What goes into a Louie Award-winning Card of the Year? In the case of Wolf & Wren Press, every design grows from the 30-year friendship of co-founders Liz Wolf and Lauren Stapleton. That precious connection, born in middle school, is the kind where one finishes the other's sentences ... and the other picks right up on the story! I's at the core of every design Wolf & Wren prints — including their winning pet sympathy card that from first glance honors both the love and grief of these companionships.
While their cards connect and uplift those separated by emotional and physical distances, Liz and Lauren also actually live far apart. Liz designs and illustrates the range while also working an art teacher in Rockford, Illinois, while Lauren does the printing and everything else that goes into running the Wolf & Wren stationery shop in Longmont, Colorado — some 946 miles away.
While every house of stationery tends to take a distinctive approach to running its brand these days, that of Wolf & Wren is completely unique. Our chat covers not just the origins of Wolf & Wren, but where they see themselves — and the stationery community — evolving.
Every house of stationery takes a distinctive approach to running itself these days, but that of Wolf & Wren is like no other — and that co-founder connection keeps the brand fresh and authentic. While our chat covers the origins of Wolf & Wren, Liz and Lauren also share where they see Wolf & Wren — and the stationery community — evolving.
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Victoria Kirst of Pouch Studio (2 of 2)
While journalers and junk journalers exist in this digital age alongside the rest of us, they crave the tactile and in-person elements of the analog world. In part 2 of my chat with Software Engineer Victoria Kirst, we take a deep dive into this non-digital community in the pages of her stationery zine Pouch and beyond.
If you are unfamiliar with stationery clubs and swaps, it is positively heartwarming to learn of tools like washi tape or stickers being lovingly bartered or shared by these offline groups. Here, stationery is not a commodity but a tool for collective expression.
For Victoria, Pouch is the ultimate passion project turned side hustle, and she perceives it as a tool to grow her community as she scratches her own creative itches. This becomes exceedingly clear in Victoria's surprising Nerd Notes, where this micro-bride turns her very wedding into stationery to mail and share!
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Victoria Kirst of Pouch Studio (1 of 2)
Like me, my guest today is a huge paper nerd who is the founding editor of a stationery publication. Unlike me, Victoria Kirst is also a software engineer who created her fabulous zine Pouch as an offline labor of love to share her passion for analog tools with an ever-growing community.
If you haven't seen a zine in a few decades or so, prepare to be dazzled! This purely 21st-century publication truly celebrates our medium, showcasing its endless potential — as well as the seemingly endless creative ways individuals in the stationery community express their inner lives and experiences through journals, planners, washi tapes, pens, cards, rubber stamps, and the like.
With a mission is to inspire every reader to start doodling, junk journaling or other stationery project, of course I have plenty of questions that we begin tackling in the first of two episodes. What attracts a software engineer to the world of analog — and what does stationery have that the digital domain lacks? Why are stationery clubs and meetups and junk journaling retreats happening now? Whatever your role in stationery, it is nearly impossible to not catch Victoria's excitement — or begin a journal of one's own!
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Vicky Barone of Barone & Co.
Just because a maker isn't already a household name, that doesn't mean you're not already a big fan! You have most likely seen (many times!) and possibly even purchased the uplifting, inspiring and heartfelt greeting card designs of my guest today — and not even known it. For the past 24 years, Vicky Barone has been quietly licensing her designs behind the scenes to larger card brands like Papyrus and American Greetings. While she has stayed behind the design curtain, her thousands of cards have generated millions of dollars in products sold. Now Vicky has officially entered the stationery spotlight solo with her own brand, Barone & Co. While it’s a huge shift and a big risk, it’s also an enormous creative opportunity.
We discuss Vicky's transition from freelancer to founder, but also the evolution within greeting cards and communication over the past quarter century. What is the difference between humor and relatable humor? How difficult is it to debut an inclusive brand in these times — to say nothing of this challenging economy?
We also discuss the role of social media, specifically Instagram, to a brand. Vicky's personal IG page, starring much of the same work that adorns her cards, has over 50K followers, while that for her brand is still growing. Do online likes translate into business growth? Does generating work for social media undercut creativity? Whatever role you play in the stationery community, there's plenty to consider here — including of course Vicky's colorful, uplifting work!
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Anna Bond of Rifle Paper Co. (2 of 2)
For Anna Bond, being a creative is certainly about generating jaw-dropping imagery to be presented just so on irresistible products — but creativity is also a key to enabling this CEO to navigate Rifle Paper Co. forward as both a business and a brand. In Part 2 of our chat, we discuss subtly evolving the Rifle look to keep it consistently looking fresh and new, yet true to its signature style, as time passes and tastes evolve.
We also delve into navigating the larger challenges facing small businesses, such as tariffs. It's rather unsurprising that Anna often feels like she is facing a wily carnival Whack-A-Mole. And while I knew my listeners and I would be treated to an incredible Nerd Note, even *I* was wowed by her childhood correspondence!
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