The Daily Poem

• John Keats' "On First Looking Into Chapman's Homer"

  As William Shakespeare was putting the final touchers on Hamlet, George Chapman was beginning (arguably) an even more momentous undertaking: introducing the English-speaking world to Homer’s epics. In a turn of historical irony, the fame of Chapman’s translation continues almost solely in and through today’s poem–but there are worse ways to be remembered. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

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• Mary Oliver's "First Snow"

  Today’s poem was too topical to pass up. Like so many of Oliver’s poems, it is an invitation to attend closely to life’s unexpected gifts. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

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  7:53
• G. K. Chesterton's "Stilton and Milton"

  Today’s poem, whose full title is “Stilton and Milton; Or Literature in the 17th and 20th Centuries,” has something for book lovers and cheese lovers alike to dig in to. Chesterton once wrote that “poets have been mysteriously silent on the subject of cheese,” and he then set about rectifying that state of affairs through poems like these. Happy reading. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

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  5:40
• John Keble's "The Accession"

  Today’s poem, though written for the far more infrequent crowning of monarchs, contains plenty of sentiments fitting for a quadrennial presidential inauguration. Happy reading.On a pillar on the west wall of Poets' Corner in Westminster Abbey is a white marble bust to poet and clergyman John Keble. The bust is signed and dated by Thomas Woolner, 1872 and is just inscribed 'JOHN KEBLE'. The memorial was originally much more elaborate and was in the south west tower chapel of the nave (now St George's chapel), placed between Dr Thomas Arnold and William Wordsworth. The bust, on a foliated corbel, was set within a decorated oval frame set with jewels with two small pillars either side of the bust. Above was a decorated cross and below a square tablet with the inscription:In memory of John Keble, author of the Christian Year. Born 1792. Died 1866. In quietness and in confidence shall be your strength. Isaiah xxx.15. He rests in peace at Hursley of which he was Vicar 30 years.When the chapel was redesigned in 1932 the memorials there were all moved - Arnold to the north west nave chapel and Wordsworth to Poets' Corner. Only the bust of Keble was retained and mounted on a new Purbeck marble bracket in the Corner.He was born at Fairford in Gloucestershire on 25th April 1792, son of the Reverend John Keble and his wife Sarah (Maule). After education at home he attended Oxford University. In 1827 he published his popular work The Christian Year. He was professor of poetry at Oxford and became rector of Hursley in Hampshire in 1836. With Newman and Pusey he instigated the Oxford Movement. He married Charlotte Clarke but there were no children. He died on 29th March 1866 and is buried at Hursley. Keble College in Oxford was founded in his memory.-bio via Westminster Abbey This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

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  5:15
• Yvor Winters' "At the San Francisco Airport"

  Though not yet the Dantesque hells that they are today, airports in 1954 were already places of union, separation, and general existential anxiety. This meditation comes from a serious and sphinx-like Winters at the height of his poetic development–though not yet at his own “terminal,” here he is a man who already has plenty to look back on. Happy reading.(Arthur) Yvor Winters was born in Chicago on October 17, 1900. While studying at the University of Chicago he was diagnosed with tuberculosis and decided to relocate to Santa Fe, New Mexico, for the sake of his health. His early poems, published in 1921 and 1922, were all written at a tuberculosis sanitarium. He enrolled at the University of Colorado in 1925, where he earned his bachelor’s and master’s degrees. In 1926, he married the poet and novelist Janet Lewis. He spent two years teaching at the University of Idaho in Moscow before entering Stanford University as a graduate student, receiving his PhD in 1934. From 1928 until his death, he was a member of Stanford’s English department.Winters’s books of poetry include The Early Poems of Yvor Winters, 1920–1928(Swallow Press, 1966); Collected Poems (1952; revised edition, 1960), winner of the Bollingen Prize; Poems (Gyroscope Press, 1940); Before Disaster (Tryon Pamphlets, 1934); The Proof (Coward-McCann, Inc., 1930); and The Immobile Wind (M. Wheeler, 1921). In Defense of Reason (Swallow Press, 1947), Winters’s major critical work, is a collection of three earlier studies: The Anatomy of Nonsense (New Directions, 1943); Maule’s Curse (New Directions, 1938); and Primitivism and Decadence (Arrow Editions, 1937).Winters was also a prolific and controversial critic who believed that a work of art should be “an act of moral judgement” and attacked such literary icons as T. S. Eliot and Henry James. The chair of the Stanford English department notoriously denounced Winters as a “disgrace to the department.”Winters’s honors include a National Institute of Arts and Letters award as well as grants from the Guggenheim Foundation and the National Endowment for the Arts. He died on January 25, 1968, in Palo Alto, California.-bio via Academy of American Poets This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

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