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How Fitting: design a slow fashion business that fits

Alison Hoenes | fit expert & patternmaker
How Fitting: design a slow fashion business that fits
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138 episódios

  • How Fitting: design a slow fashion business that fits

    Considering What Slow Fashion Means For A Brand’s Present and Future with Arianna Levesque of Triplicity

    18/08/2026 | 57min
    If you run a slow fashion brand, you’ve probably experienced this. You saw how wasteful the fashion industry can be and vowed to run your brand differently. You want to pursue quality over quantity, sustainable materials and practices, fair labor, and avoid over-production. But how does this slow fashion intent meet the reality of factory MOQs, wash tests, and production costs for a new brand? Plus, as the brand grows, is there a scale where a slow fashion brand is no longer slow fashion?

    These are all questions Arianna Levesque considers for her brand Triplicity. Arianna and her triplet sisters create versatile, chic pieces meant for a long-lasting capsule wardrobe. In episode 137, hear what slow fashion values Arianna prioritized as Triplicity started out, how she’s planning for the brand’s future growth, and how these goals impacted decisions for the Adelaide Adjustable Drawstring Pant.

    Triplicity was founded by Arianna Levesque, a graduate of the Fashion Institute of Technology. Arianna began her career designing for a fast fashion company and eventually realized she wanted to do things differently.

    She saw hundreds of styles produced each month in poor fabrics and likely unethical conditions, in trendy designs that would not carry over to the next year. It felt wasteful, and she wanted to offer styles that were higher quality, and could help people build a capsule wardrobe that they could wear for years to come, which would reduce waste, save people money in the long run, and make deciding what to wear easier.

    Inspired by growing up as an identical triplet and sharing clothes with her two sisters, Arianna developed a passion for designing basics with extra functional details that make her designs versatile, with flexible sizing on many of the styles. These features turn timeless basics into unique, adaptable pieces.

    What we learn about fit in this episode:

    Fitting the people

    How sharing clothes with her sisters growing up helps Arianna design capsule wardrobe pieces

    How Arianna incorporates adjustable features in each piece without cluttering the simplicity of the designs

    Fitting the performance

    The debate between natural and synthetic fibers and where Triplicity landed on their materials

    How the flexible designs are made for the lifestyle of the Triplicity customer

    Fitting the purpose

    How Triplicity follows a slow fashion approach

    Why sustainability probably isn’t the biggest selling point for your product

    Fitting the production

    Why Triplicity doesn’t follow a traditional fashion production calendar

    What Arianna envisions for Triplicity’s production model to scale the brand without giving up slow fashion values

    People and resources mentioned in this episode:

    Triplicity website

    Triplicity Instagram

    Triplicity TikTok

    Do you want daily advice and explorations on creating clothes that fit your customers and your business sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes and more.
  • How Fitting: design a slow fashion business that fits

    Creative Confidence, Control, and Content-Product Offer Alignment with Ceilidh of BillyNou

    30/06/2026 | 57min
    As entrepreneurs, we didn’t start businesses to create a job that we hate. In fact, for most of us, it is quite the opposite. We want our work to be fulfilling. But we also want it to pay the bills and not burn us out. So how do we build a business that is both fun and financially stable? That offers both creative confidence and commercial control? Where the day-to-day process feels magical, but also manageable?

    These are the kinds of questions that underlie all of our businesses and impact how sustainable running the business actually is. Ceilidh has experienced this first hand over the ten years she’s been running her brand BillyNou. What started as a natural dyeing hobby, became a maker business. As the brand grew, she realized both the strengths of her creative process and the limitations of her business model.

    In episode 136, Ceilidh shares how she’s aligning her product offering with the content she already loves to share and how the Original Overalls she started with still embody the magic she wants the BillyNou community to experience.

    Ceilidh Chaplin is a British designer and the founder of BillyNou, a slow fashion brand based in Provence in the south of France, focusing on unique, simple, statement pieces coloured with natural pigments and flowers.

    Born out of a desire for comfort and sustainability, BillyNou clothing is low impact and easy to wear. There is a strong focus on low impact fibers and using natural dyes to colour garments made with vintage and antique French linen. Most pieces are made slowly, from start to finish in her small atelier bridging the gap between fashion and craft.

    Ceilidh describes the natural dyes she works with as “living colours” having a charm and personality very unlike chemical dyes and offers natural dye workshops and tutorials in person and on line. She communicates her story and showcases her brand in collaboration with her partner, through high quality and visually beautiful content, encouraging people to consider their relationship to fast fashion and over consumption whilst also feeling they have stepped into a magical floral universe.

    What we learn about fit in this episode:

    Fitting the people

    What surprises Ceilidh about the women who buy BillyNou

    Why listening to her audience led Ceilidh to start teaching workshops

    Fitting the performance

    What makes some styles staples that sell for years or decades

    Fitting the purpose

    How BillyNou’s Original Overalls embody the brand’s values

    Why natural dyeing is a big part of the BillyNou brand and a big reason why customers buy from BillyNou

    How the new natural dyeing course that Ceilidh teaches is making her business more sustainable

    Fitting the production

    How Ceilidh balances control and consistency with creativity in production

    The moment Ceilidh realized that the content she was sharing online and what she was selling weren’t aligned

    People and resources mentioned in this episode:

    BillyNou website

    BillyNou Instagram

    BillyNou Youtube

    BillyNou email

    Do you want fashion business tips and resources like this sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes plus daily content on creating fashion that fits.
  • How Fitting: design a slow fashion business that fits

    Why This Circular Fashion Brand Doesn’t Gatekeep Their Patterns with Megan McCullough of The Sample Room

    16/06/2026 | 55min
    We’re told in fashion business that your brand’s patterns are your IP, don’t let anyone else have access to them. It is true that your patterns are one of the most legally protectable aspects of your brand’s unique fit and design aesthetic, but is gatekeeping patterns really necessary for fashion business success?

    Today’s guest, Megan McCullough took the opposite approach for her brand The Sample Room. 100% of styles are available as both the finished garment and the sewing pattern. Not only that, but Meg designs each pattern and style to be upcycled so that the final garment is not its final form. The unique business model means The Sample Room operates half way between an apparel company and an indie pattern company.

    In episode 135, we talk about the reasoning behind her decision to sell her patterns and ask the question: ‘Is there any financial benefit to working with upcycled materials?’. It’s an interesting conversation about business, fit, circular design, and more. Hear how this all fits together in her signature Workwear Jacket.

    Meg McCullough is a clothing designer and the founder of The Sample Room, a circular fashion brand focused on designing garments that can be remade, repaired, and eventually returned to the earth.

    She also runs Studio M, a freelance apparel design studio where she helps small brands design and tech pack clothing. With over a decade in the fashion industry, her work focuses on better design, natural materials, and clothing made to last.

    What we learn about fit in this episode:

    Fitting the people

    The Sample Room customers’ response when she designed the Workwear Jacket to be upcycled

    Why Megan shifted from using GOTS certified cotton to upcycling garments in her fashion brand

    What The Sample Room’s fit testing process looks like given that they sell both garments and patterns

    How Megan balances fitting each individual fit model versus fitting her customer across the board

    How Megan keeps the fit and sizing consistent across her fashion brand while working with a variety of fit testers

    Fitting the performance

    The regional lifestyle that influenced the amount of ease in the Workwear Jacket

    How The Sample Room’s different income streams fit together in the business

    Fitting the purpose

    Why Megan sells The Sample Room patterns as well as finished garments

    How Megan designs her patterns so that the garment can be upcycled

    Fitting the production

    The production costs of using upcycled versus production using virgin materials

    How Megan handled conversations with her factory when there was pushback on the sustainable way she wanted her apparel manufactured

    People and resources mentioned in this episode:

    The Sample Room website

    The Sample Room Instagram

    The Sample Room Youtube

    Meg’s email

    Meg’s LinkedIn

    Circular Factory biodegradable trims

    Clo3D fashion design software

    Optitex patternmaking software

    Do you want fashion business tips and resources like this sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes plus daily content on creating fashion that fits your customer, lifestyle, and values.
  • How Fitting: design a slow fashion business that fits

    How To Engineer A Garment For A Feeling with Karen Poirier of Embrago

    02/06/2026 | 1h 5min
    It’s an art, and a science. And something we don’t talk about enough in fashion. What do the physical properties of the fabric mean for the physical support of the body? We can read the info on the fabric header like the fiber content, stretch percentage, knit or weave structure, and gsm weight, but do we know how to use those to our advantage to achieve the look and feel we want in a garment?

    The data is structured, but the answers are squishy. Today’s guest, Karen Poirier, proved it is possible to engineer a garment – using the physics, fabric properties, and seam structure – for a feeling. Her brand, Embargo, re-engineers support for full-busted women with bra-alternatives that prioritize comfort and wellbeing. In episode 134, we talk about the engineering that went into their Full Support Bra-Free Top and discover what good fit looks like for Embrago.

    Karen Poirier, the visionary designer behind Embrago (em-BRA-go), is transforming women’s fashion with her innovative and sustainable approach. Embrago is more than just a clothing line; it’s a movement towards ethical and compassionate living that empowers women to embrace a minimalist fashion footprint.

    For Karen, sustainability means creating multifunctional pieces that adapt to the natural changes in a woman’s body. After years of managing a fuller bust through the changes of pregnancy, breastfeeding, and midlife, she dedicated herself to developing a bra-alternative that supports overall health and comfort without compromising on style.

    Her patented Body Responsive Fit™ system uses a new approach to built-in bust support that feels like a gentle embrace and ensures a perfect fit every day. This re-imagined system eliminates the pain and discomfort caused by traditional bras and automatically adapts to a woman’s body changes as she experiences hormone and weight fluctuations, from pre- to post-menopause. Embrago’s designs are crafted to be versatile, reducing the need for excess consumption.

    Each piece is ethically produced in small batches, using the softest organic cotton and high-quality materials that prioritize both the planet and personal well-being. Karen’s mission is clear: to empower women to feel confident and comfortable, while also benefitting their health and the environment. Through Embrago, Karen is not only reshaping fashion categories but also transforming the way women think about getting dressed, encouraging mindful choices for a more sustainable future.

    What we learn about fit in this episode:

    Fitting the people

    How Embrago creates support without restriction for full-busted women

    The moment Karen knew that the product was finished

    The mindset shift that happens when women start wearing Embrago

    Fitting the performance

    Why Karen focused on seams in a market category that typically favors seamless construction 

    How to use the grainline of the fabric strategically for the garment’s function

    Fitting the purpose

    How Embrago helps women break free from the social pressure to hide or compress a larger chest

    Why Karen started Embrago in the first place

    Fitting the production

    The factors that went into Embrago’s pricing

    The fit-testing process for this innovative product

    People and resources mentioned in this episode:

    Embrago website

    Embrago Instagram

    Embrago Youtube

    Embrago email

    Karen’s LinkedIn

    Do you want fashion business tips and resources like this sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes plus daily content on creating fashion that fits.
  • How Fitting: design a slow fashion business that fits

    Can We Make 100% Plastic-Free Clothing? with Meli and Rensso Hinostroza of Eco Aya and Arms of Andes

    17/03/2026 | 59min
    If you are anything like me, you’ve started paying way more attention to the ingredients in our food and realized just how many nasty ingredients are hidden within. If comprehensive ingredient labels existed for clothing, they would be equally shocking. Even in garments labeled as “natural fibers”, there are hidden sources of plastic and chemicals that have a negative effect on our health and the health of our planet.

    For Meli and Rensso Hinostroza, this realization turned into curiosity and a deep dive into 100% plastic-free clothing production. The two siblings have started two brands – Arms of Andes and Eco Aya. In episode 133, we go into the nitty gritty details of eliminating all plastic from the clothing they make down to every thread, zipper, button, and fabric finishing and how they had to set up their manufacturing to do it.

    Melissa and Rensso Hinostroza are the sibling co-founders of Eco Aya, a plastic-free non-toxic lifestyle brand, and Arms of Andes, home of the world’s only 100% alpaca outdoor apparel. In an industry dominated by synthetic fibers and microplastics, the sibling duo have returned to their roots to offer a high-performance alternative that is entirely natural and biodegradable.

    Born in California and raised between the U.S. and Peru, they have spent their lives navigating two worlds, a perspective that allowed them to see how heritage-driven techniques could solve the modern environmental crisis in the global outdoor market.

    Meli Hinostroza is the brand’s creative force and strategic visionary. She leads marketing, sales, and the customer experience, ensuring that every campaign reflects their deep-rooted commitment to the planet. For Meli, the mission is to dismantle the industry's reliance on plastics by building a brand that connects people back to nature through sustainable, purposeful design.

    Rensso Hinostroza is the operational backbone of the company. With a background in international business, he manages the entire supply chain directly from Peru. He is the guardian of the brand’s transparency, overseeing everything from sourcing raw fibers to final production. A believer in a minimalist approach to adventure, Rensso is dedicated to proving that performance gear doesn't need chemicals or plastics to excel in the world's harshest environments.

    Together, Meli and Rensso are bridging the gap between ancestral wisdom and modern technical performance, proving that the future of the outdoors isn't synthetic, it's natural.

    This episode explores:

    Fitting the customer

    Who Meli and Rensso designed Arms of Andes and Eco Aya for

    The questions Meli and Rensso wish customers would ask of brands

    The questions brands should be asking of their suppliers

    Fitting the lifestyle

    How the sustainable lifestyle Meli and Rensso grew up with influenced their early business decisions

    Why Meli and Rensso decided to bring all their textile and garment production in-house in a single country

    The nitty gritty details of how Rensso and Meli got rid of the hidden sources of plastic in their brand’s clothes

    Fitting the values

    Why Meli and Rensso put so much value (and effort) into making clothes plastic-free

    The balance between longevity and biodegradability

    People and resources mentioned in this episode:

    Eco Aya. website

    Arms of Andes website

    Eco Aya Instagram

    Eco Aya email

    Take the podcast listener survey here.

    Do you want fashion business tips and resources like this sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes plus daily content on creating fashion that fits your customer, lifestyle, and values.
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Sobre How Fitting: design a slow fashion business that fits
How Fitting® is the podcast that explores how slow fashion brands make clothes – and businesses – that fit. In each biweekly episode, meet a relatable fashion designer or entrepreneur (the kind of indie brands who run their businesses from kitchen tables and cutting tables, not boardroom tables) and hear how the people, performance, purpose, and production shaped the fit of one of their garments. Because fit is relational before it is technical. Host Alison Hoenes (a fit expert & women’s apparel patternmaker) and her guests look at the things all slow fashion business owners experience in pursuit of fit. Things like the empathetic process of designing clothes that fit a niche market, the vulnerability of launching something you deeply care about, the challenges of pursuing both financial and environmental sustainability, the honest conversations with suppliers and factories, the late-night reckoning with your values that make you consider shutting the whole thing down, and the rewarding moments that give us hope for the future ethical fashion. How Fitting® offers validation that you are not alone in your fashion entrepreneurship experience, ideas to try on in your fashion business to create a better fit, and a curious look into how other slow fashion brands are making it work. How fitting is that?
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