New Books with Miranda Melcher

Although historians have given considerable attention to the American Revolution, the agricultural history of the American War for Independence exists only in pieces found in scattered articles and passing references in various books dealing with the war. Nonagricultural historians have ignored it or treated it almost as an aside and unworthy of analysis, even when it is related to other war topics. Yet, the revolution had profound effects on American agriculture during the war and after.The Country People: An Agricultural History of the American Revolution (U Georgia Press, 2026) by Dr. R. Douglas Hurt brings the many pieces of this story together in a synthesis that provides an overview of agriculture during the American Revolution—from 1774 until signing of the Peace of Paris on September 3, 1783. In so doing, Dr. Hurt asks (and answers) three essential questions: What did farmers do in their daily lives during the revolutionary years from 1774 to 1783? How did the war affect farmers and planters, and how did they influence the war? And what were the consequences of the war on American agriculture?

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

How can we achieve lasting social and political equality for women? Dr. Leda Pérez tackles this thorny question in Searching for Democracy: Women, Domestic Work, and Social Reproduction in Latin America (Temple University Press, 2026) by interrogating egalitarianism in Latin America, where nearly 20% of women work in domestic service. She examines how women’s participation in society, labor, and politics continues to be conditioned by their relationship to domestic and care work.

Dr. Pérez argues that women’s relationship to these spheres of life is indicative of a nation’s development and democracy. She provides a comparative focus on the socio-cultural valuation of this labor and the experiences of women in Bolivia, Chile, Peru, and Uruguay, among other countries. Pérez asserts that it is only by changing sociocultural views on this “women’s work” that nations can create political change, foster equitable legislation, and ensure implementation of effective policies that benefit women.

Searching for Democracy shows why real and lasting equality cannot be achieved without fully enfranchising women in the lowest tiers of employment and closing the equality gap among women. Dr. Pérez’s models for gender equality are relevant for women around the world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

During the eventful summer of 2019 in Hong Kong, the Be Water Revolution formed to resist the proposed extradition of fugitives to mainland China’s courts. With its name derived from martial arts master Bruce Lee’s adage “formless and shapeless like water,” the incident turned out to be the city’s largest episode of contentious politics and was unique for using impromptu communication among participants and the absence of central leadership.

In Be Water: Collective Improvisation in Hong Kong's Anti-Extradition Protests (Temple University Press, 2025), Dr. Ming-sho Ho examines the dynamics of the city-wide uprising from the perspective of agency power. He seeks to understand how numerous and anonymous Hongkongers contributed to this epoch-making campaign as well as how they responded to the full-scale state repression that enveloped them. Dr. Ho praises and questions the durability of the inventive Be Water Revolution and how the activists encouraged protests spontaneously, through interpersonal networks and by voluntarily collaborating with strangers at great personal risk.

Dr. Ho posits a new concept of “collective improvisation” to make sense of such a decentralized yet creative way of protesting. Be Water seeks to understand the rise and long afterlife of this movement and illustrate its efficacy. As Dr. Ho shows, these dynamics of collective improvisation have implications for contemporary protest movements around the world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. In The Varnish and the Glaze: Painting Splendor with Oil, 1100–1500 (U Chicago Press, 2023), Dr. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze.

For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Dr. Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more.

The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

While the war on terror has been America's largest and most publicized attempt to root out foreign enemies this century, the quest to identify and destroy real or imagined threats to national security has long been a part of US history. Drawing on six case studies, Professor Michael E. Neagle spotlights the commonalities of how the United States has leveraged popular understandings of "bandits" to justify incursions abroad as well as rally popular and political support at home.

Chasing Bandits: America's Long War on Terror (UNC Press, 2025) puts recent manhunts for such figures as Osama bin Laden and Abu Bakr al-Baghdadi into deep historical context. For more than a century, Americans have designated some enemies as bandits, but chasing them has yielded mixed results.

Dr. Michael Neagle is director of history and political science at Nichols College, where he is also co-chair of the terrorism studies program.

Dr. Jacob Hagstrom is an army veteran and author of America's Favorite Warlord (Pen and Sword, 2026).