In this conversation, the Le Random team reflects on 2025's noteworthy second quarter in digital art. Host Peter Bauman (editor in chief at Le Random) is joined by thefunnyguys (CEO) and Conrad House (Collection Lead).📖 Chapters[00:00]: Introduction and Podcast Overview[01:38]: Discussion on Digital Art Institutions[06:18]: New York as a Hub for Digital Art[10:50]: Le Random's Second Quarter Events (4)[27:17]: Favorites of the year: Exhibitions[32:58]: Notable Artworks and Projects[42:59]: Standout Acquisitions[48:00]: Favorite Editorials[51:42]: What we're looking forward to, especially Infinite Images at Toledo Museum of Art
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24: Deep Learning Series 01—Tom White & Gene Kogan on the Birth of GAN Art
This is Part I of our Deep Learning Series where Le Random's editor-in-chief Peter Bauman (Monk Antony) speaks with the most relevant figures in deep learning art. In this first installment, Peter speaks with two of the earliest artists to engage with the intersection of art and deep generative models, Tom White (dribnet) and Gene Kogan.They explore the artistic, philosophical and cultural implications of GANs and deep generative models, drawing on the artists' early experiences and perspectives in the field . The conversation touches on the origins of their interest in GANs, the evolution of AI and its perception, critiques of AI art, the nature of machine representations, and the connection between AI and decentralization.Chapters 📖:[00:00:00]: Introduction and Guest Overview[00:01:50]: First Encounters with GANs and Initial Excitement[00:04:04]: Gene's Journey with Machine Learning and Art[00:08:55]: The Rise of AI Twitter and Deep Learning Culture[00:12:04]: The Mission to Make AI Tools Accessible[00:17:56]: Changing Philosophies of Computation[00:21:54]: Critiques of AI in the Art World[00:27:42]: Tom's Algorithmic Gaze, Machine Perception & The Platonic Representation Hypothesis[00:34:00]: Art by AI for AI—Tom's Machine Representation & Phil's Hypothesis[00:37:49]: Decentralized AI and its Evolution[00:40:33]: Tom's Early Work at MIT and Interactive Graphics[00:43:13]: Final Thoughts
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23: Discussing Digital Art in Q1 2025
In this conversation, the Le Random team reflects on a noteworthy start to 2025 in digital art. Host Peter Bauman (Editor-in-Chief at Le Random) is joined by thefunnyguys (CEO) and Conrad House (Collection Lead).📖 Chapters00:00:00 – Introduction00:01:29 – AI Ethics & Artist Consent Debates00:04:31 – Legal Uncertainty & Fair Use00:06:55 – How Artists Are Using AI Tools00:08:14 – Redistributing Value Through New Models00:11:02 – Silicon Valley vs. Academic Roots of AI00:14:11 – The Power Imbalance in AI Development00:17:36 – Why AI Agents Fell Short This Quarter00:21:45 – Functional AI Agents & DAO Experiments00:27:17 – Rethinking NFTs in Digital Art00:33:11 – Institutional Misalignment: Case of Sam Spratt00:40:50 – Manolo’s Return to Generative Art00:46:51 – Protocol Art & January’s Highlights00:51:08 – Q1 Standout Exhibitions00:55:57 – Favorite Projects, Acquisitions & Looking Ahead
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22: Protocol Art & Blockchain Formalism—Mitchell F Chan, Ania Catherine, Dejha Ti, matto & maltefr
In this episode of the Le Random podcast, host Peter Bauman (Monk Antony), our editor-in-chief, coordinates a discussion on coordination. He is joined by very special guests Mitchell F Chan, Operator's Ania Catherine and Dejha Ti, matto from Material Protocol Arts and maltefr.The conversation explores both the contrasts and connections between these seemingly opposing emerging camps, reaching at the very heart of why artists choose to work on Ethereum—straight from the protocol's leading thinkers and practitioners.
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21: Digital Curators Series 03—Val Ravaglia on Displaying the Digital
In Part 3 of our Digital Curators Series, host Peter Bauman (Editor-in-Chief at Le Random) interviews Tate Modern's Val Ravaglia, a display specialist and the curator of Electric Dreams, Tate's major historical digital art exhibition which runs until June 1, 2025.
Ravaglia is Curator, Displays & International Art at Tate Modern. Her curatorial work has focused on display for over twelve years. In addition to curating Le Random's exhibition of the year, Electric Dreams, Ravaglia assisted on Tate’s complete collection rehang in 2016.
The conversation covers the complexities of digital art display from a major museum perspective.
Links:
Chapters 📖:
[1:46] Audience Reactions to Electric Dreams
[6:15] The Role of Display at Tate Modern
[17:00] Challenges of Collection Displays
[21:20] Displaying Digital Art: Unique Considerations
[31:38] The Complexities of Displaying Electric Dreams
[42:02] Best Practices for Exhibiting Digital Art
[46:00] Advice for Artists and Exhibitors
[50:35] Final Thoughts and Upcoming Events
Le Random is building a digital generative art institution that contextualizes and elevates generative art. We achieve this in two ways. First, we are assembling a historically encompassing, chain-agnostic generative art collection. Second, we publish content that enables the generative art community to understand its past, curate its present and celebrate its future. This includes an Editorials section, our book-length Generative Art Timeline and our multimedia content here and on YouTube.
This is the home of Le Random's audio content.
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