Bulletproof Screenwriting™ Podcast

What happens when Hollywood never comes knocking?

Comedian, filmmaker, podcaster, and longtime Jimmy Kimmel collaborator Don Barris shares the unconventional journey that eventually led to the cult comedy Windy City Heat. After leaving Michigan for California, Don struggled through stand-up, lived in his car for extended periods, and spent years developing his own comedy projects rather than waiting for Hollywood to discover him. That persistence eventually connected him with Jimmy Kimmel and helped transform an unusual Comedy Store concept into one of the strangest cult comedies ever produced. Don also takes us behind the scenes of Windy City Heat, revealing how its elaborate real-life prank was constructed and why unpredictable reactions created filmmaking challenges unlike those of a traditional feature.

Beyond the insanity of Windy City Heat, this conversation offers practical lessons for filmmakers and creators trying to build careers outside the traditional Hollywood system. Don discusses the importance of creating your own opportunities, developing long-term industry relationships, using podcasts and digital platforms to build an audience, and turning that audience into leverage for larger creative projects. From Jimmy Kimmel championing the movie to Quentin Tarantino, Eli Roth, and Jack Black discovering the film, Don’s journey demonstrates how unconventional work can develop a life far beyond its original release—and why filmmakers shouldn't depend entirely on gatekeepers to determine whether their projects get made.

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What happens when Hollywood keeps saying no, but you refuse to stop making movies?

Filmmaker and screenwriter Michael Rousselet shares the unconventional path that took him from USC film school to creating more than 1,500 Five Second Films and eventually co-writing and directing the cult comedy Dude Bro Party Massacre III. Michael breaks down what film school actually taught him, why failure is essential to becoming a better filmmaker, how constant production sharpened his craft, and why filmmakers need to stop waiting for permission and start creating with whatever resources they have.

Michael also reveals how Five Second Films built an online audience large enough to help crowdfund a feature after traditional producers passed, how an independent financier came aboard after seeing their momentum, his screenwriting and outlining process, why terrible first drafts are necessary, and the realities of self-distributing an independent movie. He also tells the incredible story behind his connection to The Room and Tommy Wiseau. This conversation is packed with practical lessons for screenwriters, directors, producers, and indie filmmakers trying to turn ideas into finished movies.

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How do you build an independent film studio that produces movies constantly without betting the entire company on every release?

In this episode, David M. Latt, co-founder of The Asylum, breaks down the unconventional business model behind one of the most prolific independent production companies in Hollywood. From working out of an apartment to releasing dozens of films, creating Sharknado, and expanding into television with Z Nation, David explains how pre-sales, strict budgeting, vertical integration, and relentless production allowed The Asylum to survive while much of the traditional independent film market changed around them.

The conversation also dives into developing movies for buyers, creating ambitious films on limited budgets, why The Asylum rarely accepts outside scripts, the accidental success of Sharknado, casting challenges, digital distribution, television production, and the importance of relationships in the entertainment business. David’s experience offers filmmakers a rare look at independent cinema from the perspective of someone who doesn’t just make movies—he has helped build an entire system designed to keep making the next one.

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Success in filmmaking rarely comes from waiting for permission.

In this episode, horror filmmaker Harrison Smith shares the lessons he learned from building a career through writing, producing, and directing independent films like The Fields, Six Degrees of Hell, Camp Dread, and Zombie Killers: Elephant's Graveyard. From working at Universal Studios to producing feature films on modest budgets, Harrison explains why experience on real film sets teaches lessons no classroom can replicate and why every filmmaker eventually has to stop studying movies and start making them. 

The conversation covers independent film production, screenwriting, directing, financing, working with actors, horror filmmaking, investor relationships, film criticism, remakes, networking, and developing stories that stand apart from Hollywood formulas. Harrison also discusses why strong scripts remain the foundation of every successful film, why writers should focus on telling original stories instead of chasing trends, and how honesty, persistence, and reputation become the most valuable assets any filmmaker can build throughout their career.

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What does it really take to become a professional screenwriter?

In this fascinating conversation, Glenn Benest—screenwriter of two Wes Craven films, producer, novelist, and longtime Hollywood mentor—shares the lessons that transformed his career. From adapting A Stranger in Our House to collaborating with Wes Craven on Deadly Blessing, Glenn reveals why most aspiring writers focus on the wrong things, why film school isn't always the answer, and why the screenplay itself is the only calling card that truly matters.

The discussion also dives into the development of Scream, the importance of finding world-class mentors, how writers should approach rewrites, what separates amateur scripts from professional ones, and why confidence—not perfection—is the key to finishing your first screenplay. Whether you're an aspiring writer, filmmaker, or storyteller, this episode is packed with practical wisdom from someone who's spent decades helping scripts become movies.

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