New Books with Miranda Melcher

The field of Strategic Studies, which studies the use and threat of force for political purposes, has seen the repeated rise of concepts to dominate discourses and research agendas, only to eventually fall to the margins again. What explains this cyclical pattern? What are the consequences for our understanding of war?Reconceptualizing War: The Rise and Fall of Fashionable Concepts in Strategic Studies (Oxford UP, 2026) by Dr. Chiara Libiseller examines these questions by likening the coming and going of theories to fashions. While in vogue, fashionable concepts are used widely, becoming broader and vaguer until essentially stripped of meaning. At the same time, they are bestowed with authority and power that allows them to withstand criticism and marginalizes alternative perspectives. These characteristics severely affect the quality, depth, and diversity of research by narrowing and siloing the field of inquiry.Tracing three concepts—revolution in military affairs, counterinsurgency, and hybrid warfare—through their fashion lifecycle, Dr. Libiseller demonstrates how fashionability affects the concepts themselves, related research, and the field more generally. Embedded within a discussion of the history and dynamics of Strategic Studies, the book calls for more reflexivity in the study of war and strategy.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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The significance of printmaking within the history of art is often underplayed, obscured or misunderstood. The Story of Printmaking: A Global History of Art (Yale UP, 2026) by Holly EJ Black tells the story of artist prints from across the globe in a manner that is accessible and engaging. It demystifies how prints are made – from woodblock to etching – and explores how, throughout history, printmaking has defied easy categorisation, straddling ‘fine’ art practices and commercially minded production. In fact, it has been employed as much for creative experimentation as it has for disseminating information.

Beginning in ancient East Asia and travelling through Renaissance Europe, revolutionary Mexico, and post-Apartheid South Africa, these ten chapters celebrate the interconnected nature of the printed image and its multiple histories, while illuminating the lesser-known players who have been deliberately or erroneously overlooked. Whether formed by slicing linoleum or plunging plates into acid, then distributed via bound books or pasted posters, the print has not just replicated the world, it has shaped it.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Between 1857 and 1947, over 28 million Indians left the subcontinent to live, work and study elsewhere. Today, India has the largest diaspora in the world, with approximately 18 million Indians living overseas. Though often absent from historical narratives, migrant children were instrumental during the time of the British Empire in the development not only of Indian national and diasporic identities, but of British identity too. These children were marginalised by their political status, their race and their age; yet they were fundamental to historical change, from the 1830s through to independence in 1947.

Imperial Footprints: A History of South Asian Child Migrants in Britain (Hurst, 2026) by Dr. Sumita Mukherjee vividly charts this history of emigration from British India to the imperial heartland, through the eyes of its youngest participants. From pupils sent to English boarding schools and runaway servants, to sailor children and refugees of war or Partition, Sumita Mukherjee reveals that these child migrants were crucial players in founding Indian communities abroad. Drawing on archival records and firsthand accounts, she offers a portrait of migration to Britain that pre-dated the larger waves of arrivals post-war.

Imperial Footprints challenges the assumptions of the historical voices we often foreground; reflects on post-colonial legacies; and offers a fascinating new perspective on migration and empire.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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The Future in Their Hands: Making Mexico's Foreign-Educated Elite (U California Press, 2026), by Dr. Rachel Grace Newman is a deep history of the politics of foreign education in Mexico, where many influential figures have degrees from European or US institutions. Reconstructing the history of student mobility from the late nineteenth to the late twentieth century, Dr. Newman unveils the social hierarchies, political languages, and institutional mechanisms that created Mexico’s foreign-educated elite.

Study abroad began as a private phenomenon for young elites to acquire specific forms of knowledge and to preserve their status. But after the 1910 revolution, elites gradually convinced the Mexican state, under the guise of modernizing the nation, to underwrite their ambitions with merit-based scholarships. Student mobility naturalized the expectation that Mexico’s sovereignty and development required knowledge from elsewhere. For historians of Mexico and other countries with foreign-educated elites, this open-access book reveals the subtle, insidious processes by which states reinforce privilege through education policy.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Modern Paris is often hailed as a capital of urban infrastructure. Baron Georges-Eugène Haussmann’s rebuilding of Paris in 1853–1870, branded “Haussmannization,” helped define urban modernity for cities worldwide. But even as infrastructures expanded and modernized, some Parisians were left behind: as late as 1928, 18 percent of houses still lacked direct sewerage. Haussmannization often hid infrastructures behind walls and floors, under streets, or in peripheral districts. In the forty years after 1870, a period that Dr. Peter Soppelsa calls “secondary Haussmannization,” Parisians inverted them—revealed their hidden components to scrutinize their workings and costs for society, environment, and health—and in turn politicized them.

Drawing on French government archives, engineers’ maps, the illustrated press, and a collection of over 100 photographic postcards, in Paris After Haussmann: Living with Infrastructure in the City of Light, 1870–1914 (U Pittsburgh Press, 2026) Dr. Soppelsa charts the diverse embodied, emotional, and everyday experiences of living with expanding urban infrastructures—streets, housing, tramways, subways, the water supply, sewers, and rivers—in Paris from 1870 to 1914. Parisians learned that infrastructures were not simply technical solutions for the social and environmental problems of city life but could also bring about new dangers and dependencies.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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