The Director’s Cut - A DGA Podcast

Directors Carl Deal, Tia Lessin and the film’s subject, Amy Goodman discuss their new film, Steal This Story, Please!, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, the filmmakers discuss the structure of the film as a way to get to know Amy before her work, how the filmmakers originally met Amy, and the relevance of Democracy Now! in a modern corporate news landscape.

Screened as part of the DGA’s Documentary Series, the film follows Goodman as she becomes a leader in the movement for independent media. Set against some of the most consequential stories of our time, Goodman works to amplify voices excluded from the mainstream and faces off against forces trying to silence her.

See photos and a summary of this event below:

https://www.dga.org/events/2026/april2026/docseries_stealthisstoryplease-0326

Director Kevin Williamson discusses his new film, Scream 7, with fellow Director Paul Feig in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how the original concept of Scream came to be, how he balanced horror and comedy to establish the tone, and the importance and careful use of score needed to maintain the film’s tension.

In the newest installment of the Scream franchise, original victim Sidney Prescott hopes to reinvent her life in a different town. But when a new killer emerges, her darkest fears are realized as her daughter becomes his prized target.

See photos and a summary of this event below:

https://www.dga.org/events/2026/april2026/scream7_qna_0326

Director Tom Harper discusses his new film, Peaky Blinders: The Immortal Man, with fellow Director Mary Harron in a Q&A at the DGA theater in New York. In the conversation, he discusses working with Actor Cillian Murphy, how making a Peaky Blinders film differed from an episode of the series, and working closely with his composer to find a soundtrack befitting the tone.

A sequel to the award-winning television series Peaky Blinders, the film follows Tommy Shelby as he returns from exile to a post-World War II Birmingham. With unsettled business and his future at stake, he must face his demons and choose whether to confront his legacy or burn it to the ground.

See photos and a summary of this event below:

https://www.dga.org/events/2026/april2026/peakyblinders_qna_0326

Director John Patton Ford discusses his new film, How to Make a Killing, with fellow Director Kobi Libii in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses inspirations and early iterations of the film, managing the tone as over-the-top events happening in a grounded and believable world, and the importance of sound design to the construction of the film.

Loosely inspired by the 1949 feature Kind Hearts and Coronets, the film tells the story of Becket Redfellow, a blue collar worker disowned by his wealthy relatives. Determined to reclaim his inheritance, he launches a campaign of manipulation, betrayal and calculated violence to eliminate everyone standing between him and the fortune.

See photos and a summary of this event below:

https://www.dga.org/events/2026/april2026/how2makeakilling_qna_0226

Director Gore Verbinski discusses his new film, Good Luck, Have Fun, Don’t Die, with fellow Director Sacha Gervasi in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he wanted to approach the story with a modern take on AI, how Actor Sam Rockwell’s costume was made from scrap technology found in surplus stores, and finding a delicate balance for the film's tone in between apocalyptic, comedic and irreverent.

The film follows a man, allegedly from the future, who arrives at a Los Angeles diner and takes the patrons hostage. Claiming they are the precise combination of strangers he needs, he convinces them to join a quest to save the world from a rogue artificial intelligence.

See photos and a summary of this event below:

https://www.dga.org/events/2026/april2026/goodluckhavefundontdie_qna_0226