In Conversation: An OUP Podcast

You can stock your life with important work, relationships, activities, and art, and yet, you can still ask: what's the point of it all? Almost every thinking person has had that question—many more than once. Granted, you're more likely to worry about the point of life when things are not going well, but you're also likely to still ask this question when you've finally received that promotion, achieved a goal, or raised your children—exactly when it seems like the question shouldn't arise. 

In The Meaning of It All: Ultimate Meaning, Everyday Meaning, Cosmic Meaning, Death, and Time (Oxford University Press, 2026), Rivka Weinberg argues this is because there are different kinds of meaning, and some of them, sadly, are impossible to achieve. She explains what they are, illuminates which types of meaning are possible, which are impossible, and shows us how we might orient our lives in light of these bittersweet truths. Although we all die in the end, Weinberg explains why death doesn't make life more or less meaningful. Instead, it is time that is necessary for meaning, even as it also undermines it by wearing away the fruits of our efforts and commitments. Weinberg shows that most advice on how to reduce the agony of time's erosions cannot work. However, she also shows how we can tease out some insights from failed attempts to escape time's wounds and thereby make progress toward coping with things as they are. A meaningful life is one lived in the fullness of time, accepting suffering, acknowledging our tragic losses and limitations, and making the most of Everyday Meaning.

The Concept of Emotional Disorder (Oxford University Press, 2025) is a philosophical and academic exploration of how society determines
whether emotions are considered normal human experiences or emotional disorders. The book examines the concern that some ordinary emotions may be “over pathologized,” meaning they are increasingly treated as medical or psychiatric problems rather than understandable human responses to life circumstances.

Drawing from philosophy, psychology, and mental health theory, Dr. Ayob explores how people evaluate emotions and how those evaluations shape our understanding of emotional disorder.

In the author’s framing, the concept of “emotional disorder” is not simple or straightforward. It is built upon many smaller judgments we make about emotions, including whether emotions are reasonable, excessive, disruptive, socially acceptable, or connected to a person’s lived experience.

Key Ideas:

The book examines how emotional disorders are conceptually defined.

Explores whether modern society sometimes medicalizes ordinary emotional experiences too quickly.

Lived experience, personal meaning, and context all influence how emotions are understood.

Encourages deeper reflection about the assumptions society makes when labeling emotions as healthy or pathological.

Emotional awareness and reasoning are connected.

Understanding our emotions can help us better understand ourselves and the world around us.

One of the strongest ideas from the discussion was that human beings process emotions through their own lived reality and personal
experiences. What may feel distressing or emotionally overwhelming does not automatically mean it is a disorder. Sometimes emotional pain is part of being human, especially during difficult life experiences, loss, uncertainty, stress, or change.

The conversation also emphasized the importance of emotional
self-awareness and reasoning. Being informed about our emotions may help us better understand our reactions rather than immediately viewing every difficult emotional experience through a strictly medical lens.

Angela Marie Hutchinson is the author of “Create Your Yes! When You Keep Hearing No,” named a Forbes No. 4 book to advance your career. She is a podcast host for New Books Network, where she leads conversations for the neuroscience and Christianity channels. Hutchinson is also a talent and intellectual property executive, former social media professor and BBC commentator. She resides in Los Angeles with her husband and three children.

As the First World War came to a chaotic end, Europeans feared that a wave of crime and anarchy would sweep across their continent. The upheavals of the war and of the subsequent violent breakup of the Habsburg, German, and Ottoman empires magnified longstanding fears that an increasingly interconnected world offered the enterprising and unscrupulous new opportunities to break the law and evade capture. New kinds of international criminals and criminal enterprises demanded novel forms of international cooperation. Thus was born the International Criminal Police Commission, known today as Interpol. In the 1920s and 1930s, Interpol's police officials and the lawyers who collaborated with them created lasting programs to combat counterfeiting, sex and drug trafficking, terrorism, and human smuggling, and other forms of international crime, which they labelled "a scourge of humanity."

Drawing on press reports, police files, and criminal records in numerous languages and across multiple countries, in A Scourge of Humanity: The Origins of Interpol and the End of Empire in Central and Eastern Europe (Oxford University Press, 2025), Dr. David Petruccelli explores the origins of Interpol and the role Central and Eastern European actors played in developing criminal policing and law during the interwar period to bring stability to their region and reshape international institutions and norms. He shows how legal experts replaced a liberal focus on individual rights with an emphasis on a collective of international societies and of police officers who looked to the international sphere as a space for eluding the constraints of the rule of law at home. In doing so, their initiatives posed an alternative to the imperial and liberal internationalist programs pursued by many Western Europeans and Americans and laid the groundwork for more radical forms of persecution during the Second World War.

While bringing to life the stories of individuals involved in shady activities across borders, A Scourge of Humanity explores the vigorous policing and harsh criminal laws established by Interpol to combat their crimes and highlights illiberal forms of internationalism that have left a lasting mark on our world.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe?

Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity.

Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world.

Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts.

Caleb Zakarin is CEO and Publisher of the New Books Network.

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures.The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror?Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film (Oxford UP, 2024) presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility.