The Nietzsche Podcast

Welcome back to The Nietzsche Podcast, Season Seven! We're beginning with a two-part episode concerning Nietzsche's view of Buddhism. This episode, we will consider some of the basic teachings of Buddhism, and explore why Nietzsche viewed Buddhism with admiration. A repeated refrain in The Antichrist concerns Buddhism's superiority over Christianity. Why is it that Nietzsche considered Buddhism, a religion with a complex metaphysics and cosmology, to be a far more realistic and logical religion than Christianity? We are pointed in the direction of an answer in Nietzsche's description of Buddhism as "the religion of self-redemption".
The following episode will concern Nietzsche's criticisms of Buddhism.

Season seven begins soon! For now, enjoy a selection of fascinating questions.

We've finally arrived at the conclusion of The Gay Science. The theme of these final sections is perspectivism - we have opened up a "new infinite", penetrating beyond narrow, limited views of the world that have always made grand claims to universalism but have only ever trapped us in dogmatic certainties. Nietzsche sums up his new affirmative attitude as a quest for "the great health", which one does not possess, but must continually give up. This great health has for its image a kind of abundant playfulness that is both human and superhuman. By making all that was once sacred and serious into our playthings, the true seriousness can begin. We conclude with a reading of one of Nietzsche's "songs".
Episode art: Allegory of the Planets and Continents, by Giovanni Battista Tiepolo

We incomprehensible ones - how our thought branches in every direction, how willing we are to shed our bark, to grow, to change! In this episode, we discuss, among many other sections, important passages such as "What is Romanticism" - in which Nietzsche explains how he departed from the romantic pessimism of Wagner and Schopenhauer. He opposes the theater to music, fully breaking with his earlier views in Birth of Tragedy. Nietzsche also flips the script on some of his previous views regarding academics, and suggests that the scholarly specialist is a type of higher value than the so-called "man of letters", the master of nothing who represents himself as everything. Here, the hermit and the cynic speak, and Nietzsche spares no one his criticism.
Episode art: The Tree of Life by Gustav Klimt

In this chapter of our readthrough, we confront "the problem of the actor". Nietzsche predicts that things shall become ever more "artistic" in Europe, as the actor's talent self-falsification becomes developed in all members of society. Whereas in the Middle Ages, the individual was bound to his role as an unchangeable identity, the modern person picks up and discards roles: he gives the appearance of being a given type, but is often obliged to change roles. Nietzsche continues to increasingly offer reversals of perspective, at times even differing with previous assertions in this very same work.
Episode art: Giandomenico Tiepolo, Pulcinella in Love, 1797 (A depiction of the masked actors of the Commedia dell'arte).