brought horrific consequences
for those brutalized, enslaved, and vulnerable to infectious
diseases. This is a sweeping history of developments crucial to the
eventual founding of the United States. Contested Continent underscores
the titanic struggles between the peoples who had populated the
Americas for centuries and the migrants from the Old World who initiated
changes that created a New World that offered boundless opportunities
for some and crushed the aspirations of others.
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What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026),
Cécile Bishop argues that this seemingly simple question has no
straightforward answer. Instead of treating race as something
immediately visible, she explores how Blackness emerges through the
interplay of perception, language, and history.

A central theme of the book is that visibility is never neutral.
Through examples ranging from photographs of the Liberation of Paris to
works of art such as Portrait of a Black Woman, Bishop shows that
Blackness cannot be reduced to what is seen. Instead, she introduces the
idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience.

Engaging with thinkers such as Édouard Glissant and Frantz Fanon,
Bishop invites readers to rethink the assumption that seeing is the same
as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see.

Amisah Bakuri (PhD) is an
Assistant Professor in the Faculty of Social Sciences and Humanities at
Vrije Universiteit Amsterdam. Her work explores the intersections of
religion, sexuality, gender, and migration, especially within African
diasporic communities in the Netherlands.
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Gullah-Geechee Diasporas: Knowledge, Culture, and Black Lowcountry Legacies (University of South Carolina Press, 2026) counters romantic portrayals of Gullah-Geechee culture as a static, geographically isolated remnant of the past. Across eight interdisciplinary essays, the book’s contributors trace an arc, described in time and space, from pre-Middle Passage Africa through the Caribbean and coastal United States into the interior South and beyond. They consider how Gullah-Geechee cultural traditions are simultaneously rooted in the physical Lowcountry homeland and represent a dynamic cultural ethos that is not bounded by geography and has shaped Black life across North America and the Caribbean Basin. Together, these essays reveal the resilience and adaptability of people whose history defies myths of isolation and immobility. Gullah-Geechee Diasporas is a fresh framework for understanding African American cultural origins, migrations, and transformations.

Dr. Muhammad Fraser-Rahim is associate professor of Intelligence and Security Studies at The Citadel. He is the author of America’s Other Muslims and Gullah Geechee Muslims in America. You can find him on Instagram and LinkedIn.Dr. Elizabeth J. West is professor of English and the John B. and Elena Diaz-Verson Amos Distinguished Chair in English Letters at Georgia State University. Her books include Finding Francis and African Spirituality in Black Women’s Fiction. She can be found online at Instagram and LinkedIn.

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Dan Rood’s In the Shadow of the Great House (W.W.
Norton & Co., 2026) is one of the first contemporary books to focus
on the primary engine of slavery, race, and capitalism in this country:
the plantation. The plantation was invented on the small Atlantic
island of São Tomé in the 1500s, and the island also became the site,
soon enough, of the first slave revolt. The brutal technology was then
perfected in Barbados, where planters worked tens of thousands of
African captives to their deaths in sugar factories. But it was in the
United States, Rood shows, that the plantation found its most powerful
manifestations. In Virginia, Carolina, and then the Deep South,
successive plantation revolutions transformed slavery into a much more
rigid and oppressive institution. Incomparably wealthy planters now
insisted on a rightless, eternally available, “increasing” source of
labor, and in the process reinvented human bondage and stamped it onto a
single race. But the plantation did not die after the Civil War. It
metastasized. From the advent of sharecropping in the late nineteenth
century to the rise of cotton in mid-twentieth century California to
today’s chicken processing plants, the plantation has cast a long shadow
over American life. Rood further documents the “dark retreats” carved
out of plantation life by the enslaved. It was the enslaved who offered
the most clear-eyed understanding of what the plantation behemoths told
us, and still tell us, about our country.
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The violence that spread across Harlem on the night of March 19, 1935 was the first
large-scale racial disorder in the United States in more than a decade and the first
occurrence in the nation’s leading Black neighborhood. However, as many observers
pointed out, the events were “not a race riot” of the kind that had marked the decades
after the Civil War. Racial violence took a new form in 1935.

Through a granular analysis of those events and the mapping of their locations, Harlem
in Disorder: A Spatial History of How Racial Violence Changed in 1935 (Stanford University Press, 2024) reveals that Harlem’s residents participated in a complex new mix of
violence that was a multifaceted challenge to white economic and political power.
Tracing the legal and government investigations that followed, this project highlights
how that violence came to be distorted, diminished, and marginalized by the concern of
white authorities to maintain the racial order, and by the unwillingness of Harlem's Black
leaders and their white allies to embrace fully such direct forms of protest.

Focused on capturing rather than simplifying the complexity of the new form of racial
violence, Harlem in Disorder is a multi-layered, hyperlinked narrative that connects
different scales of analysis: individual events, aggregated patterns, and a chronological
narrative. Its structure foregrounds individual events to counter how data can
dehumanize the past, and to make transparent the interpretations involved in the
creation of data from uncertain and ambiguous sources.

Harlem in Disorder is an award-winning monograph earning recognition as a Finalist for
the 2026 ACLS Open Access Book Prize, Multimodal Category, sponsored by the
American Council of Learned Societies; winner of the 2025 Ángel David Nieves Book
Award for Best Monograph, sponsored by the American Studies Association Digital
Humanities Caucus; Honorable Mention for the 2025 Mary L. Dudziak Digital Legal
History Prize, sponsored by the American Society for Legal History, and Honorable
Mention for the 2025 Open Scholarship Award, sponsored by the Canadian Social
Knowledge Institute.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State
University. Her most recent writing appears in the edited collection: From Rights to
Lives: The Evolution of the Black Freedom Struggle.
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