New Books in African American Studies

While Lexington and Concord claim significance as the sites of the American Revolution’s opening battles, New York City’s geography, population density, and cultural status made it one of the most important theaters of the war. Between 1776 and 1777, numerous battles were fought for control over the Port of New York, including the Battles of Harlem Heights, Pell’s Point, White Plains, Fort Washington, and the largest battle of the entire revolution, the Battle of Long Island/Brooklyn. Recognizing the strategic importance of New York, and forewarned by his experience at the Battle of Bunker Hill in Boston, Lieutenant-General Sir William Howe and royal governor Lord George Germain recruited Hessian mercenaries and soldiers from across the empire to defend the city from an eventual patriot campaign to claim New York. In 1776, George Washington, as commander-in-chief of the Continental Army, began preparations for what we know today as the New York and New Jersey Campaign. Though the campaign failed to fortify New York from Sir William Howe, which remained in British control until the end of the war in 1783, the revolution might have ended altogether on Staten Island when William and his brother, Admiral Richard Howe, entered peace negotiations with the Americans. In a September 11, 1776, meeting, the Howes met with John Adams, Benjamin Franklin, and Edward Rutledge for an unsuccessful three-hour negotiation. Four days later, Howe, as Commander-in-Chief of British Land Forces in America, landed 12,000 troops in lower Manhattan and quickly claimed the city. Though the British took control of New York Harbor and the surrounding agricultural areas, the areas around New York and New Jersey remained active battlegrounds for the rest of the revolution. When the war ended, it saw some of the last British soldiers evacuate the new United States, including thousands of free and formerly enslaved Africans who had served the empire in the war, documented by The Book of Negroes.

Battle in the Margins is a special project of the New York State Office of Parks, Recreation, and Historic Preservation in collaboration with Black Gotham Experience, an organization devoted to African Diasporic storytelling, to commemorate the African Diaspora’s impact on the American Revolution. Those listening to this episode in real time in the New York City area can reserve a ticket to the September 19, 2026 Battle in the Margins “Main Event,” a series of original ten-minute plays centering the African Diaspora’s experience, resistance, and role in shaping early American history, shining a light on stories often left out of the nation’s founding narrative. The Battle in the Margins Research Brief is available here.

Kamau Ware is a multidisciplinary artist, historian, and walker. Kamau was born and raised in Pittsburgh, where he founded an artist collective called BridgeSpotters in 1996 that took inspiration from the many bridges in the city as analogous to many disciplines making a creative project. Ware moved to New York City in 2006 and applied his work as an artist and curator to develop a unique approach to visual storytelling, coined StoryStyle that softens the threshold between artist and audience. After establishing his visual storytelling lab, Kamau Studios in 2008, he began working on what would become the Studios flagship project – the Black Gotham Experience (BGX). BGX launched the summer of 2010 as a series of walking tours and has expanded to a series of immersive experiences celebrating the impact of the African Diaspora on New York City.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Unwelcome Shores: Black Refugees in America (Rutgers University Press, 2025) is
an ethnographic study of the Liberian refugee community in Staten
Island, New York, home to the largest per capita concentration of
Liberians in the U.S., that sheds light on the racialization of Black
refugees and the racism they have experienced at every step of their
migration journey. In this pioneering study, sociologist Bernadette
Ludwig explores
how Liberians have responded to such racist exclusions, noting how
members of this community reject the informal refugee label once they
are resettled in the United States. Liberian migrants often view the
label as a liability since the larger general public, the media, and the
U.S. government tend to regard Black refugees as an economic and social
burden unworthy of assistance. Indeed, Black refugees’ humanity is
often ignored,
Ludwig contends, in favor of overemphasizing presumed barbaric
violence, endemic wars, cultural backwardness, and diseases. By
detailing the lack of aid and support for Black refugees and describing
how Liberian refugees in particular have had to overcome various
struggles and barriers in coming to the U.S. and while living here, Unwelcome Shores highlights the overarching role of race and anti-Black racism in American society.

Dr. Bernadette Ludwig is a Sociologist and the Assistant Dean of the
Macricostas School of Arts and Sciences at Western Connecticut State
University. She is also an Affiliated Faculty with The New School's
Zolberg Institute on Migration & Mobility. 

Host:
Michael L. Rosino is Assistant Professor of Sociology at Molloy
University, studying racial politics, media, and democracy. His most
recent book, Democracy Is Awkward: Grappling with Racism Inside Grassroots Political Organizing, is now available with the University of North Carolina Press.

In this episode, Dr. Ludwig mentioned an opportunity to get involved in asylum and deportation cases. Here is the link for scholars to submit their information or attend trainings to become country conditions experts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What if children’s literature was never as innocent as we imagine?

In Sugarcoated Ethics: Children’s Literature and Atlantic Enslavement (Johns
Hopkins University Press, 2026), the relationship between childhood
reading and Atlantic slavery is brought into sharp focus. The book
argues that children’s literature did not merely emerge alongside the
plantation economy; it was deeply shaped by it. Sugar, sweetness, moral
instruction, and domestic comfort were all tied to systems of
enslavement and colonial trade, even as the violence behind them was
softened or erased in stories for young readers.

The book also
examines how ideas of white civility shaped childhood. White children,
particularly girls, were cast as symbols of innocence, refinement, and
moral feeling, while Black children were excluded from those same
protections. Through analyses of persecuted-heroine narratives,
missionary education, and colonial schooling, the study reveals how
children’s literature helped normalise racial hierarchy across the
British Empire.

Yet the project is equally attentive to
resistance and alternative ethical traditions. Afro-Caribbean oral
storytelling, including Anansi tales, songs, and folktales, emerges as a
powerful counterarchive. These traditions preserved histories of
survival, collective memory, and resistance that colonial print culture
often attempted to suppress. The discussion of the “Queen Mary” Fireburn
song, for instance, highlights how storytelling became a form of
ethical education and cultural continuity across generations.

One
of the book’s most striking contributions is its global scope.
Children’s texts on slavery circulated far beyond Britain and the
Caribbean, travelling to Africa, Asia, and the Middle East via
missionary and imperial networks. In translation and adaptation, these
works sometimes reinforced imperial ideologies, but they could also be
reshaped in unexpected ways by ‘local’ readers and writers.

Sugarcoated Ethics
asks readers to reconsider what children’s literature teaches us about
morality, empathy, and history. It challenges the assumption that
childhood stories are politically neutral and invites us to think more
critically about the ethical worlds children’s books continue to create
today.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 2021, the NAACP Image Award-winning poet Honorée Fanonne Jeffers made her fiction debut with The Love Songs of W.E.B. DuBois, a magisterial epic of African American historical fiction—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—chronicling the journey of one American family, from the centuries of the colonial slave trade through the Civil War, to our own tumultuous era.

Five years, and numerous awards and best-of lists later, Honorée joins the podcast on the anniversary of the novel’s publication to talk about what it meant then, what it means now, and that call from Oprah that shifted everything.

Honorée Fanonne Jeffers is an essayist, novelist, poet, and a student of United States history. She is the author of seven books spanning three genres, including the NAACP Image Award-winning poetry collection, The Age of Phillis. She was on the podcast on June 20, 2025 to discuss her book, Misbehaving at the Crossroad: Essays and Writing. You can find Honorée on Substack, Facebook, and Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Food justice is defined as the understanding that our food system is unequal and that something needs to be done about it. But how can we create a world where everyone has enough? What does it mean to truly nourish ourselves and our communities?

In Gather: Black Food, Nourishment, and the Art of Togetherness (Norton, 2026), anthropologist Ashanté M. Reese argues for a vibrant new vision of food justice that places Black communities at the center and offers us a visionary, delicious path forward. Reese reveals that to truly create equity in our food systems, we must embrace the abundance that already exists around us—and recognize that the social body is as important as our individual health

Gather presents rich, on-the-ground stories of gathering around food in four spaces—gardens, family reunions, repasts, and protests. Blending rich storytelling with analysis, these chapters argue for the political power of food and invite us to learn from the tactics Black communities have long used to create sustainable, systemic change.

There are no simple solutions to the problems of acute need. But by recognizing that food justice is already all around us, we can start working together to create a more nourishing, joyful world. Gather is an intimate and urgent invitation to embrace local power, build better food systems, and nourish ourselves, body and soul.

Ashanté M. Reese is a writer, anthropologist, and associate professor of African and African diaspora studies at the University of Texas at Austin. Raised in Cooper Settlement, Texas, she lives in Austin and is involved in food justice movements nationwide.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies