The Director’s Cut - A DGA Podcast

• I Was Born This Way with Daniel Junge, Sam Pollard and Jade Jenise Dixon (Ep. 589)

  Directors Daniel Junge and Sam Pollard discusses their new film, I Was Born This Way, with fellow Director Jade Jenise Dixon in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss trying to paint an honest, human portrait of Carl Bean, how they manage the collaborative directorial process in their creative partnership, and working with figures such as Lady Gaga, Billy Porter and Maxine Waters to investigate what the titular song means to them. Screened as part of the DGA’s Documentary Series, the film tells the story of Carl Bean, who survived the oppression of racism and homophobia, and found his voice through a mainstream music career. But dissatisfied with his path to stardom, Bean chose a life of activism, founding LGBTQ+ and AIDS relief organizations to help underserved populations. See photos and a summary of this event below: https://www.dga.org/events/2026/january2026/docseries_iwasbornthisway-1125

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• Wicked: For Good with Jon M. Chu and Rob Marshall (Ep. 588)

  Director Jon M. Chu discusses his new film, Wicked: For Good, with fellow Director Rob Marshall in a Q&A at the DGA theater in New York. In the conversation, he discusses the process of assembling the sequel having filmed both installments at the same time, how he chose to favor great Actor performances over interesting setups when they clashed, and how he strove to make the films relevant to the times. The sequel to 2024’s Wicked resumes the story of Elphaba, the misunderstood Wicked Witch of the West, and Glinda, the popular Good Witch of the North. As their unlikely friendship is tested by the Wizard’s regime, the arrival of a stranger from Kansas sparks a series of events that will change everyone’s lives for good. See photos and a summary of this event below: https://www.dga.org/events/2026/january2026/wicked4good_qna_1125

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• Nouvelle Vague with Richard Linklater and Jason Reitman (Ep. 587)

  Director Richard Linklater discusses his new film, Nouvelle Vague, with fellow Director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the challenges of making a French film without being fluent in the language, how he recreated the shooting of the original Breathless by researching the documentation left behind by the original production, and the clever and subtle use of visual effects to recreate the film’s time period. The film tells the story of a young Jean-Luc Godard, who gives up writing for a French film magazine to make movies himself. With help from François Truffaut to write a treatment and assistance from Georges de Beauregard to fund the feature, Godard brings to life his vision for a film called Breathless. See photos and a summary of this event below: https://www.dga.org/events/2026/january2026/nouvellevague_qna_1125

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• Hamnet with Chloé Zhao and Barry Jenkins (Ep. 586)

  Director Chloé Zhao discusses her new film, Hamnet, with fellow Director Barry Jenkins in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses working with Writer Maggie O’Farrell and their different experiences with Shakespeare, collaborating with Cinematographer Lukasz Zal and how they captured images invoking the void, and her process of working with Actors to channel their unconscious selves in their performances. Based on the novel by Maggie O’Farrell, the film follows Agnes and William Shakespeare as they live a pastoral life with their family. When their young son Hamnet dies, they both deal with the loss in their own respective ways, sowing the seeds for the creation of the classic play Hamlet. See photos and a summary of this event below: https://www.dga.org/events/2026/january2026/hamnet_qna_1125

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• The Running Man with Edgar Wright and Daniel Scheinert (Ep. 585)

  Director Edgar Wright discusses his new film, The Running Man, with fellow Director Daniel Scheinert in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the vast number of locations where the film was shot, how he favored practical effects work and his attitudes on computer generated effects, and his vision for a dystopian future where technology simultaneously regresses as it advances. The film tells the story of Ben Richards, a working-class man in a near future society who is convinced to enter the popular and deadly television show The Running Man as a last resort to escape poverty. But as the show hunts him down, Ben’s defiance, instincts, and grit turn him into a fan favorite and a threat to the entire system as he must outwit not just the game’s hunters, but a nation addicted to watching him fall. See photos and a summary of this event below: https://www.dga.org/events/2026/january2026/runningman_qna_1125

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