In Conversation: An OUP Podcast

Previous guest Jacob Bricca (Documentary Editing: Principles and Practice) is a professional film editor and director, specializing in documentaries. In his new book, he breaks down the hidden conventions of the documentary film in accessible language for film students and documentary enthusiasts alike. Chapters on Narrative and Meaning show how documentaries use story constructions borrowed from fiction filmmaking and combine elements from disparate sources in order to prosecute their stories, while chapters on Flow and Time illuminate the precise mechanics of how the flow of information in a documentary is regulated to produce a specific result in the mind of the viewer. Other chapters like Titles, Music, and Sound break the documentary down into its component parts that can be analyzed independently.  Throughout How Documentaries Work (Oxford University Press, 2023), excerpts from interviews with documentary producers, directors and craftspersons help to illuminate the concepts and deliver behind-the-scenes insights. It contains examples from over 100 contemporary documentaries and covers a wide variety of contemporary non-fiction work, including docu-series, television documentaries, unscripted series, and contemporary avant-garde documentaries. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.

In his influential Anti-Semite and Jew, French philosopher Jean-Paul Sartre observed "If the Jew did not exist, the anti-Semite would invent him." In doing so he articulated the figure of an Antisemite responsible for imagining the Jew in a formulation that has lasted for decades. This figure became an indispensable trope in the period immediately after the war. It enabled Germans and Austrians to navigate a radically changed political and cultural landscape and reestablish lives upended by war by denying complicity in perpetuating antisemitic ideology. The deeply ingrained cultural practices that formed the basis for age-old prejudices against Jews persisted via coded references, taking new forms, and providing fertile ground for explicit eruptions.  Decades before the Nazi persecution of the Jews would emerge as a master moral paradigm of evil in popular culture, the constructed Antisemite became part of a forceful narrative structure that allowed stereotypes about Jews to persist, even as explicit antisemitism became taboo. Lisa Silverman examines the crucial development and implications of the figural Antisemite in a range of trials, films, and texts during the first years after the end of the Second World War. She argues that, in their economically shattered, emotionally exhausted, and culturally impoverished postwar world, Austrians, Germans, and others used the Antisemite as a way to come to terms with their altered circumstances and to shape new national self-understandings.  A readily recognizable and easily adaptable figure of evil, the Antisemite loomed large as a powerful and persistent trope in a wide range of artistic and cultural narratives. As a figure onto which to project or imagine as a source of the hatred of Jews, the Antisemite allowed audiences to avoid facing the implications of crimes committed by the Nazis and their accomplices and to deny the endurance of widespread and often coded antisemitic prejudices. In postwar Europe, where everyone looked to blame others for the murder and dispossession of the Jewish population, the authority to define the Antisemite as a receptacle for explicit Jew-hatred became a powerful force. As The Postwar Antisemite argues, antisemitism as a hidden code gained new force, packing stronger, more effective punches and affording its users more power. This era is critical to understanding ongoing struggles over the authority to set the parameters of antisemitism and the power and persistence of this hatred in society. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies.

In contemporary Indonesia the idea that Islam and Marxism are inherently incompatible has become deeply entrenched. However, as Lin Hongxuan's work Ummah Yet Proletariat: Islam, Marxism, and the Making of the Indonesian Republic (Oxford University Press, 2023) shows, the relationship between them in Indonesian history is deeply intertwined. Based on a wealth of Indonesian language sources, Lin traces over the half century between 1915 and 1965 how Islam and Marxism coexisted and converged in the Netherlands Indies and newly independent Indonesia. In addition to reframing Indonesian ideological history, the book also helpfully emphasises key actors’ engagement with broader intellectual currents to situate them in a global historical context.

American wars in Iraq were a defining feature of global politics for almost thirty years. The Gulf War of 1991, the American invasion of Iraq in 2003, and the campaign against the Islamic State beginning in 2014 each had their own logic. Each occurrence was a distinct conflict; however they must not only be considered in isolation. The United States spent the 1990s trying but failing to implement the Gulf War's cease fire agreement. After the terrorist attacks of September 11, 2001, American leaders decided to settle the open-ended aftermath of the Gulf War by launching the Iraq War of 2003. The Iraq War unleashed resistance, civil war, insurgency and eventually the Islamic State in Iraq and Syria. Thus, following the Gulf War, each war was fought to finish the previous conflict. The Iraq Wars, therefore, are perhaps best understood as a chain of events.Academics, journalists, statesmen, and soldiers have produced many library shelves of books on the Iraq Wars. Yet, no short, easily digestible volume exists to synthesize this vast literature of both English and Arabic sources. The Iraq Wars: A Very Short Introduction (Oxford University Press, 2025) by Dr. Samuel Helfont covers this series of important conflicts as a whole, in a highly succinct and uniquely readable way. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Is traditional American religion doomed?Traditional religion in the United States has suffered huge losses in recent decades. The number of Americans identifying as "not religious" has increased remarkably. Religious affiliation, service attendance, and belief in God have declined. More and more people claim to be "spiritual but not religious." Religious organizations have been reeling from revelations of sexual and financial scandals and cover-ups. Public trust in "organized religion" has declined significantly. Crucially, these religious losses are concentrated among younger generations. This means that, barring unlikely religious revivals among youth, the losses will continue and accelerate in time, as less-religious younger Americans replace older more-religious ones and increasingly fewer American children are raised by religious parents. All this is clear. But what is less clear is exactly why this is happening. We know a lot more about the fact that traditional American religion has declined than we do about why this is so.Why Religion Went Obsolete: The Demise of Traditional Faith in America (Oxford UP, 2025) aims to change that. Drawing on survey data and hundreds of interviews, Christian Smith offers a sweeping, multifaceted account of why many Americans have lost faith in traditional religion. An array of large-scale social forces-everything from the end of the Cold War to the rise of the internet to shifting ideas about gender and sexuality-came together to render traditional religion culturally obsolete. For growing numbers of Americans, traditional religion no longer seems useful or relevant. Using quantitative empirical measures of big-picture changes over time as well as exploring the larger cultural environment—the cultural "zeitgeist"—Smith explains why this is the case and what it means for the future. Crucially, he argues, it does not mean a strictly secular future. Rather, Americans' spiritual impulses are being channelled in new and interesting directions. Christian Smith is the William R. Kenan, Jr. Professor of Sociology and Founding Director of the Center for the Study of Religion and Society at the University of Notre Dame. Smith is well known for his research focused on religion, adolescents and emerging adults, and social theory. He has written many books, including Divided by Faith: Evangelical Religion and the Problem of Race in America (with Michael O. Emerson), as well as Soul Searching: The Religious and Spiritual Lives of American Teenagers (with Melinda Lundquist Denton). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here