Collider Ladies Night & Collider Forces

• Superman Interview: Mikaela Hoover on Playing Cat Grant and Joining the One Piece Cast

  If you frequent Collider Ladies Night, you’re well aware that I’m a big proponent of filmmaking families — frequent collaborators who stick together and also add new additions to the family every step of the way. Mike Flanagan’s “Flanafamily” is a big one, and it’s a topic that keeps popping up with Molly Gordon, who’s recently found great success collaborating with close friends on films like Theater Camp and Oh, Hi. Yet another top-tier filmmaking family? The one James Gunn started and continues to thrive with, and that family has a member you’re going to be seeing a whole of in the coming weeks, months and years. It’s Mikaela Hoover.In celebration of the release of Superman, in which Hoover plays Daily Planet gossip columnist Cat Grant, she took the time to swing by the Collider Ladies Night studio and recap her journey to joining three of the biggest franchises of all time - DC, Marvel and, most recently, One Piece. It’s a list of accomplishments that certainly can be traced back to Hoover’s natural talent, but as we often discuss on Ladies Night, in film and television, finding someone who sees you and what you’re capable of can be essential. Hoover found that in Gunn. Hosted on Acast. See acast.com/privacy for more information.

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• The Pitt Interview: Taylor Dearden on Mel & Langdon, That Savage Scene, and Season 2

  You don’t get a bigger breakout opportunity than a show like The Pitt. Taylor Dearden’s already made a big impression in the gone-too-soon MTV series Sweet/Vicious and the second season of American Vandal, but The Pitt just sent her star soaring in a wholly different way.The Pitt is undeniably (and deservedly) one of the most celebrated new shows of the year and Dearden’s performance has proven to be an especially big standout among an ensemble full of aces. She plays Dr. Mel King, a second-year resident about to begin her very first day at Pittsburgh Trauma Medical Hospital's emergency room, aka, The Pitt. While there are nerves at the start of the shift, Mel’s an extremely skilled doctor who excels under pressure and also has the emotional capacity to connect with patients in ways others can’t.With the show on the cusp of what could be an extremely successful Emmy season, Dearden carved out some time on a day off from filming Season 2 to swing by the Collider Ladies Night studio and run through her experience playing Mel and adapting to The Pitt’s one-of-a-kind filming schedule. We also took the time to zero in on a few key scenes from Season 1, one of which has become an especially beloved fan-favorite — the “Savage” scene. Hosted on Acast. See acast.com/privacy for more information.

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• Jurassic World Rebirth Interview: Luna Blaise vs. the T-Rex in That River Scene

  As though starring in a new Jurassic World movie isn’t a big enough deal, Luna Blaise also boasts an especially exciting franchise achievement. She’s right smack in the middle of one of the most iconic set pieces from Michael Crichton’s Jurassic Park novel, a set piece that was famously cut from Steven Spielberg’s original film.In Jurassic World Rebirth, Blaise plays Teresa Delgado. Just before starting her first year at college, Teresa takes a boat trip with her father (Manuel Garcia-Rulfo), her little sister (Audrina Miranda), and her boyfriend (David Iacono). Little do they know, they’re sailing through Mosasaurs territory. Fortunately, Scarlett Johansson’s Zora Bennett and her team swoop in to save them, but the Mosasaurs sets its sights on their boat instead and the entire group winds up stranded on Ile Saint-Hubert, an island that InGen once used to run a secret R&D facility.While trying to make their way to a rumored village on the island, Teresa and her family are left with no choice but to steal an inflatable raft right out from under a sleeping T-Rex’s nose and ride it down river to get them closer to this supposed safe haven.With Jurassic World Rebirth now playing in theaters nationwide, Blaise joined me for a Collider Ladies Night conversation to revisit her journey to the franchise, a journey that included two hit TV shows - Fresh Off the Boat and Manifest. She also recapped her Jurassic World audition, revealed her character’s backstory, explained why she thinks of Garcia-Rulfo and Iacono as family, and, of course, walked me through exactly what it was like to film that river raft scene. Hosted on Acast. See acast.com/privacy for more information.

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• Allison Williams Interview: Get Out's Unexpected Crossover with M3GAN 2.0 and Girls

  Allison Williams’ filmography is loaded with variety, but it’s also packed with examples of how one project can influence another — even if they’re in entirely different genres. There’s the hit HBO comedy-drama series Girls, which first sent Williams’ star skyrocketing. As that show wound down, Williams headlined a feature film for the very first time, Jordan Peele’s Academy Award-winning horror movie Get Out. Williams continued to enjoy great success in the genre, but wound up exploring an entirely different corner of it with the horror-comedy M3GAN. Now, M3GAN 2.0 let’s her do just that yet again as the horror-comedy concept becomes a horror-comedy-action film.M3GAN 2.0 picks up about two years after the events of the original film. Since Gemma’s (Williams) A.I. creation went on a murderous rampage, she’s put her focus on advocating for government oversight of artificial intelligence. However, when Gemma discovers that the M3gan tech wasn’t entirely destroyed and was used to create a military-grade weapon called Amelia (Ivanna Sakhno), she’s left with no choice but to resurrect and team up with M3gan to stop Amelia from growing too far beyond the control of her human creators.With M3GAN 2.0 now playing in theaters nationwide, Williams joined me for a Collider Ladies Night conversation to retrace her journey in film and television thus far, and to dig into how her craft in front of and behind the lens has evolved. Hosted on Acast. See acast.com/privacy for more information.

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• Ginny and Georgia Season 3 Interview: Katie Douglas on Abby & Sam, Abby vs. Max and More!

  Katie Douglas is in the midst of a banner year. She just headlined Eli Craig’s adaptation of the Adam Cesar novel, Clown in a Cornfield, and the slasher movie broke records when it hit theaters. The movie scored IFC Entertainment Group its biggest opening weekend ever. A mere month later, Douglas had another title that posted huge numbers. Upon release, Ginny & Georgia Season 3 became the most-watched TV title on Netflix with a whopping 17.6 million views. In celebration of all that success, Douglas visited the Collider Ladies Night studio to revisit how she paved her way to Clown in a Cornfield and Ginny & Georgia, and to dig especially deep into the hit Netflix series’ third season, which includes quite a few game-changing moments for her character, Abby.In Ginny & Georgia Season 3, Brianne Howey’s Georgia is trying to avoid becoming a convicted “Mayoress Murderess.” While Abby stands firmly by Ginny’s (Antonia Gentry) side as she powers through her mom’s trial, Abby must navigate a multitude of personal challenges of her own, challenges that undoubtedly will reshape her priorities and who she is moving forward.During our conversation, Douglas mentioned using journaling to tackle her work as an actor, so I opted to ask how her journaling as Abby has evolved from Season 1 to Season 3. As Douglas explained, in Season 1, she had a “teenage edge to her.” Douglas continued, “It was very surface-level. She was kind of catty and loved her friends, but in a way that it’s easier for her to tease than to be affectionate.” In Season 3, however, her journaling is far more fleshed out because “she's aware that she needs help.” Douglas credits Abby’s very first experience going on a romantic journey with making feelings a bit easier for her. “I was trying to exercise what that would feel like for somebody who has only ever used intimacy in a way that is performative, or kind of a form of self-harm, just what that would look like on paper and the slow burn and the build-up of coming to terms with the fact that you're learning how to love and you're learning who you love, and you are only a teenager.” Hosted on Acast. See acast.com/privacy for more information.

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