In episode 2 of the series Dangerously Modern we follow the painter Stella Bowen, who left Adelaide for Europe and was part of a storied avant-garde art scene in Paris in the 1920s. Overseas, a young Stella met the writer Ford Maddox Ford, a relationship that sparked her intellectually but ultimately sabotaged her own career. It wasn't until she struck out on her own as a single mother, that Stella painted her most compelling work and achieved a fragile success.Produced and presented by Rosa Ellen and commissioned by the Art Gallery of South Australia.
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Dangerously Modern Ep 1: Margaret Preston
In the early 20th century, an unprecedented wave of women artists left a conservative Australia to pursue modern art in Europe.Margaret Preston is a household name in Australian art, best known for her bold paintings and woodcuts of native wildflowers. But to achieve this level of visibility she had to inhabit a bullet-proof confidence and find a sense of freedom, away from the strictures of a Victorian society. In episode 1, hear how she found freedom in an unlikely Irish rural setting, discovered modernism and, it’s speculated, pursued queer relationships.Produced and presented by Rosa Ellen and commissioned by the Art Gallery of South Australia.
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Primavera: Showcasing the next generation
Every spring, the Museum of Contemporary Art hands its galleries to the next generation. Primavera becomes a testing ground: a place where young artists bend, stretch, and spark new ways of seeing.This year’s edition, curated by Tim Riley Walsh, circles around ideas of the made and the manufactured: how things are assembled, engineered, cobbled together, whether objects, identities, or whole worlds.Tim Riley Walsh and artist Keemon Williams join Micheal Do in his final episode as host for the year.
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Sisters Anney and Mechelle Bounpraseuth are making the ordinary shimmer
Sisters Anney and Mechelle Bounpraseuth grew up in a world that promised paradise later. But they chose otherwise, leaving their religion to begin making paradise now!For Anney, cloth and sequins became radiant scenes of joy and survival. And for Mechelle, cans of lychees and jars of Tiger Balm, forged in clay, carry memory and care.Their work carries grief and humour, kitsch and devotion, and memories of Cabramatta markets, their mother's hands and the textures of Lao family life.
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Leigh Bowery: how a Melbourne boy became a myth
Leigh Bowery was not a man you could overlook. Born in Sunshine, Melbourne, he left Suburbia for Soho, London, remaking himself into someone impossible to contain.At the club Taboo, he was ringmaster of chaos. For artist Lucian Freud, muse. For the queer underground, Leigh was revelation: proof that life itself could be spectacle, and spectacle survival.Tate Modern’s recent exhibition Leigh Bowery! brought his world back into focus, and the curator Fiontan Moran talks about Leigh’s legacy: how a Melbourne boy became a myth, and why he continues to matter today.
Visual artists tell you why and how they create! From studio visits, intimate interviews, and live issues, we take art out of the gallery and into your ears.
Brasil