Culture Gabfest

• Pee Wee’s Big Documentary Edition

  On this week’s show, the secret word is: Pee-wee. Dana, Steve, and Julia discuss the new documentary Pee-wee as Himself. The fascinating two-part film, directed by Matt Wolf, attempts to reveal the complex man Paul Reubens behind the beloved, surprisingly subversive, goofball that was Pee-wee Herman.  Next, they tee off to talk about Stick, the new comedy series starring Owen Wilson set in the world of professional golf. In the third segment, they’re joined by Atlantic staff writer Caity Weaver to chat about her recently published, rollicking travel piece An Innocent Abroad in Mark Twain’s Paris. In an exclusive Slate Plus segment, inspired by a listener question, the hosts each share their  dream city they’d love to live in but have only ever visited. Endorsements: Steve: Sly Lives! the Questlove-directed documentary about the hugely influential pop star Sly Stone who recently passed away. Julia: Season 2 of Poker Face and its smorgasbord of incredible guest appearances by beloved character actors. Dana: The delightfully designed single-purpose website Oracle of Bacon. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• The Creator of Succession Takes on the Broligarchy Edition

  On this week’s show, longtime hosts Julia, Stephen, and Dana are all together in-person to talk about Mountainhead, the new HBO Max movie from Jesse Armstrong, creator of Succession. Then, they dig into the new Amazon Prime series Overcompensating. Finally, they talk about the new PR junket, full of spicy food and odd quizzes, inspired by this Vulture article by Nicholas Quah.  Endorsements: Dana: The Pulitzer Prize winning book, The Swerve: How the World Became Modern by Stephen Greenblatt.  Julia: Restauranteur Keith McNally’s memoir, I Regret Almost Everything.  Stephen: Sarah Beckwith’s piece in The New Yorker, “Returning to the Scene of My Brutal Rape.” and the novel 2666 by Roberto Bolaño. Podcast production by Benjamin Frisch. Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Tom Cruise Nearly Died So You Would Like this Movie Edition

  On this week’s show an all-star team of super agents join Julia to gab including guest host Amy Nicholson, film critic for the Los Angeles Times. Their first mission: Mission Impossible: The Final Reckoning, the supposed final installment of the Tom Cruise action juggernaut. Like Cruise on to a vintage biplane, Dana jumps on the call to discuss all the film’s death-defying stunts, clunky exposition, and lasting cultural impact. Next, they’re joined by Slate senior editor Rebecca Onion to dish on Sirens, Netflix’s pastel-hued dramedy starring Meghan Fahey, Milly Alcock, and Julianne Moore. Finally, Slate’s music critic Carl Wilson arrives to grapple with the hugely successful, but critically polarizing, new Morgan Wallen album I’m the Problem. In an exclusive Plus segment, Amy, fresh from the Riviera, shares with Julia and Dana her favorite films and moments from the 2025 Cannes Film Festival. Endorsements: Amy: The 19th season of the British game show Taskmaster, wherein a group of comedians are made to do impossible tasks by host Greg Davies. Carl: The Mock Trial-centric live episode of the musical improv podcast Off Book, and the podcast itself while you’re at it.  Julia: The quintessentially American, summertime experience of eating a hotdog on a ferry as well as the 2011 film Money Ball. You can also hear more from Amy on her podcast Unspooled and from Carl on his substack Crritic!.  Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen. Podcast production by Benjamin Frisch. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• You Are the Media Now

  On this week’s episode, the hosts tackle A‌ Real Pain, writer-director Jesse Eisenberg’s tale of two cousins (played by himself and Kieran Culkin) who travel to Poland to honor their late grandmother and, in the process, come to understand their family’s history through a new lens. Then, the three drop into the lush, sumptuous world of Like Water for Chocolate, Max’s new six-part limited series adapted from Laura Esquivel’s best-selling novel (which later became a critically acclaimed and internationally successful blockbuster.) Then finally, in a post 2024-election reality, do newsrooms still matter?‌ What role will journalists play over the next few years?‌ And can we solve the attention crisis in America?‌ Our panel discusses.  In the exclusive Slate Plus segment, the panel dive into a simple, yet important question: How are you doing?  Email us at [email protected].  Endorsements: Dana: On the Media’s latest episode, “The Manosphere Celebrates a Win. Plus, M. Gessen on How to Survive an Autocracy.”  Julia: What better time than now to announce the results of the AMC Nicole Kidman poll!  Steve: “Jessica Mitford’s Escape From Facism” by Noah McCormack.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• Can Stolen Artifacts Return Time?‌

  On this week’s show, Slate senior editor Rebecca Onion sits in for Julia Turner. First, the hosts examine Dahomey, an audacious new documentary by acclaimed filmmaker Mati Diop (Atlantics.)‌ With a one hour, eight minute run time, Dahomey is an incredibly rich text in a very small package, and contemplates the repatriation of 26 royal treasures plundered from the Kingdom of Dahomey as they journey back to their homeland, which now lies within the Republic of Benin. Then, the three dive into Netflix’s Death, Let Me Do My Special, a one-woman show performed and written by Rachel Bloom (Crazy Ex-Girlfriend.)‌ The special is perceptive, macabre, and whimsical, as Bloom reflects on the pandemic years and the loss of her close friend and collaborator, Adam Schlesinger. Finally, what is Mark Zuckerberg wearing?‌ That is the question Brendon Holder asks in a recent Substack essay and that is bewildering the panel. Is the Meta CEO simply trying to beat the dweeb allegations through oversized t-shirts and a boyish haircut? Or is there something more sinister going on here? In the exclusive Slate Plus segment, the panel discusses the role TV plays in their lives, inspired by a recent mega-article published by GQ, “How to Watch TV.”  Email us at [email protected].  Endorsements: Dana:‌ The AOC‌ and Tim Walz Twitch stream, specifically, the moment when Walz calls Tony Hinchcliffe a “jackwad” following a racist comment.  Rebecca:‌ The Voyage Home by Pat Parker. Stephen:‌ Todd Gitlin’s 2001 essay, “Unsafe in any state.” Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

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