New Books in African American Studies

In Thy Will Be Done: George Washington's Legacy of Slavery and the Fight for American Memory (UNC Press, 2026), historian John Garrison Marks tells the story of Americans’ long, fraught struggle to come to terms with Washington’s legacy of slavery. He traces how politicians, abolitionists, educators, activists, Washington’s former slaves and their descendants, and others have remembered, forgotten, and manipulated slavery’s place in Washington’s story, and how they have wielded versions of that story in the political and cultural fights of their time. Dr. Marks shows how generational struggles over our collective memory of Washington and slavery have always been part of a bigger conversation about defining the United States and its people. As debates about the founders’ participation in the system of slavery continue to roil public discourse, Dr. Marks shows with new clarity that Americans have never collectively reconciled Washington’s conflicted legacy. By truly grappling with Washington’s role as enslaver and emancipator, we may come to better understand the nation and ourselves.

This episode considers: the life and legacy of George Washington, the role of myth and memory in the New Republic, and how conflicted legacies continue.

A Neuroscientist's Guide to a Healthier, Happier Life

Guest: Dr. John Garrison Marks holds a Ph.D. in history from Rice University. He is a New Jersey native currently living outside Washington, DC. He is the author of Thy Will Be Done: George Washington's Legacy of Slavery and the Fight for American Memory.

Host: Dr. Christina Gessler holds a Ph.D. in history which she uses to explore the stories we tell and what happens to those we never tell. She is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast, and writes the newsletter at christinagessler.substack.com.

Playlist for listeners:

Never Caught

Running From Bondage

No Common Ground

The Vice-President's Black Wife: The Untold Life of Julia Chinn

Teaching About Race and Racism in the College Classroom

The Social Constructions of Race

What Might Be

The Untold Story of President Lincoln

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
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Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop.

The unmastered album was originally submitted to Clemson University in South Carolina as the author’s dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.
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A striking triptych once displayed in countless African American households, the Trinity typically features Jesus Christ, Martin Luther King Jr., and John F. Kennedy. More than decoration, these portraits were deliberate acts of memory and quiet resistance, a medium through which African Americans asserted their own narratives of hope, leadership, and the fight for justice.

In this provocative history The Trinity: John F. Kennedy, Lyndon B. Johnson, and Civil Rights in African American Memory (UNC Press, 2026), Sharron Wilkins Conrad traces the Trinity across several decades, showing how African Americans didn’t merely remember the civil rights movement; they shaped its meaning. The Trinity reveals why Kennedy’s image hung beside King and Christ, while Lyndon B. Johnson, despite signing landmark legislation such as the 1964 Civil Rights Act, remained largely unheralded. Kennedy’s charisma, symbolic promise, and perceived martyrdom placed him among sacred icons, while Johnson—seen as transactional and confronted by the era’s growing impatience—never secured the same emotional legacy. In a gripping exploration of memory and meaning-making, Conrad reveals how communities create historical truths by elevating some leaders, sidelining others, and preserving their own visions in defiance of the official record.

Raymond Williams, PhD is a political scientist, blogger, and book club administrator with an interest in American History and Politics. You can find Raymond on Instagram, Threads, and Twitter at @rtwilliams16.
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1. A complete list of University of California Press journals is available at UC Press Journals

2. Clare E. B. Cannon; Advancing sustainable transitions: A spatial analysis of socio-environmental dynamics of landfills across the United States. Elementa: Science of the Anthropocene 12 January 2024; 12 (1): 00101: Link

3. Morrison, Matthew D. Blacksound: Making Race and Popular Music in the United States. Oakland: University of California Press, 2024. Available at: UC Press Bookstore

4. Matthew D. Morrison; Race, Blacksound, and the (Re)Making of Musicological Discourse. Journal of the American Musicological Society 1 December 2019; 72 (3): 781–823: Link

6. Jennifer Lynn Peterson; Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League. Feminist Media Histories 1 April 2023; 9 (2): 43–75: Link

If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press Website.

David Famiano is the Journals Director at the University of California Press

Jessica Chesnutt is the Journals Manager at the University of California Press.
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A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so.

In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A’Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker.

While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition.

The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation’s most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm.

You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast.

His recommended reading list is available on the Additions to the Archive Substack.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.
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