New Books with Miranda Melcher

Romantic Media and Wartime Networks (Stanford UP, 2026) by Dr. Deven Parker tells the story of how Britain revolutionized its state communication networks on an unprecedented scale during the French Revolution and the Napoleonic Wars, setting the stage for our modern infrastructure state where connectivity and surveillance go hand in hand. Dr. Parker argues that Romantic literary representations of this state communications network managed to reveal—and, on occasion, to resist—its ideological functions.
In a wide-ranging study drawing upon an archive of military surveys, spy reports, trial records, and even ladies' hand fans, Dr. Parker reveals the scope and impact of the British government's investments in shutter telegraphs, mapping projects, and postal routes across two decades of war with France. The writers of the Romantic period, meanwhile, were cognizant of the political motivations undergirding the state's overhauled networks, which were designed to facilitate and speed up but also to more easily control communications. Taking up familiar writers including Lord Byron, Mary Wollstonecraft, William Godwin, Charlotte Smith, Charles Lamb, William Hazlitt, and Thomas De Quincey—as well as lesser-known figures such as radical playwright John Dent, inventor Richard Lovell Edgeworth, and the proto-science fiction novelist Jane Loudon—Dr. Parker reads Romantic literature for its astute chronicling and interrogation of the material hardware of the state's media ecology.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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With Art for the White House: A Changing Portrait of America (White House Association, 2026), Leslie Greene Bowman presents a wholly new perspective on the White House fine arts collection, revealing how all two-hundred and fifty years of America’s history can be told through the collection.
Art for the White House begins with the story of how the collection was created—slowly and cautiously—as our young nation was eager to distinguish itself from artwork that could be associated with the patronage and luxuries of European monarchs. The very first work of art authorized by Congress was a painting that remains one of the greatest works of art in any collection of American art, George Washington by leading American portrait artist, Gilbert Stuart. This is the painting Dolley Madison saved in 1814 when the British set the White House afire and this painting has presided on the walls of the State Rooms longer than any other work of art. Bowman explains, “It is a touchstone to America’s violent and aspirational birth and a tribute to the success of its fragile experiment in the face of globally dominant, centuries-old monarchies.”
Despite the symbolism of the first acquisition, the collection that was created and ultimately grew to more than 500 paintings, illustrations, and sculptures, was slow to develop both because the nation was young and trying to define itself and also because of the government’s lack of resources. American art had matured in the 19th century, establishing strengths in landscape, still-life, and genre scenes, but the White House’s collection remained limited. Bowman attributes much of the credit for the growth of the collection to First Lady Jacqueline Kennedy who “made the nation’s history a priority for her expansion of art holdings.” In less than three years, Mrs. Kennedy had transformed the house and art collection. Not only had it doubled in size, it represented the nation’s finest artists and included a variety of subject matter including still lifes, landscapes, history, and genre scenes.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Mapping Medical Modernity: Urban Space and Public Health in Tokyo, 1868–1920 (U Pittsburgh Press, 2026) by Professor Susan L. Burns explores the history of medical modernization and public health in late nineteenth- and early twentieth-century Tokyo, a city undergoing rapid transformation from the seat of power of the Tokugawa shoguns of the Edo period to the capital of a modern nation-state and its expanding empire in the Meiji period.
Tracing the development of institutions and policies designed to improve medical care and public health in a dense urban environment, Professor Burns examines tensions between the involved parties—including doctors and policymakers, police and civil officials, residents and those who governed them—and provides case studies focused on three of the city’s major challenges in public health: syphilis, cholera, and mental illness. Drawing upon a wide range of archival materials and contemporary accounts, Dr. Burns also employs geographic information system analysis in mapping the complicated relationships interlinking aspects of the urban environment, social life, public policy, and commercialized medical culture to demonstrate visually how policy decisions and medical capitalism gradually reshaped existing spatial arrangements in the city as well as the social relations that unfolded within them.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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American Amazigh: Remaking North African Indigeneity and Belonging in the Diaspora (NYU Press, 2026) by Dr. Heide Castañeda examines the complex identity negotiations of Amazigh people—also known as Berbers—as they build community and claim visibility in the American landscape. These distinct ethnic groups, whose histories predate the arrival of Arabs in North Africa, unsettle categories of race and ethnicity in the U.S., challenging dominant assumptions about what it means to be African, Indigenous, and Muslim. Their experiences also disrupt familiar immigration narratives, revealing the complexities and challenges of legal migration processes such as family reunification and the Diversity Immigrant Visa program.

In seeking to make their struggles for recognition legible within the American context, Amazigh communities grapple with conditional belonging while also bearing the legacy of marginalization in their home countries, which is rooted in colonial divisions, postcolonial nationalism, and Arabization policies, fostering systemic discrimination. In the diaspora, Amazigh identity is being actively reshaped as individuals and organizations engage with new ideological frameworks, global Indigenous rights movements, and recent political gains in North Africa, where they have long fought for linguistic, cultural, and legal equality.

The Indigenous perspective has been largely missing from the literature on migration. Drawing on four years of ethnographic research, and framed around the concept of diasporic indigeneity, the book explores how the Amazigh people forge new anchors of belonging and create spaces of social cohesion. By uncovering both the opportunities and challenges presented in the American context, the book moves beyond conventional migration narratives to illuminate how identity and belonging are continually translated and reconfigured within new places.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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What underpins the legitimacy of the prison system in the twenty-first century? Despite numerous challenges and setbacks, there is still a widespread belief that prisons can be improved in a socially progressive way. Even today, 'model prisons' are being built that seek to fix the shortcomings and failures of their predecessors, as if past failures were due to a lack of imagination, determination, or resources.

The aim of creating model prisons is not new: it dates back to the early nineteenth century. Ranging from England to Switzerland and Spain, from Russia to China and India, Carceral Utopia: A Global History of Modern Prisons (Polity, 2026) by Dr. Gregory Salle documents a rich, global history of ambitious efforts to create model prisons – places of confinement initially lauded for their progressive ideals but later revealed as fiascos.

At the end of this journey through time and space, it will not suffice merely to highlight the gap between plans and realities, or even to dispel the illusion that model prisons could not live up to their claims. We need to ask why, despite so many failures, these institutions are still being built today. Might their many obvious shortcomings conceal a covert success?
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.