Classic Camera Revival

Join John and Bill with special guest Jeff Greenstein of the smash hit I Dream of Cameras to talk about everything Leicaflex. Everyone connects the names Leitz and Leica with rangefinders, from the classic Barnack to the modern M-Series. And while that is what Leica is known for, they also saw that SLRs were becoming popular in the 1960s and decided to throw their hat into the ring. In 1964, they released the Leicaflex, an SLR based around their own R-Mount. The program dates back to 1955, when Ludwig Leitz was urged by Walther Benser to develop an SLR, as Benser believed SLRs would become popular. The Leicaflex was followed by the SL in 1968 and the SL2 in 1972. A technology-sharing partnership with Minolta in 1971 led to the introduction of the R-Series of Leicaflexes, starting with the Leica R3 in 1976. The R4 in 1980, the R5 in 1987, the R6 a year later, and then the R7. The 1990s brought a radical redesign of the R-Series with the R8 and R9. The entire series ended in 2009. The one thing to look out for is the R-Mount lenses; these come in several categories. One Cam lens works only with the original Leicaflex. Two Cam lenses are good for the SL and SL2. They will work on the R3, but you need to do stop-down metering. Three-Cam lenses are the cream of the crop, as they work flawlessly on the R3 through R9 and the SL/SL2. There's also the R-Cam for R3-R9 only, and the R-ROM for R8 & R9 only.

All Fujifilm, All the Time! We've been talking about doing a show dedicated to Fujifilm for a while now, and the time has finally arrived! While Fuji often catches flak for the number of product line cancellations, especially in the film world, they have maintained a core set of worthwhile products. Today's show, we're talking cameras, lenses, film, and chemistry. From the Texas Leica to Acros 100 II and Microfine. Plus, remembering some of the other products that we enjoyed that are no longer available. The whole team has something to add as we peek inside the massive secret freezer under Mount Fuji.

There's something to be said about OEM lenses with full compatibility, native mount support, and a high level of quality control. That all comes with a cost attached. Then there are third-party manufacturers: companies that often offer the same level of compatibility, quality control, and multiple lens mount options, but many don't carry a price tag as high as the original manufacturers'. So today, we have John and Bill, joined by Mario and Brian, to discuss all things third party, from classic Tokina, Tamron, and Sigma. Modern options from TTArtisans and 7Artisan lenses, and of course, Light Lens Labs, who are painstakingly creating modern, affordable versions of classic Leitz Optics.

So, back in December 2025, Alex handed out some expired film to James and Bill, and today we're back revisiting the topic of expired film. And while Bill & James haven't had the chance to shoot their rolls, Alex did shoot his odd duck of a roll. Everything from colour shifts to fog and bad chemical packs, it's all about shooting and using expired film. From developing without any data to best practices, techniques and chemistry needed.

Today, Alex is joined by David Smith, a Biology professor and researcher at Western University in London, Ontario. While we mostly talk about cameras on the show, David has something unique: microscopes. As many history nerds know, many camera companies we know and love today began producing optics, including microscopes. Dr Smith came by this affinity for collecting honestly, as his mom is an antique dealer. David talks about his microscopes, how he started the collection, and how it led to film photography and a fantastic collection of Leica rangefinders, lenses, and medium-format cameras.

You can find Dr Smith online.
Instagram https://www.instagram.com/arrogantgenome/?hl=en