By the 1950s, not only was Alfred Hitchcock regarded as the master of suspense he became a brand himself as his smash hit television show Alfred Hitchcock Presents put the droll director in the homes of tens of millions of households every week. Over the course of the 1950s, he hit his creative peak & broke away from the constraints of David Selznick and launched his own production house. Over the course of the decade Hitchcock directed many of his most beloved works, including Strangers on a Train, Rear Window, North by Northwest & Vertigo. While Hitchcock seemed to be on a roll, the latter film’s poor commercial and critical reception, alongside up and comers like Les Diaboliques’ Henri Clouzet being hailed as “the new Hitchcock,” and a slew of cheap horror films gaining steam at the box office left the director, now four decades into his career, looking to prove he still was the Master of Suspense.
This week, before we begin our coverage of Hitchcock's most famous and commercially successful film, Mike and Brian look back on the director’s work in the 50s, as well as the outside forces that shaped him.
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