From "Orange Is The New Black" and "Severance" to "Spider-Man:Homecoming" and "Inez & Doug & Kira," Michael Chernus has been consistently delivering performances that place him as one of the most cherished character actors working today. His latest happens to be the first time he's staring in a television series—"Devil In Disguise: John Wayne Gacy"—and it's bringing him some of the best reviews of his career. On this epic episode, he talks about the freedom he felt in knowing he would never truly know that character, and why it took every tool in his "toolkit" to depict him. He takes us back to his early days at Juilliard, generously dives deep into the roots of his acting process, gives us an honest depiction of the lessons he's learned about what it takes to do this work well, talks about the importance of being in service of the larger production, explains why he likes being directed, lays out the problem with "denying what's happening in the room," makes a case for making bold choices, and much much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. Follow Back To One on Instagram
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1:29:10
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1:29:10
June Squibb
June Squibb has only been acting for about seven decades, so forgive her if she hasn't figured this whole acting thing out yet. Luckily she isn't stopping or even slowing down. In fact, at 96 years old, she is more busy than ever before. Since her Oscar nomination for a supporting role in Alexander Payne's "Nebraska," Squibb has been in high demand. Her first leading role in a film, "Thelma," led to another, "Eleanor The Great," directed by Scarlett Johansson. And now she's about to take the stage in the exciting new Broadway production of "Marjorie Prime." On this episode, she talks about what she's anticipating with her return to New York theater. She explains how her acting teacher second husband gave her the tools to go deeper in the work, why the script is so important to her, what she learned from the great Ethel Merman, why she turns down most of the roles offered to her, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. Follow Back To One on Instagram
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34:32
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34:32
Tom Bateman
Tom Bateman has delivered wonderful performances in "Thirteen Lives," "Death on the Nile," "Murder on the Orient Express," and Peacock's dark comedic thriller series "Based on a True Story," alongside Kaley Cuoco and Chris Messina, to name a few. For his latest, "Hedda," he got to work opposite Tessa Thompson and Nina Hoss. On this episode, he explains what made that production special, starting with the 2 weeks of rehearsal that director Nia DeCosta insisted on. He takes us through his beginnings in the theater, how Shakespeare is the gift that keeps on giving, gives examples of direction that ignited discoveries, hard lessons learned in younger days, the curious phenomena of finding similarities in his characters the further he gets away from himself, and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. Follow Back To One on Instagram
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54:35
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54:35
Corey Fogelmanis
Corey Fogelmanis' first big break came as the fan-favorite Farkle on the Disney Channel series "Girl Meets World." He later appeared alongside Octavia Spencer in the psychological thriller "Ma," and in Netflix's hit series "My Life with the Walter Boys." Now his first lead performance as Ben, a teen who comes out as non-binary, in the refreshingly modern coming-of-age movie "I Wish You All the Best," has already garnered glowing early reviews. On this episode, he talks about the "very aligned process" of working with director Tommy Dorfman, how music helps him prepare, learning the difference between naturalism and truthfulness, the difficulties of shaking off old childhood sit-com methods, and much more! Plus he just got done acting in the sequel to "Once Upon a Time in Hollywood," helmed by David Fincher, so he gives us a slight peak into that production! "I Wish You All The Best" opens in select theaters on Friday November 7th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. Follow Back To One on Instagram
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34:37
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34:37
Nina Hoss
Nina Hoss is one of our most respected stage, film, and television actors working internationally. She is known for her collaborations with director Christian Petzold in films such as "Barbara" and "Phoenix," as well as "Tar" opposite Cate Blanchett, the celebrated series "Homeland," and her latest "Hedda," opposite Tessa Thompson. On this episode, she talks about what drew her to Nia DaCosta's bold new reimagining of the Ibsen's classic. She gives us a peek into her process, talks about the "journey of filmmaking" she and Petzold embarked on together, environment as communication, how "The Cherry Orchard" in Brooklyn "landed at the right time," finding enjoyment in "checking out the possibilities," why she sometimes rehearses in German when she's acting in English, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. Follow Back To One on Instagram
The no nonsense, in-depth, actors-on-acting podcast from Filmmaker Magazine. Hosted by Peter Rinaldi. One working actor every episode doing a deep dive into their approach to the craft. No small talk, no celebrity stories, no inane banter—just the work.
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