New Books in Literary Studies

• Julia Jarcho, "Throw Yourself Away: Writing and Masochism" (Cambridge UP, 2024)

  In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

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• Surekha Davies, "Humans: A Monstrous History" (U California Press, 2025)

  Monsters are central to how we think about the human condition. Join award-winning historian of science in Humans: A Monstrous History (University of California Press, 2025) by Dr. Surekha Davies as she reveals how people have defined the human in relation to everything from apes to zombies, and how they invented race, gender, and nations along the way. With rich, evocative storytelling that braids together ancient gods and generative AI, Frankenstein's monster and E.T., Humans: A Monstrous History shows how monster-making is about control: it defines who gets to count as normal. In an age when corporations increasingly see people as obstacles to profits, this book traces the long, volatile history of monster-making and charts a better path for the future. The result is a profound, effervescent, empowering retelling of the history of the world for anyone who wants to reverse rising inequality and polarization. This is not a history of monsters, but a history through monsters. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

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• 9.1 Novels are Like Elephants: Ken Liu and Rose Casey (SW)

  It’s a bit surprising to hear a writer known for building worlds that incorporate deep historical research and elaborate technological details extol the virtues of play, but Ken Liu tells critic Rose Casey and host Sarah Wasserman that if “your idea of heaven doesn’t include play, then I’m not sure it’s a heaven people want to go to.” It turns out that Ken—acclaimed translator and author of the “silkpunk” epic fantasy series Dandelion Dynasty and the award-winning short story collection The Paper Menagerie—is deeply serious about play. Speaking about play as the key to technological progress, Ken and Rose discuss the importance of whimsy and the inextricable relationship between imagination and usefulness. For Ken, whose Dandelion Dynasty makes heroes of engineers instead of wizards or knights, precise machinery and innovative gadgets are born, like novels, of imagination. Ken himself might be best described as a meticulous, dedicated tinkerer—a writer playing with the materials and stories of the past to help us encounter new worlds in the present. So even if trying to explain his craft is “like asking fish how they swim,” Ken jumps in and discusses how he writes at such different lengths (hint: the longer the book, the more elephantine) and what he makes of different genre labels, from fantasy to historical fiction. We also learn why Ken is a fan of Brat Summer and still thinking about the Roman Empire. Mentioned in this episode: Ken Liu, Speaking Bones (2022), The Veiled Throne (2021), The Wall of Storms (2017), The Grace of Kings (2016), The Paper Menagerie and Other Stories (2016) Cixin Liu, The Three-Body Problem (2014) Rose Casey, Jessica Wilkerson, Johanna Winant, “An Open Letter from Faculty at West Virginia University” (2023) Rose Casey, “In Defense of Higher Education” (2024) Ursula K. LeGuin, “The Ones Who Walk Away from Omelas” (1973) Homer, The Odyssey Virgil, The Aeneid John Milton, Paradise Lost A.M. Turing, “Computing Machinery and Intelligence” (1950) Brat Summer Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

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• "Imprisoning a Revolution: Writings from Egypt's Incarcerated" (U California Press, 2025)

  Imprisoning a Revolution: Writings from Egypt’s Incarcerated (U California Press, 2025), edited by Collective Antigone, is a groundbreaking collection of writings by political prisoners in Egypt. It offers a unique lens on the global rise of authoritarianism during the last decade. This book contains letters, poetry, and art produced by Egypt’s incarcerated from the eruption of the January 25, 2011, uprising. Some are by journalists, lawyers, activists, and artists imprisoned for expressing their opposition to Egypt’s authoritarian order; others are by ordinary citizens caught up in the zeal to silence any hint of challenge to state power, including bystanders whose only crime was to be near a police sweep. Together, the contributors raise profound questions about the nature of politics in both authoritarian regimes and their “democratic” allies, who continue to enable and support such violence. This collection offers few answers and even less consolation, but it does offer voices from behind the prison walls that remind readers of our collective obligation not to look away or remain silent. With a foreword by acclaimed Egyptian novelist Ahmed Naji and an afterword with Kenyan literary giant Ngũgĩ wa Thiong’o, Imprisoning a Revolution holds a mirror not just to Egypt but to the world today, urging us to stop the rampant abuse and denial of fundamental human rights around the globe. In this episode, Ibrahim Fawzy interviews Mark LeVine and Lucia Sorbera about the genesis of the book, the challenges of curating it, struggle against tyranny, resistance, writing, and more. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

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• Clive Bloom, "London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction" (Bloomsbury, 2025)

  From Kensington to the East End, under candlelight, gas lamp and then neon signs, London is both a bustling physical metropolis and a stirring psychic encounter. The most depraved depictions of London in fiction, film, poetry, television and theatre have irrevocably merged with the reality of its dark history, creating a phantasmagoria defined by murder, vice and the unnatural. In this panoptic look at the capital at its most eerie and macabre, Dr. Clive Bloom takes a tour of Gothic London's uncanny literature, arcane events and its infamous and imagined geographies. From David Bowie to T S Eliot, Thomas de Quincey to Aleister Crowley, the prophetess Joanna Southcott to the 'ghosts' of Abba and the worlds of Neil Gaiman and Clive Barker, these are the figures that populate a city lost in fog and blind alleys, where the dead can be raised, the living sacrificed and the clandestine thrive.  Suturing together fact and fantasy, London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury, 2025) presents the urban landscape of the capital as a space of wonder and madness, haunted by its past and haunting the present. Stalking through disease and degeneracy, death and murder, spiritualism, lunacy and the occult, Bloom crafts a singular, integrated concept of a London where dreams and nightmares meet. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

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