In Conversation: An OUP Podcast

This is a really good book. Really good. Liberalism and the Reinvention of the Modern Corporation (Oxford UP, 2026) takes the reader on a fascinating, and perhaps unexpected, journey through Catholic hospitals, the expansion of the carceral state, and corporate and union access to the protections of First Amendment freedom of speech. All the while, Kathleen J. Frydl is rigorously constructing an understanding and positioning of the modern corporation within the governmental structures and protections of the American political system. This is a deeply and thoroughly researched book, with details and information coming from legal decisions, law review articles, political theory, congressional acts, federal government notices, historical data and understanding, medical information, and texts in political science, sociology, and economics. It is indeed a tour de force, but the reader doesn’t really notice because it is such a propulsive and captivating narrative about how modern private corporations learned to capture and implement the advocacy practices that the social movements of the postwar period were using to make gains for previously disadvantaged groups (like African Americans, women, those with disabilities, and more).

Frydl lays out the foundation for the analysis within the framework of liberalism, classical liberalism and modern liberalism. She takes pains to explain these distinctions and how our understanding of liberalism has also contributed to some of the shifts and adjustments that have transpired. What does become clear in all of the case studies and details is that this is really a story about the United States Congress—not the Judiciary—and that Congress has been responsible for many of these changes, even if these actions seem to elide public attention and scrutiny. In fact, it is very difficult to detect Congress’s role in these instances, where Congress acted to essentially remove the Judiciary’s powers to deliberate in these policy realms.

Liberalism and the Reinvention of the Modern Corporation is about corporate identity politics, and the ways in which corporations worked to fend off regulatory reform, while not exactly using the expected pathways. Since corporations, unlike, say women or African Americans, do not have a history of exclusion or disadvantage within the American political or economic systems, the concept of corporate identity politics seems a bit odd, but Frydl makes a strong case for this understanding, through the case studies of Catholic hospitals and regulatory reform that provides an avenue towards allowing for more religious freedoms and protections for the hospitals themselves; the legislative reforms with regard to criminal codes in the 1970s and 1980s that instituted harsher sentencing guidelines for individuals but much more lax responses to corporate infractions; and finally in a comparative study of corporate speech regulation and speech regulation of labor unions in the United States. Frydl tells the story from all perspectives and dimensions, including who was working behind the scenes to move these protections forward over the past fifty years. Liberalism and the Reinvention of the Modern Corporation is a very important analysis of the strengthening of the position of corporate entities within the political, legal, and economic systems in the United States.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She is also author of The Politics of Military Base Closings: Not In My District (Peter Lang Publishers, 2003). She can be reached @gorenlj.bsky.social

The Bartered Bride, a comic opera by Bedrich Smetana, premiered in Prague on March 30, 1866. Its pastoral love story and setting in a rural Czech village eventually became an enduring symbol of Czech nationalism. In Visions of the Village: Ruralness, Identity, and Czech Opera (Oxford University Press, 2025), Christopher Campo-Bowen examines how a particular image of the rural village in a set of Czech operas written between 1866 and 1904 became a powerful signifier for Czech ethnoracial and nationalist identity. He follows this conception of Czech identity and its entanglement with opera through the political changes in the years when the Czech lands were ruled by the Austro-Hungarian Empire and the upheaval that followed when the Empire collapsed in 1918 and the First Czechoslovak Republic was founded. In addition to composers and their operas, Campo-Bowen investigates the output of critics, administrators, and other urban intellectuals to understand the impact of village operas on public discourse. By setting his analysis within a discussion of how race was understood in nineteenth-century Europe, Campo-Bowen shows that this seemingly straightforward nationalist discourse was shot through with racialized essentialism and ideas about gender that were connected with larger political realities. He ends the book with a discussion of the resonances of this nineteenth-century conception of Czech identity in the current Czech Republic.

Today’s guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater’s spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.”

Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt’s travel compendium; metonymic possession in Christopher Marlowe’s Tamburlaine; “seasoning” in Ben Jonson’s city comedies; “stagewreck” in Shakespeare’s The Tempest; and “stagework” in the Lord Mayor’s Shows.

By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.

In The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette (Oxford UP, 2026), the first ever published on The Patty Duke Show (1963-66), Caryl Flinn and Dana Polan examine the significance of this classic US sitcom within popular culture and within American society at the time. Child acting sensation Patty Duke plays the all-American Patty as well as her staid British counterpart Cathy, who comes to live with Patty's family in Brooklyn. Far from being a frivolous show, the show's use of twin girls--and their comic antics--offers glimpses into different identities and possibilities to try on, in keeping not only with girls' popular culture of the time but the optimism of John F. Kennedy's Camelot years.At the same time, the series plugged into many of the contradictions of the mid-1960s. It flirted, as much of the US did, with foreign cultures, such as Julia Child's mediation of Frenchness, only to return to and reaffirm core US values. Like Kennedy, who encouraged the country's youth to engage with the world at large, the show gestures towards a cosmopolitanism that, ultimately, retreats into an American-based perspective, as evidenced in the series' preferential treatment of Patty over Cathy--despite the two characters being played by one actor.Drawing on archival research, Flinn and Polan bring to light the show's production background, which has until now been largely lost to history, as well as considering the series's conception, reception, its many tie-in products, and its ongoing afterlife in the decades since its initial broadcast. In so doing, they reveal hidden and overt issues that shaped American culture and ideology of the 1960s.

Hindu nationalism is transforming India as an increasingly dominant
ideology and political force. But it is also a global phenomenon, with
sections of India’s vast and influential diaspora drawn to, or actively
supporting, right-wing Hindu nationalism. Indians overseas can be seen
as an important, even inextricable, aspect of the movement. This is not a
new dynamic—diasporic Hindutva has grown over many decades.

Hindu Nationalism in the Indian Diaspora: Transnational Politics and British Multiculturalism
(Oxford University Press, 2024) explores how and why the movement
became popular among India’s diaspora from the second half of the
twentieth century. It shows that Hindutva ideology and its plethora of
organizations have a distinctive resonance and way of operating
overseas; the movement and its ideas perform significant, particular
functions for diaspora communities.Edward T.G. Anderson argues that
transnational Hindutva cannot simply be viewed as an export: this
phenomenon has evolved and been shaped into an important aspect of
diasporic identity, a way for people to connect with their homeland. He
also sheds light on the impact of conservative Indian politics on
British multiculturalism, migrant politics and relations between various
minority communities.

Sachin Nikarge has
extensively worked in consultative capacity with prominent
foreign/diplomatic missions across both ‘hard’ as well as ‘soft’ power
domains.