New Books in Gender

I Will Not Abandon You: Queer Women in Nazi Germany (Aevo UTP, 2026) brings to life the unrelenting defiance of queer women in fascist Germany.

In his latest book, award-winning historian Samuel Clowes Huneke shows how love, queer resistance, and collective action survived in the harrowing circumstances of Nazi rule. Drawing on a decade of archival research, Huneke takes readers into a hidden world, from the wartime balls that lesbian activists continued to organize to the concentration camps where women accused of loving women were imprisoned. Following a diverse cast of characters, Huneke reveals both the oppression that queer women faced and how they resisted fascism in solidarity with one another. Arguing that this solidarity – which transcended race, class, and gender – offers a compelling alternative to today’s fractured identity politics, I Will Not Abandon You is a vital, new history of queer life under fascism and a call to rethink the foundations of progressive politics today.

Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany.
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Using the analytical framework of reproductive justice, Borders, Citizenship, and Pregnancy: Migrant Women’s Experiences of Pregnancy and Maternity Care in the UK (Bristol UP, 2025) by Dr. Gwyneth Lonergan examines migrant women’s experiences of pregnancy and maternity care within the broader context of gendered and racialised discourses and policies around health, reproduction and citizenship, austerity and an expanding border regime.

Based on interviews and focus groups with migrant mothers, third sector workers and NHS staff, this open-access book explores how immigration policies impact reproductive practices and unevenly distribute access to essential resources and support.

The book provides valuable insights into the underlying social causes behind migrant women’s relatively poor maternal outcomes and contributes significantly to scholarship on the intersections of citizenship, reproduction and expanding border controls.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler
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In Queer Indigenous Cinemas, scholar Gabriel S. Estrada offers an analysis of queer Indigenous media from the Americas, the Pacific, and the Caribbean. This groundbreaking work uses Indigenous directional space and sovereign mapping methods to uncover the emotional, spiritual, and cultural dimensions of queer Indigenous lives. The book's seven chapters--each one of the directions--look closely at media such as cinema and streaming videos that draw on Indigenous concepts from diverse nations such as Diné, Caxcan, Kanaka Maoli, and Nehiyawak.

Gabriel S. Estrada is a Caxcan/Xicanx professor in religious studies at California State University Long Beach, where ze teaches queer spirituality, Indigenous graduate classes, and Nahuatl literature.
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Under Western Eyes: Vulnerable Minorities and the Russian State in New Cold War Cultures (Academic Studies Press, 2025) examines the New Cold War between Anglophone Western and Russian media, focusing on its coverage of LGBTIQ+ topics and representations of Russian femininity, masculinity, racial and gender diversity, and disability. It interrogates how the Anglophone media constructs images of vulnerable bodies and groups in Russia, juxtaposing them with the vengeful state and the powerful figure of Putin. These media discourses delineate and unify liberal values as American and Western and contrast them with "backward" Russian values. Paradoxically, in its endeavor to accentuate American dominance and its role in global affairs, various news outlets and entertainment media amplify homophobic, heteronormative, and racist narratives stemming from Russian sources and lend support to Putin's self-portrayal as a formidable opponent to the West. While the West expresses outrage at Putin’s criminalization of LGBTIQ+ activity, it draws on homophobic language to mock his shirtless horse-riding and “bromance” with Trump; the West condemns Russia's oppression of women, yet peddles the Orientalist idea of the "Slavic Femme"―that is, the hypersexualized trickster.
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