In Conversation: An OUP Podcast

George Fisher, the Judge John Crown Professor of Law at Stanford Law School, just released his new book Beware Euphoria: The Moral Roots and Racial Myths of America’s Drug War, with Oxford University Press. George has been teaching and writing in the realms of evidence, prosecution practice, and criminal legal history since 1995. He began practice as a prosecutor in Massachusetts and later taught at the law schools of Boston College, Harvard, and Yale. Beware Euphoria is the most recent among a slew of other books, articles, and essays that he’s published over the years, and perhaps the most contrarian. In this interview, George discusses his research methods and how he came to the conclusion that the history of America’s drug war, while racially motivated, was not meant to target minorities, but protect the morals and health of America’s white youth.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press.

The world is encountering multiple crises - climate, droughts, floods, energy, food, and pandemics, to name a few. Capitalism and Crises: How to Fix Them (Oxford UP, 2024) is about how capitalism can help fix them It has helped to cause because of a misconception about the nature of the system. There has been a failure to understand the key institution business. This book describes why this has happened and what needs to change to address it. At the core of the problem is the key driver of capitalism profit and the way in which those who run the system and provide it resources for it have been rewarded. Currently, profit comes from causing as well as solving problems. Drawing on history, philosophy, psychology, and biology as well economics, law, and finance, Mayer describes what has gone wrong and what needs to change. He sets out the big challenges that capitalism must address and discusses how financial institutions should be at the heart of this, and how the public sector can work with the private on a common purpose of creating shared prosperity. Capitalism and Crises is an inspiring and motivational roadmap.

Worlds of Wartime: The First World War and the Reconstruction of Modern Politics (Oxford University Press, 2025) by Duncan Kelly is a new intellectual history of the many and varied ideas about politics and economics that were made, and remade, through wartime and revolution, by political and economic thinkers working across the globe, from the 1880s to the 1930s. Spanning continents, connecting networks of people, power, and possibilities, in new and often experimental ways, the worlds of wartime saw histories of modern politics and economics revised and updated, used as well as abused, in myriad attempts to interpret, explain, understand, explore, and indeed to win, the war. This book takes the measure of a great many of these overlapping visions, and it does so by trying to learn some of the lessons that literary and artistic modernism can teach us about the complexities of political and economic ideas, their contingency and uncertainty, and how they are fixed into focus only at very particular moments. Moving from the stylised narratives of European and American political theory and intellectual history, through to the futurist politics of revolutionaries in Ireland, India, Ottoman-Turkey, and Russia, this book also tracks arguments and strategies for Pan-African diasporic federation, alongside German and American debates about federal pasts and federal futures. From the invention of the world economy, to the reality of multiple war economies, from revolutionary conjunctures to ideas of democracy and climate catastrophe in the Anthropocene today, Worlds of Wartime tells the story of just how strongly modern politics in general, and modern ideas about political and economic possibility, were fixed by the intellectual turbulence wrought during the First World War.

Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they are often thought to be folk songs. Although he died in poverty and most of his music was quickly forgotten, by the early twentieth century he was hailed as the “Father of American Music” and had become a symbol of US democracy. In Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth (Oxford University Press, 2025), Christopher Lynch examines the reception of Foster and his music between the composer’s death and the 1930s. It is an unusual book—part biography, part sourcebook, part scholarly reflection, part reception history, part myth buster. Lynch divides the book into three sections which each contain anywhere from ten to eighteen primary sources that provide evidence for how Foster’s American reception changed over time. He frames these primary documents with five essays that examine the ever-changing myths around Foster, why those myths developed, and how the collecting practices and biases of Foster devotees and his family members influenced the national memory about the composer and his most famous songs.

Christopher Lynch, PhD, is a musicologist and Head of the Theodore M. Finney Music Library in the University of Pittsburgh Library System, where he helps curate the Stephen Foster Memorial museum and archive. His research examines minstrelsy, popular song, and music theater as sites for contesting American ideals. He is co-editor of Listening Across Borders: Musicology in the Global Classroom and his work has been published in numerous journals.

Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.

Broadway has body issues.
What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body.
In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West’s Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside?
In answering these questions, Broadway Bodies tells a history of Broadway’s inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies.