New Books in Literature

Flaxman Low, literature’s first professional, full-time “occult detective”—that is, an intrepid investigator who deploys the scientific method when tackling paranormal phenomena—appeared in a dozen stories first published from 1898–1899. Flaxman Low: Occult Detective (MIT Press, 2026), the latest edition to the Radium Age series from MIT Press, is introduced and discussed by Dr. Alexander B. Joy.

Flaxman Low’s creators, the mother-and-son team Kate O’Brien Ryall Prichard and Hesketh “Hex” Prichard (who published as “E. and H. Heron”), endowed the Oxford-trained psychologist with the bravery and acumen to tackle every sort of adversary from ghosts, mummies, and vampires to a mushroom mannequin. Both less credulous and less cynical than earlier fictional investigators of the spirit world, Low always triumphs in the end . . . but not before scientifically demonstrating that even the most outré incidents and situations can’t hold a candle to the bizarre capacities of the human mind.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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The YIVO Institute was pleased to present a special evening with acclaimed novelist Philip Roth. Roth read excerpts from his new novel, Nemesis (2010), which tells the story of a terrifying polio epidemic raging in Newark, New Jersey in the summer of 1944 and its devastating effect on the closely knit, family-oriented community and its children. Through this story, Roth addresses profound questions of human existence: What types of choices fatally shape a life? How does the individual withstand circumstance?

Preceding the reading was a panel discussion with YIVO Executive Director Jonathan Brent, Bernard Avishai (Hebrew University), Igor Webb (Adelphi University) and Steven Zipperstein (Stanford University).

This reading and discussion originally took place on May 18, 2011.
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Aaron Gwyn is the author of four novels: The World Beneath, Wynn’s War, and, most recently, two wonderfully linked historical novels, All God’s Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism) and Novel Dialogue’s own John Plotz, we learn that Robert Lemmons is a real historical figure and so is Levi English.One way to grasp Gwyn’s achievement is to consider the contrast between his durably realist work and Cormac McCarthy’s 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy’s characters strike them as monstrous and incredible. How about Charles Portis’s True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn’s ties to Quantrill’s Rangers, an eerily modern pro-Confederate terrorist paramilitary. In our signature question, we learn why Aaron’s favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here).

Mentioned in the episode:

Richard Slotkin’s notion of “the man who knows Indians” comes from Gunfighter Nation

Mark Twain, A Connecticut Yankee in King Arthur’s Court (1889)

Herman Melville, Moby Dick

William Faulkner Absalom Absalom

Toni Morrison, Beloved

Thomas Pynchon, Gravity’s Rainbow.

John Williams, Stoner (but also Butcher’s Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth’s Chimera.

Larry McMurtry’s hard-to-get-into Lonesome Dove

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In The Shape of Dreams (Random House, 2026) April Reynolds introduces readers to a trio of women bond in friendship as a neighborhood tries to seek justice from a system that has forgotten them. It’s the mid-eighties in East Harlem: a twelve-year-old black boy's murdered body is found by Mathilda "Twin" Johnson, an unlikely hero who is both the neighborhood’s troublemaker and its conscience. When she breaks a cardinal rule—“don’t call the cops”—her decision ensnares a community and brings unmanageable grief to a mother. Anita, a postal worker and army widow, is determined to solve her son's Tyrone's murder, and her quest galvanizes the neighborhood, which is itself a complex character in this teeming novel, with its Mets fans and gossips, immigrant shop owners and latch-key kids. The local dreamers include a charismatic man of the cloth, a teenage girl with a Whitney Houston voice and no prospects, and Anita’s opinionated friend Wanda, whose truant son the police harass and arrest on a regular basis. Everyone is struggling. Anita, Wanda and Twin, the triad of this vibrant novel, are drawn into the neighborhood drug trap, while a singer, a preacher, and the church ladies who follow him believe their dreams can shape a city. Will the three be able to break away from crack's dangerous allure? Will the reverend’s pressure on the authorities to find Tyrone’s killer yield answers? Will justice come to East Harlem? In the end, during the New York Mets’ banner summer of 1986, this community will come together to mourn, fight for a better life, and shape their dreams as best they can.
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Joe Mungo Reed is the author of the novels Hammer and We Begin Our Ascent, one of the best novels about sport that I’ve ever read. He Teaches creative writing at the University of Cambridge and lives in London.

Recommended Books:

Flesh, David Szalay

Tokyo These Days, Taiyo Matsumoto

White River Crossing, Ian McGuire

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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