New Books in Gender

There is no alternative. The End of History. Climate Apocalypse. It
seems that our contemporary moment is defined by the idea that things
can only get worse or, in the most optimistic reading, perhaps stay as
they are. Ideas for things getting better, utopian ideas, seem in short
supply. It is this which Joe Davidson confronts in his book Saving Utopia: Imagining Hopeful Futures in Dystopian Times (MIT Press, 2026).
Davidson links this apparent decline in utopian thinking to a change in
‘time consciousness’, the ways in which our sense of the future seems
less open to possibility than it once was. Despite this he notes the
persistence of utopianism in a new form, the ‘postdystopian utopia’
which takes account of the assumption the future will be worse and uses
this as a spur to utopian thinking. He then explores how this manifests
itself in various utopian works in different traditions, from Black
utopianism considering the tragedy of the slave trade, feminism mining
the nostalgia of previous battles to consider how things could be
different and climate change utopianism confronting catastrophe.

In our discussion we explore the changing fortunes and forms of
utopianism over time, the value of ‘utopian studies’, why Silicon Valley
tech-bros might be as utopian (or dystopian) as they make out and think
about why it is important we all imagine the possibility of different
worlds. Joe also makes a number of reading recommendations for
postdystopian utopian novels.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (Palgrave Macmillan, 2024) and co-editor of The Anthem Companion to Henri Lefebvre (Anthem Press, 2026) along with other texts.
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There is no alternative. The End of History. Climate Apocalypse. It
seems that our contemporary moment is defined by the idea that things
can only get worse or, in the most optimistic reading, perhaps stay as
they are. Ideas for things getting better, utopian ideas, seem in short
supply. It is this which Joe Davidson confronts in his book Saving Utopia: Imagining Hopeful Futures in Dystopian Times (MIT Press, 2026).
Davidson links this apparent decline in utopian thinking to a change in
‘time consciousness’, the ways in which our sense of the future seems
less open to possibility than it once was. Despite this he notes the
persistence of utopianism in a new form, the ‘postdystopian utopia’
which takes account of the assumption the future will be worse and uses
this as a spur to utopian thinking. He then explores how this manifests
itself in various utopian works in different traditions, from Black
utopianism considering the tragedy of the slave trade, feminism mining
the nostalgia of previous battles to consider how things could be
different and climate change utopianism confronting catastrophe.

In our discussion we explore the changing fortunes and forms of
utopianism over time, the value of ‘utopian studies’, why Silicon Valley
tech-bros might be as utopian (or dystopian) as they make out and think
about why it is important we all imagine the possibility of different
worlds. Joe also makes a number of reading recommendations for
postdystopian utopian novels.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (Palgrave Macmillan, 2024) and co-editor of The Anthem Companion to Henri Lefebvre (Anthem Press, 2026) along with other texts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In this episode of the New Books Network, we explore Ethnographic Reflections on Marriage in Dhofar, Oman (Anthem Press, 2026),
with anthropologist Dr Marielle Risse. Drawing on nearly two decades of
ethnographic fieldwork, Dr Risse offers a nuanced examination of
marriage practices among Sunni Muslim communities in southern Oman,
challenging many of the assumptions that often underpin Western
discussions of gender, family, and personal autonomy.

Rather than portraying marriage as either oppressive or emancipatory,
Dr Risse presents it as a complex social institution shaped by kinship
networks, religious values, and community expectations. Risse’s work
encourages readers to reconsider familiar ideas about family, marriage,
household, intimacy, autonomy, and social life.

Amisah Bakuri (PhD) is
an Assistant Professor in the Faculty of Social Sciences and Humanities
at Vrije Universiteit Amsterdam. Her work explores the intersections of
religion, sexuality, gender, and migration, especially within African
diasporic communities in the Netherlands.

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Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press,
2025). What role does desire play in the making of art objects? Art
historians typically answer this question by referring to historical
evidence about an artist's sexual identity or to particular kinds of
imagery. But what about anonymous artists? Or works whose subject matter
is mainstream? We know little about the identities and personalities of
most premodern artists, but this should not hold us back from thinking
about their embodied experience. In this book, Karl Whittington contends
that we can "queer" the works of anonymous makers by thinking about
their embodied experiences creating art. Considering issues of touch,
pressure, and gesture across substances such as wood, stone, ivory, wax,
cloth, paint, and metal, Whittington argues for an erotics of artisanal
labor, in which the actions of hand, body, and breath interact in
intimate ways with materials. Whittington takes seriously the agency of
materials and technical processes, arguing that they necessarily placed
the bodies of artists and artisans into physical situations and
psychological states that can be read through the lens of desire.
Combining historical evidence with speculative description, this
evocative set of essays broadens our understanding of the motivations
and experiences of premodern artists. It will appeal to scholars and
students of art history, medieval studies, gender studies, queer
studies, and anthropology.
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Marriage rates have fallen dramatically since the 1970s. Yet far
from devaluing marriage, people still overwhelmingly describe marriage
as the highest commitment they can imagine. Most Americans say they want
to marry eventually, and couples who do marry have a lower chance of
divorce than at any time since the 1970s. Increasingly, though, people
tell pollsters they “have no idea” if they actually will end up married. And unlike in the past, young women are more uncertain than young men.

In For Better and Worse: The Complicated Past and Challenging Future of Marriage (Viking, 2026), Stephanie Coontz—author of the “rich, provocative, and entertaining” book Marriage, A History—unravels the roots of such paradoxical trends. Examining five critical periods of historical transformation, she reveals how shifting romantic ideals, gender expectations, sexual mores, and cultural myths have bequeathed us a welter of contradictory beliefs, dysfunctional habits, and emotional earworms that make it hard to adjust our family relationships to the social and economic challenges of twenty-first-century life.

Coontz
demonstrates that today’s widespread nostalgia for a seemingly more
stable past is an understandable reaction to heightened economic
insecurity and eroding social solidarities. But trying to reproduce a
largely imaginary golden age of marriage from the past simply locks us
into a restricted future.

Current public debates about marriage
are dominated by two diametrically opposed groups. One argues that
marriage is the only sure route to personal happiness and social
stability; the other, that marriage is inherently oppressive. Coontz
puts forward a radical middle ground, pointing to surprising new
research on the personal changes and the policy innovations that can
help people create successful relationships, in or out of marriage.
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