Princeton UP Ideas Podcast

After Caesar's assassination, the triumvirs drew up a kill list; one such target, a man named Lucius Plotius Plancus, fled to a villa near Naples and tried hiding behind a curtain. The soldiers found him anyway–thanks to his heavy perfume.
Pliny the Elder, writing a century later, used the perfume to suggest the killing was justified. Historians have often taken that at face value, as proof that Rome despised Eastern luxuries. Jeremy Simmons reads it as a joke—Pliny was calling the man a walking corpse.
In Jeremy’s latest book Sea of Treasures: A Cultural History of Ancient Indian Ocean Trade (Princeton, July 2026) he asks what happened when goods like pepper and perfume arrived at their destinations. The goods took on new lives: perfume became a way of talking about death, pepper a medicine prescribed for its heat, Roman coins turned pendants in South Asia—or how soldiers knew the price of spices even on remote Hadrian’s Wall.
Jeremy is an assistant professor of history and the college at the University of Chicago.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Sea of Treasures. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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Beneath the Wage: Tips, Tasks, and Gigs in the Age of Service Work (Princeton UP, 2026) retheorizes capitalism from the perspective of the service economy, challenging conventional assumptions about how work is waged, regulated, managed, and automated Today, 80 percent of U.S. workers do service work, from delivering takeout to mopping floors to teaching. Each time we are handed a bag of groceries or a cup of coffee, call for a cab or have our homework graded, we confront both the enormity and the intimacy of the contemporary service sector. Do these jobs have anything in common? Who is doing this work? And what kind of labor politics does it generate? If service work has often been treated as a footnote to modern capitalism, Beneath the Wage reveals it as crucial to understanding how exploitation functions today. Uncovering a history that runs from eighteenth-century servants to present-day gig workers, Annie McClanahan retheorizes capitalism from the perspective of the service economy, challenging conventional assumptions about how work is waged, regulated, managed, and automated. Assembling a diverse set of sources for understanding and reimagining service work—from reality television and conceptual poetry to novels and workers’ own descriptions of what they do—McClanahan explores three paradigmatic types of contemporary service labor: superexploited tipwork, deskilled clerical microwork, and informalized gigwork. She shows how work done “beneath the wage” depends on racialized and gendered forms of economic domination, is often excluded from labor organizing and regulation, and yet has begun to generate a new politics of social reproduction and solidarity.
Annie McClanahan is Associate Professor of English at UC Irvine. Her first book, Dead Pledges: Debt, Crisis, and 21st Century Culture explores how U.S. culture responded to the collapse of the financialized consumer credit economy in 2008. She has published on topics like the rise of microeconomics and methodological individualism, the cultural history of economic stagnation, so-called “neoliberalism” and the history of the university, and the politics and theory of sexwork.

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For as long as human societies have been telling stories, the patriarchy has felt threatened by women. In this book, Eleanor Johnson provides an engaging cultural history of a figure she calls the “monstrous bitch,” the notorious female who has haunted the patriarchal imagination for centuries, feared for her sexual promiscuity, her exercise of reproductive agency and control, and her outspoken way of contesting patriarchal power.

In a narrative brimming with insight, Johnson traces the origins of female monstrosity to the demoness Lamashtu of ancient Mesopotamia, showing how this infanticidal, hypersexual, loudmouthed monster appears in different guises throughout history. In classical Greece, she reemerges as the sorceress Medea, the child-devouring monster Lamia, and the vengeful Furies. In the medieval and early modern periods, she is an oversexed, baby-slaying, spellcasting witch; in the Romantic and Victorian eras, a vampiress; and in the modern age of psychoanalysis, a mental patient. After this longue durée history, Johnson shows how monstrous bitchery has been challenged and reinterpreted in contemporary cinematic popular culture, becoming an expression of heroism and resistance in films like Ginger Snaps, Jennifer’s Body, and The Witch. She demonstrates how deeply embedded the roots of misogyny have become, and why it is more critical today than ever that we expose and address them.

An irreverent look at a pervasive trope that runs through four thousand years of Western culture, Monstrous Bitch: A History of Terrifying Women (Princeton UP, 2026) reveals that while representations of the powerful woman have evolved over time, the fear and demonization of her remains the same.
Eleanor Johnson is professor of English and comparative literature at Columbia University. Her books include Scream with Me: Horror Films and the Rise of American Feminism (1968–1980); Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England; Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama; and Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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The United States is an exceptionally violent country, increasingly unable or unwilling to stem violence in its many forms. A growing corporate crime wave has gone unprosecuted and unpunished, with those in the C-suites largely escaping accountability. Meanwhile, the country has doubled down on pursuing people accused of street and drug crimes and immigration offenses. Corporate impunity, the financialization of the economy, militarized policing, the burgeoning carceral state, and the forever wars in Afghanistan, Iraq, and elsewhere all have fostered corporate, economic, and state violence in America. In Crime and No Punishment: Wealth, Power, and Violence in America (Princeton UP, 2026), Marie Gottschalk argues that these developments have undermined the legitimacy of American political and economic institutions.

Gottschalk analyzes how the concentration of economic, political, and military power has siphoned off vital resources, preying on the most vulnerable communities and normalizing violence and death. It has kept America from attacking the root causes of violent street crime and curtailing “deaths of despair” from suicide, alcoholism, drug overdoses, and chronic diseases. The United States continues to incarcerate more of its people than nearly every other country even as it decriminalizes or turns a blind eye to elite-level corporate crime. Public and scholarly attention, however, remains fixated on violent street crime—although corporate and white-collar crime and state and economic violence directly and indirectly hurt far more people in the United States. Gottschalk contends that the US failure to protect its people from these harms has increased the fragility of democracy in America.
Professor Marie Gottschalk is the Edmund J. Kahn Distinguished Professor of Political Science at the University of Pennsylvania. Dr. Gottschalk specializes in American politics, with a focus on criminal justice, health policy, race, the development of the welfare state, and business-labor relations.
Her latest book is Caught: The Prison State and the Lockdown of American Politics (Princeton University Press, 2014). She is also the author of The Prison and the Gallows: The Politics of Mass Incarceration in America (Cambridge University Press, 2006), which won the 2007 Ellis W. Hawley Prize from the Organization of American Historians, and The Shadow Welfare State: Labor, Business, and the Politics of Health Care in the United States (Cornell University Press, 2000).
Professor Gottschalk is a former editor and journalist and was a university lecturer for two years in the People’s Republic of China. She was a visiting scholar at the Russell Sage Foundation in New York and was named a Distinguished Lecturer in Japan by the Fulbright Program. She served on the American Academy of Arts and Sciences National Task Force on Mass Incarceration and was a member of the National Academy of Sciences Committee on the Causes and Consequences of High Rates of Incarceration. She is a contributor to the Academy's final report, The Growth of Incarceration in the United States: Exploring Causes and Consequences (National Academies Press, 2014).


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With the advent of print in the fifteenth century, Europe’s cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo—a “little studio”—and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul.

Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo’s influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco.

Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2026) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today.
Andrew Hui is associate professor of humanities at the National University of Singapore. He is the author of A Theory of the Aphorism: From Confucius to Twitter (Princeton) and The Poetics of Ruins in Renaissance Literature.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. 
YouTube Channel: here 

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