New Books in African American Studies

When George Washington was elected president, he reluctantly left his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation’s capital. In setting up his household he took Tobias Lear, his celebrated secretary and eight slaves, including Ona Judge, about whom little has been written. As he grew accustomed to Northern ways, there was one change he couldn’t get his arms around: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire.

Though Ona Judge lived a life of relative comfort, the few pleasantries she was afforded were nothing compared to freedom, a glimpse of which she encountered first-hand in Philadelphia. So, when the opportunity presented itself, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs. At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property.

With impeccable research, historian Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked it all to gain freedom from the famous founding father in In Never Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge (Simon and Schuster, 2017).
Guest: Dr. Erica Armstrong Dunbar holds a B.A. in History and Africana Studies from the University of Pennsylvania and a Ph.D. in History from Columbia University. Her area of expertise centers the lives of eighteenth and nineteenth century Black women who lived in what would become the United States of America. Her work focuses on the history of slavery and freedom, social history, urban history, and women’s history. While Dr. Dunbar is committed to the production of scholarly literature, she is deeply invested in more public facing work—scholarship that reaches large general audiences through television, film, radio, and podcasts.
Host: Dr. Christina Gessler a developmental editor and writing coach for academics. She produces the Academic Life podcast and newsletter.
Playlist:
Running From Bondage
The Social Constructions of Race
We Refuse
I Have Avenged America
Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!
This episode was originally published on 12/16/2020

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From the Pulitzer Prize-winning author of Franchise comes How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington (Pantheon, 2026), the untold story of the pioneering Black women artists and activists who were seen, but barely heard, at the 1963 March on Washington.
There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day's headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its Tribute to Negro Women Fighters for Freedom. In How Bright the Path Grows, Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker, civil rights activist Rosa Parks, gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program; and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work. How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

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After the groundbreaking success of his debut film, Boyz N the Hood in 1991, filmmaker John Singleton (1968–2019) gained worldwide acclaim, earned the respect of major film industry figures, and became the topic of both scholarly and popular culture film conversations. He also made history by becoming the youngest—and the first African American—nominee for the Academy Award for Best Director. However, lukewarm reception for his sophomore release, Poetic Justice in 1993, dampened the momentum of his early promise, and critical interest in his subsequent work waned. Once Upon a Time in South Central LA: John Singleton’s Hood Trilogy (UP of Mississippi, 2026) seeks to reframe Singleton’s legacy and reaffirm his significance as a filmmaker.
Author Mark D. Cunningham argues that Singleton’s so-called “hood trilogy”—Boyz N the Hood, Poetic Justice, and Baby Boy (2001)—offers a vital cinematic lens into the lived experiences of young African American men and women. Blending film analysis with literature, music, sociology, and cultural studies, the volume positions Singleton’s work as a critical intersection of African American history, identity, and popular culture. Cunningham explores Singleton’s portrayal of Black masculinity, the social environment of South Central Los Angeles, and the impact of hip-hop culture on gender dynamics. By revisiting Singleton’s early career and the cultural weight of his films, Once Upon a Time in South Central LA reasserts the filmmaker’s place in the cinematic canon and highlights the enduring influence of his work on African American youth and storytelling.
Dr. Mark D. Cunningham is professor and chair of the Department of Radio-Television-Film at Austin Community College. His research focuses on film and television studies, with an emphasis on Black filmmakers, screen adaptations, and representations of race and identity in popular media. His scholarship engages figures such as directors John Singleton, Spike Lee, Barry Jenkins, and rapper/actor Ice-T. His work has appeared in The Atlantic and The Journal of Cinema and Media Studies, and he has contributed to numerous edited volumes in film, television, and media studies. You can find Mark on Instagram.
Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. And check out Sullivan's Substack for a continued conversation between she and Mark, as they discuss the hood trilogy's impact in the 21st century.

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Inner-city black America is often stereotyped as a place of random violence, but in fact, violence in the inner city is regulated through an informal but well-known code of the street. This unwritten set of rules-based largely on an individual's ability to command respect-is a powerful and pervasive form of etiquette, governing the way in which people learn to negotiate public spaces. Elijah Anderson's incisive book Code of the Street: Decency, Violence, and the Moral Life of the Inner City (Norton, 2026) delineates the code and examines it as a response to the lack of jobs that pay a living wage, to the stigma of race, to rampant drug use, to alienation and lack of hope.
Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and the sociology of everyday life. He is the author of Smalltown Urban: Performing the City in Rural America (Bloomsbury, forthcoming 2027), The Social Construction of a Cultural Spectacle: Floatzilla (2023), and Community Media Representations of Place and Identity at Tug Fest (2022). His forthcoming book examines how small towns create and perform moments of urbanity through festivals, public gatherings, and community life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience.

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In this episode, Matthew Mason (Professor of History at Brigham Young University) interviews Christa Dierksheide (Brockman Foundation Jefferson Scholars Foundation Professor of History at the University of Virginia) and Nicholas Guyatt (Professor of North American History at the University of Cambridge) about their important new book, Jefferson’s Wolf: A Founding Father’s Troubling Answer to the Problem of Slavery (The Belknap Press of Harvard University Press, 2026).
Jefferson’s Wolf offers a decisive reassessment of Thomas Jefferson’s long-debated views on slavery, showing that his chief antislavery strategy was racial exclusion: the removal of emancipated Black people from the United States.
Toward the end of his life, Thomas Jefferson made his most famous statement about American slavery: “We have the wolf by the ear, and we can neither hold him, nor safely let him go.” Presenting abolition as both necessary and perilous, the remark has long been relied upon to explain an apparent paradox: despite publicly opposing slavery for four decades, Jefferson had made no progress toward Black freedom in his political career by the time he died in 1826. Nor had he done so in his expansive household, where he enslaved more than 600 people, including Sally Hemings and the four children he fathered with her.
Dierksheide and Guyatt argue that the key to understanding Jefferson’s antislavery position is his commitment to racial exclusion. Jefferson believed that the principal reason to abolish slavery was the threat of a massive slave revolt, but he viewed the presence of free Black people in the new nation as no less dangerous. To avert racial violence, Jefferson argued, the gradual abolition of slavery had to be paired with Black exile. Even when challenged by white and Black contemporaries with more expansive views of American belonging, Jefferson held fast to his vision for a white republic.
Neither an egalitarian antiracist nor a proslavery apologist, Jefferson became the most influential advocate for racial separation in the early United States. Charting the evolution of his thought across the nation’s formative decades, Jefferson’s Wolf is a surprising and provocative account of the problem of slavery in the founding era.

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