New Books in African American Studies

1. A complete list of University of California Press journals is available at UC Press Journals

2. Clare E. B. Cannon; Advancing sustainable transitions: A spatial analysis of socio-environmental dynamics of landfills across the United States. Elementa: Science of the Anthropocene 12 January 2024; 12 (1): 00101: Link

3. Morrison, Matthew D. Blacksound: Making Race and Popular Music in the United States. Oakland: University of California Press, 2024. Available at: UC Press Bookstore

4. Matthew D. Morrison; Race, Blacksound, and the (Re)Making of Musicological Discourse. Journal of the American Musicological Society 1 December 2019; 72 (3): 781–823: Link

6. Jennifer Lynn Peterson; Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League. Feminist Media Histories 1 April 2023; 9 (2): 43–75: Link

If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press Website.

David Famiano is the Journals Director at the University of California Press

Jessica Chesnutt is the Journals Manager at the University of California Press.
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A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so.

In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A’Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker.

While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition.

The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation’s most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm.

You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast.

His recommended reading list is available on the Additions to the Archive Substack.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.
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Mark Twain’s Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain’s alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In Jim: The Life and Afterlives of Huckleberry Finn’s Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim’s many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction.

Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
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Youssef J. Carter’s The Vast Oceans: Remembering Allah and Self on the Mustafawiyya Sufi Path (UNC Press, 2026) is a stunning meditation on Black Atlantic Sufism, specifically as it travels between South Carolina and Senegal via the Mustafawiyya Sufi community and Shaykh Arona Faye. The book orbits around Sufi conceptual frameworks which are translated through the register of Black and Africana Studies. For example, bay’a is rendered as “solidarity” or khidma as “labour”; such attunement of Sufi concepts presents capacious possibilities for Sufi studies at the intersection of Black and Muslim studies. The book then uses deep ethnography to capture the flows of stories, rituals, and piety, and also Black radical labour, motherwork, and becoming to highlight how in spite of the ongoing violence of racial capitalism and plantation modernity, Black-Africana Sufi communities are vital spaces of worldmaking, one that is not merely metaphysical (such as through ritual piety) but also political, anti-racist, and anti-colonial and rooted in collective care. This book is necessary reading for scholars of Sufism, and those who work on Black and African Islam.
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Black Freedom: A Visual History of Juneteenth and Emancipation Days (Black Dog & Leventhal, 2026) is
the first fully illustrated history of Juneteenth and other
Emancipation Day celebrations, told through photographs, art, and an
engrossing narrative.

For more than 150 years, Black communities
have gathered to honor freedom, resilience, and the ongoing struggle for
true liberation. While Juneteenth has recently gained wider
recognition, it was one of many Emancipation Day traditions celebrated
across the United States.

These observances were spaces of joy,
remembrance, and resistance—even as the fight for full freedom was
unfinished. This volume brings together stirring essays and striking
images from Juneteenth and beyond, offering a sweeping portrait of how
Black people have created and sustained rituals of remembrance, a
testament to the generations who, through celebration and storytelling,
demanded that their contributions to the making of America be fully
recognized.

Blair LM Kelley is an award-winning author,
historian, and scholar of  the African American experience. She is also
the president and director of the National Humanities Center, the only
independent center for advanced study in the world dedicated exclusively
to the humanities.

Kishauna Soljour is an Assistant Professor of
Public Humanities at San Diego State University. Her most recent writing
appears in the edited collection From Rights to Lives: The Evolution of the Black Freedom Struggle.
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